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Derides Collection (#4)

"Derides: Unveiling the Art of Mockery Through Centuries" Step into a world where mockery takes center stage

Background imageDerides Collection: The Fool In Love, 1660-86 (brush and Indian ink on paper)

The Fool In Love, 1660-86 (brush and Indian ink on paper)
7308355 The Fool In Love, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Naughty Table Jester, 1660-86 (brush and Indian ink on paper)

The Naughty Table Jester, 1660-86 (brush and Indian ink on paper)
7308342 The Naughty Table Jester, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Old Fool, 1660-86 (brush and Indian ink on paper)

The Old Fool, 1660-86 (brush and Indian ink on paper)
7308340 The Old Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Fool Who Spoils The Sky, 1660-86 (brush and Indian ink on paper)

The Fool Who Spoils The Sky, 1660-86 (brush and Indian ink on paper)
7308542 The Fool Who Spoils The Sky, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Ear-Blowing Fool, 1660-86 (brush and Indian ink on paper)

The Ear-Blowing Fool, 1660-86 (brush and Indian ink on paper)
7308531 The Ear-Blowing Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Fool Who Turns Away From Wisdom Again, 1660-86 (brush and Indian ink on paper)

The Fool Who Turns Away From Wisdom Again, 1660-86 (brush and Indian ink on paper)
7308496 The Fool Who Turns Away From Wisdom Again, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Farmer Fool, 1660-86 (brush and Indian ink on paper)

The Farmer Fool, 1660-86 (brush and Indian ink on paper)
7308494 The Farmer Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Messenger Fool, 1660-86 (brush and Indian ink on paper)

The Messenger Fool, 1660-86 (brush and Indian ink on paper)
7308490 The Messenger Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Fool Boasting Of His Bossiness, 1660-86 (brush and Indian ink on paper)

The Fool Boasting Of His Bossiness, 1660-86 (brush and Indian ink on paper)
7308486 The Fool Boasting Of His Bossiness, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Lying Fool, 1660-86 (brush and Indian ink on paper)

The Lying Fool, 1660-86 (brush and Indian ink on paper)
7308482 The Lying Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Lazy Fool, 1660-86 (brush and Indian ink on paper)

The Lazy Fool, 1660-86 (brush and Indian ink on paper)
7308470 The Lazy Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: The Fool Of The Stables, 1660-86 (brush and Indian ink on paper)

The Fool Of The Stables, 1660-86 (brush and Indian ink on paper)
7308454 The Fool Of The Stables, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDerides Collection: Mockery sheet from 1621 on Friedrich von der Pflaz, the Winter King

Mockery sheet from 1621 on Friedrich von der Pflaz, the Winter King
7279940 Mockery sheet from 1621 on Friedrich von der Pflaz, the Winter King by Unknown Artist, (19th century); Private Collection; (add.info.: Mockery sheet from 1621 on Friedrich von der Pflaz)

Background imageDerides Collection: Mockery, caricature of Napoleon III, 1871

Mockery, caricature of Napoleon III, 1871
7280007 Mockery, caricature of Napoleon III, 1871 by Unknown Artist, (19th century); Private Collection; (add.info.: Mockery, caricature of Napoleon III, 1871)

Background imageDerides Collection: The main altar, equipped with two tables, surmounted by a grandiose marble tabernacle, detail

The main altar, equipped with two tables, surmounted by a grandiose marble tabernacle, detail, 1669 (marble)
7292801 The main altar, equipped with two tables, surmounted by a grandiose marble tabernacle, detail, 1669 (marble) by Corbarelli, Francesco Antonio (d.1718) ; Chiesa di Santa Corona, Vicenza

Background imageDerides Collection: A flock of sheep wait for slaughter by a butcher. 1811 (etching)

A flock of sheep wait for slaughter by a butcher. 1811 (etching)
7235872 A flock of sheep wait for slaughter by a butcher. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A flock of sheep wait for slaughter by a butcher)

Background imageDerides Collection: A donkey brays loudly at prey while hunting with a lion. 1811 (etching)

A donkey brays loudly at prey while hunting with a lion. 1811 (etching)
7235838 A donkey brays loudly at prey while hunting with a lion. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A donkey brays loudly at wolves while hunting with a male lion)

Background imageDerides Collection: A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)

A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
7262207 A CHECK TO CORSICAN ASSURANCE, 1805 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington, UK; (add.info.: A CHECK TO CORSICAN ASSURANCE)

Background imageDerides Collection: GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)

GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)
7262211 GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

Background imageDerides Collection: THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving)

THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving)
7262217 THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

Background imageDerides Collection: Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)

Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)
7262245 Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

Background imageDerides Collection: Two red-coat soldiers running off with a tailors wife, Georgian, 1831 (engraving)

Two red-coat soldiers running off with a tailors wife, Georgian, 1831 (engraving)
7234801 Two red-coat soldiers running off with a tailors wife, Georgian, 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageDerides Collection: Vanity (engraving)

Vanity (engraving)
7201595 Vanity (engraving) by Gheyn, Jacob II de (1565-1625) (after); Private Collection; (add.info.: Vanity. Illustration from Illustrierte Sittengeschichte von Mittelalter bis zur Gegenwart)

Background imageDerides Collection: Young woman making fun of an older woman, 1908 (illustration)

Young woman making fun of an older woman, 1908 (illustration)
7229269 Young woman making fun of an older woman, 1908 (illustration) by Vincent, Rene (1871-1936); Private Collection; (add.info.: Young woman mocking an older woman: she laughs in her face)

Background imageDerides Collection: 'Mirth, that wrinkled care derides'(engraving)

"Mirth, that wrinkled care derides"(engraving)
7177924 " Mirth, that wrinkled care derides" (engraving) by English School, (19th century); Private Collection; (add.info.: " Mirth, that wrinkled care derides)

Background imageDerides Collection: 'Charming spots about this part of the river!'(engraving)

"Charming spots about this part of the river!"(engraving)
7177896 " Charming spots about this part of the river!" (engraving) by English School, (19th century); Private Collection; (add.info.: " Charming spots about this part of the river)

Background imageDerides Collection: German satire of the Reformation mocking monks and the Papacy (colour litho)

German satire of the Reformation mocking monks and the Papacy (colour litho)
7201528 German satire of the Reformation mocking monks and the Papacy (colour litho) by German School, (16th century) (after); Private Collection; (add.info)

Background imageDerides Collection: Two schoolboys mocking a new boy (litho)

Two schoolboys mocking a new boy (litho)
7201193 Two schoolboys mocking a new boy (litho) by English School, (20th century); Private Collection; (add.info.: Two schoolboys mocking a new boy)

Background imageDerides Collection: A practical joke (litho)

A practical joke (litho)
7201179 A practical joke (litho) by English School, (20th century); Private Collection; (add.info.: A practical joke. Illustration from The Boys Own Annual (Boys Own Paper Office, London, 1910)

Background imageDerides Collection: A Beggar Laughing at a Courting Couple (oil)

A Beggar Laughing at a Courting Couple (oil)
354894 A Beggar Laughing at a Courting Couple (oil) by Janneck, Frans Christoph (1703-61); Private Collection

Background imageDerides Collection: THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas)

THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas)
7215363 THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow

Background imageDerides Collection: 'Bear about the mockery of woe'(engraving)

"Bear about the mockery of woe"(engraving)
7177725 " Bear about the mockery of woe" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageDerides Collection: Vede et les dames de la Halle (engraving)

Vede et les dames de la Halle (engraving)
7179554 Vede et les dames de la Halle (engraving) by French School, (19th century); Private Collection; (add.info.: Vede et les dames de la Halle)

Background imageDerides Collection: A wrong fount mouth, cartoon mocking the pitfalls of the printing process (litho)

A wrong fount mouth, cartoon mocking the pitfalls of the printing process (litho)
7200680 A wrong fount mouth, cartoon mocking the pitfalls of the printing process (litho) by English School, (19th century); Private Collection; (add.info.: A wrong fount mouth)

Background imageDerides Collection: Satire of an old man in love (engraving)

Satire of an old man in love (engraving)
7201582 Satire of an old man in love (engraving) by Goltzius, Hendrik (1558-1617) (after); Private Collection; (add.info.: Satire of an old man in love)

Background imageDerides Collection: The machine slipped, cartoon mocking the pitfalls of the printing process (litho)

The machine slipped, cartoon mocking the pitfalls of the printing process (litho)
7200684 The machine slipped, cartoon mocking the pitfalls of the printing process (litho) by English School, (19th century); Private Collection; (add.info.: The machine slipped)

Background imageDerides Collection: The despair of Madame Bertrand, 1815 (coloured engraving)

The despair of Madame Bertrand, 1815 (coloured engraving)
7186151 The despair of Madame Bertrand, 1815 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: The despair of Madame Bertrand, 1815)

Background imageDerides Collection: Satire on the ineffective husband (woodcut)

Satire on the ineffective husband (woodcut)
7201585 Satire on the ineffective husband (woodcut) by German School, (16th century) (after); Private Collection; (add.info.: Satire on an ineffective husband)

Background imageDerides Collection: Satirical depiction of an adulterous woman and a cuckold (copper engraving)

Satirical depiction of an adulterous woman and a cuckold (copper engraving)
7201532 Satirical depiction of an adulterous woman and a cuckold (copper engraving) by French School, (17th century) (after); Private Collection; (add.info)

Background imageDerides Collection: Very badly mixed, cartoon mocking the pitfalls of the printing process (litho)

Very badly mixed, cartoon mocking the pitfalls of the printing process (litho)
7200682 Very badly mixed, cartoon mocking the pitfalls of the printing process (litho) by English School, (19th century); Private Collection; (add.info.: Very badly mixed)

Background imageDerides Collection: Legend of St Catherines Church where spinster women come to pray for matrimony, Dorset

Legend of St Catherines Church where spinster women come to pray for matrimony, Dorset, England (colour litho)
7200526 Legend of St Catherines Church where spinster women come to pray for matrimony, Dorset, England (colour litho) by English School

Background imageDerides Collection: THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas)

THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas)
7215362 THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow

Background imageDerides Collection: THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas)

THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas)
7215359 THE ZAPOROGUES COSSACKS WRITING A LETTER TO THE SULTAN OF TURKEY, 1880-1891 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow

Background imageDerides Collection: Mockery, women bathing (colour litho)

Mockery, women bathing (colour litho)
7150537 Mockery, women bathing (colour litho) by Scalbert, Jules (1851-1928) (after); Private Collection; (add.info.: Mockery, women bathing)

Background imageDerides Collection: Caricature of a lusty old woman with a young man (woodcut)

Caricature of a lusty old woman with a young man (woodcut)
7201587 Caricature of a lusty old woman with a young man (woodcut) by German School, (16th century) (after); Private Collection; (add.info.: Caricature of a lusty old woman with a young man)

Background imageDerides Collection: Boys mocking a tall footmans hat (litho)

Boys mocking a tall footmans hat (litho)
7201197 Boys mocking a tall footmans hat (litho) by English School, (20th century); Private Collection; (add.info.: Boys mocking a tall footmans hat)

Background imageDerides Collection: Episodes from the story of King Charles VII of France and Joan of Arc (chromolitho)

Episodes from the story of King Charles VII of France and Joan of Arc (chromolitho)
7185105 Episodes from the story of King Charles VII of France and Joan of Arc (chromolitho) by French School, (19th century); Private Collection; (add.info)



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"Derides: Unveiling the Art of Mockery Through Centuries" Step into a world where mockery takes center stage, as we explore the captivating artworks that deride and satirize. From religious symbolism to comical engravings, these pieces offer a glimpse into human nature's inclination towards jesting at others' expense. In "Christ Crowned with Thorns, " an oil on canvas masterpiece from 1620, we witness the cruel mocking of Christ himself. The painting captures the agony and humiliation inflicted upon him by those who derided his divinity. Another striking portrayal is found in "The Mocking of Christ, " painted in 1612-13. This artwork delves deeper into the emotional torment endured by Jesus during his crucifixion, showcasing how even in his darkest hour, he faced ridicule and scorn. Moving away from religious themes but still embracing satire, we encounter "Lysistrata and his allies defending the access of the acropolis to men by farts. " Created as a lithograph in 1896, this piece humorously challenges gender norms through flatulence-induced defense tactics. Delving further into comedic depictions is "Arlequin and Leandre drink and sing while mocking Pierrot (verse 8). " An engraving dating back to 1880 showcases three mischievous characters reveling in their mockery of poor Pierrot. Their laughter echoes through time as they find joy at another's expense. Venturing beyond paintings onto paper canvases are several ink drawings collectively known as "The Fools Series" created between 1660-86. Each drawing portrays a different type of fool; The Almost-Night Fool whose antics thrive under darkness, The Falsifier Fool who deceives with cunning tricks, The Fool Who Gives With Displeasure highlighting insincere generosity, The Goodness-Preventing Fool thwarting virtuous acts for personal gain, The Usury Fool exploiting others for financial gain, The Aufbutz Fool who revels