Fraud Blocker Skip to main content

Deceiving Collection

In the realm of deception, nature often plays its part

Background imageDeceiving Collection: animals, cloud, color image, concept, copy space, danger, day, deceiving, facade

animals, cloud, color image, concept, copy space, danger, day, deceiving, facade, fierce, fin, fish, goldfish, horizontal, humor, misconception, nature, nobody, ocean, ominous, one animal, outdoors

Background imageDeceiving Collection: 'The cup of wine which she gives him each night contains a sleeping draught'

"The cup of wine which she gives him each night contains a sleeping draught"
BAL4178 "The cup of wine which she gives him each night contains a sleeping draught", illustration to 'King of the Ebony Isles', 1911 (colour litho) by Dulac

Background imageDeceiving Collection: The Lie, plate one from Intimacies, 1897. Creator: Félix Vallotton

The Lie, plate one from Intimacies, 1897. Creator: Félix Vallotton
The Lie, plate one from Intimacies, 1897

Background imageDeceiving Collection: The Blind Beggar Tricked by Lazarillo, n.d. Creator: Thomas Wyck

The Blind Beggar Tricked by Lazarillo, n.d. Creator: Thomas Wyck
The Blind Beggar Tricked by Lazarillo, n.d

Background imageDeceiving Collection: A Norwegian huldre who seems to be an innocent milkmaid, but who is in reality a deceiving witch

A Norwegian huldre who seems to be an innocent milkmaid, but who is in reality a deceiving witch who can lead the unwary countryman into all kinds of trouble. Date: 1879

Background imageDeceiving Collection: The Trap, 1915 (litho)

The Trap, 1915 (litho)
STC407171 The Trap, 1915 (litho) by Jonas, Lucien Hector (1880-1947); Private Collection; The Stapleton Collection

Background imageDeceiving Collection: Le truc de toto (colour litho)

Le truc de toto (colour litho)
3097809 Le truc de toto (colour litho) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: Le truc de toto. Illustration for Le Pele-Mele, 21 August 1904.); © Look and Learn

Background imageDeceiving Collection: Deceiving Catharine the Great (litho)

Deceiving Catharine the Great (litho)
6005061 Deceiving Catharine the Great (litho) by English School, (20th century); Private Collection; (add.info.: Deceiving Catharine the Great)

Background imageDeceiving Collection: Jacob deceiving his Father Isaac (coloured engraving)

Jacob deceiving his Father Isaac (coloured engraving)
2801040 Jacob deceiving his Father Isaac (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Jacob deceiving his Father Isaac)

Background imageDeceiving Collection: Jupiter and Juno on Mount Ida (oil on canvas)

Jupiter and Juno on Mount Ida (oil on canvas)
SAG181378 Jupiter and Juno on Mount Ida (oil on canvas) by Barry, James (1741-1806); Sheffield Galleries and Museums Trust

Background imageDeceiving Collection: Breton wreckers attempting to lure a ship onto the rocks by attaching a lantern to the horns of a

Breton wreckers attempting to lure a ship onto the rocks by attaching a lantern to the horns of a cow (engraving)
6029361 Breton wreckers attempting to lure a ship onto the rocks by attaching a lantern to the horns of a cow (engraving) by French School

Background imageDeceiving Collection: Little Red Riding Hood (coloured engraving)

Little Red Riding Hood (coloured engraving)
5998910 Little Red Riding Hood (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Little Red Riding Hood)

Background imageDeceiving Collection: Marital infidelity: A man lying to his wife over the telephone about having to work late

Marital infidelity: A man lying to his wife over the telephone about having to work late (chromolitho)
5217380 Marital infidelity: A man lying to his wife over the telephone about having to work late (chromolitho) by Browne, Tom (1872-1910); Private Collection; (add.info.: Marital infidelity)

Background imageDeceiving Collection: The Groundwork of Conny-Catching, published in 1592 (engraving) (b / w photo)

The Groundwork of Conny-Catching, published in 1592 (engraving) (b / w photo)
XJF153379 The Groundwork of Conny-Catching, published in 1592 (engraving) (b/w photo) by English School, (16th century); Private Collection; English, out of copyright

Background imageDeceiving Collection: Les Grandes Chasses (engraving)

Les Grandes Chasses (engraving)
2783276 Les Grandes Chasses (engraving) by French School, (19th century); Private Collection; (add.info.: Les Grandes Chasses)

Background imageDeceiving Collection: Sir Kay showeth the mystic Sword unto Sir Ector, illustration from

Sir Kay showeth the mystic Sword unto Sir Ector, illustration from
STC324294 Sir Kay showeth the mystic Sword unto Sir Ector, illustration from The Story of King Arthur and his Knights, 1903 (litho) by Pyle

Background imageDeceiving Collection: Still Life with Books, c. 1627-28 (oil on panel)

Still Life with Books, c. 1627-28 (oil on panel)
3704098 Still Life with Books, c.1627-28 (oil on panel) by Lievens, Jan the Elder (1607-74); 91x120 cm; Rijksmuseum, Amsterdam

Background imageDeceiving Collection: Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Background imageDeceiving Collection: Sinon Deceiving the Trojans, mid-1540 s. Creator: Giorgio Ghisi

Sinon Deceiving the Trojans, mid-1540 s. Creator: Giorgio Ghisi
Sinon Deceiving the Trojans, mid-1540 s. After Giovanni Battista Scultori

Background imageDeceiving Collection: Ixion deceived by Hera, 1620-24. Creator: Pieter van Sompel

Ixion deceived by Hera, 1620-24. Creator: Pieter van Sompel
Ixion deceived by Hera, 1620-24

Background imageDeceiving Collection: Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi

Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi
Jupiter and Antiope, 1540-45

Background imageDeceiving Collection: The Angel which redeemed me from all evil, bless the lads, c1840. Creator: George Presbury

The Angel which redeemed me from all evil, bless the lads, c1840. Creator: George Presbury
The Angel which redeemed me from all evil, bless the lads, c1840. Biblical scene, from Genesis 48: 16: The Angel which redeemed me from all evil, bless the lads; and let my name be named on them

Background imageDeceiving Collection: The voice is Jacobs voice, but the hands are the hands of Esau, 19th century? Creator

The voice is Jacobs voice, but the hands are the hands of Esau, 19th century? Creator
The voice is Jacobs voice, but the hands are the hands of Esau, 19th century? Biblical scene, from Genesis 27: 22: And Jacob went near unto Isaac his father; and he felt him, and said

Background imageDeceiving Collection: Isaac Blessing Jacob, c1638, (1914). Creator: Govaert Flinck

Isaac Blessing Jacob, c1638, (1914). Creator: Govaert Flinck
Isaac Blessing Jacob, c1638, (1914). Biblical scene: Jacob, pretending to be his brother Esau, tricked their blind father into bestowing Esaus rightful blessing on him

Background imageDeceiving Collection: My Sister Is Not In, 1879 (oil on panel)

My Sister Is Not In, 1879 (oil on panel)
WLT206596 My Sister Is Not In, 1879 (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 40.5x31.2 cm; Walters Art Museum, Baltimore, USA; English, out of copyright

Background imageDeceiving Collection: The Disguised Wolf, 1870. Artist: Adolphe Francois Pannemaker

The Disguised Wolf, 1870. Artist: Adolphe Francois Pannemaker
The Disguised Wolf, 1870. From The Fables of Jean de la Fontaine, by Walter Thornbury. [Cassell, Petter & Galpin, London and NY, 1870]

Background imageDeceiving Collection: Pirates Decoying an American Ship, c1880

Pirates Decoying an American Ship, c1880
Pirates Decoying an American Ship, 1925. From Adventures By Sea From Art of Old Time, by Basil Lubbock. [The Studio Ltd. London, 1925]

Background imageDeceiving Collection: Sigh No More, Ladies, Sigh No More, c1875. Artist: Sir John Gilbert

Sigh No More, Ladies, Sigh No More, c1875. Artist: Sir John Gilbert
Sigh No More, Ladies, Sigh No More, c1875. A scene for Shakespeares Much Ado About Nothing, Act 2, Scene 3. From The Illustrated Library Shakespeare

Background imageDeceiving Collection: Hannah Snell, British soldier, 18th century (1904)

Hannah Snell, British soldier, 18th century (1904). Hannah Snell (1723-1792) disguised herself as a man and became a soldier after her husband deserted her

Background imageDeceiving Collection: Chistian Davies (or Old Mother Ross ), c1706 (1904)

Chistian Davies (or Old Mother Ross ), c1706 (1904). Born Christian Cavanagh in Dublin, Christian Kit Davies (1667-1739) served in disguise in the British Army from 1693 to 1697

Background imageDeceiving Collection: Love and the Vices Disarm Judgement, late 17th or early 18th century. Artist: Paolo de Matteis

Love and the Vices Disarm Judgement, late 17th or early 18th century. Artist: Paolo de Matteis
Love and the Vices Disarm Judgement, late 17th or early 18th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageDeceiving Collection: Blind Man Deceived, c1755. Artist: Jean-Baptiste Greuze

Blind Man Deceived, c1755. Artist: Jean-Baptiste Greuze
Blind Man Deceived, c1755. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageDeceiving Collection: animal likeness, australia, blue sky, cart, cloud, color image, computer graphic

animal likeness, australia, blue sky, cart, cloud, color image, computer graphic
Trojan horse on cart

Background imageDeceiving Collection: Cheesecloth

Cheesecloth
Ethel Beenham, Harry Prices secretary, demonstrates how a sheet of cheesecloth 2 metres by half a metre can be fitted into a deceiving mediums mouth or other orifice

Background imageDeceiving Collection: Deceiving the enemy

Deceiving the enemy
While the majority of their colleagues retreat to a line of trenches further back, some British soldiers remain in the front trench to convince the Germans that the trench is still fully occupied

Background imageDeceiving Collection: Giorgio Ghisi after Giovanni Battista Scultori (Italian, 1520 - 1582), Sinon Deceiving

Giorgio Ghisi after Giovanni Battista Scultori (Italian, 1520 - 1582), Sinon Deceiving the Trojans, c. 1545, engraving on laid paper

Background imageDeceiving Collection: Nostradamuss Magic Mirror

Nostradamuss Magic Mirror. Nostradamus (at right, 1503-1566) was a French physician and astrologer. Here he is using a magic mirror to foretell the future to Catherine de Medicis (1519-1589)


All Professionally Made to Order for Quick Shipping

In the realm of deception, nature often plays its part. From deceiving the invader as to the state of the tide, to animals camouflaging in their surroundings, it seems that deceit is a survival strategy ingrained in our world. A cloud drifts lazily across a blue sky, masking its true intentions behind an innocent facade. Just like a Norwegian huldre who appears as an innocent milkmaid but hides her witch-like powers beneath her deceptive appearance. Art too has long been fascinated by this concept of deception. In Netherlandish Proverbs painted in 1559, everyday scenes hide cleverly disguised messages and meanings. The Trap litho from 1915 captures the essence of danger lurking behind seemingly harmless situations. Even young Toto knows how to play tricks with his colorful litho artwork titled "Le truc de toto. " Deception can be found even in ancient tales like "The Abduction of the Sabine Women" by Luca Giordano where love disguises itself as violence. But perhaps one of history's most infamous acts of deception was when Catherine the Great fell victim to trickery depicted in a haunting litho aptly named "Deceiving Catharine the Great. " From biblical stories like Jacob deceiving his father Isaac to mythological tales such as Jupiter and Juno on Mount Ida, deceit weaves its way through our collective narratives. Even sailors were not immune to using deception for their gain; Breton wreckers attempted to lure ships onto treacherous rocks by attaching lanterns to cow horns - a cunning ploy captured forever in an engraving. Deception may be seen as morally wrong or dangerous, but it remains an intriguing aspect of human existence. Whether it's hiding behind masks or manipulating appearances, there is always more than meets the eye when it comes to deceiving others.