Disciples Collection (page 8)

The call of Andrew and Peter
LLM338258 The call of Andrew and Peter by Copping, Harold (1863-1932); Private Collection; (add.info.: The call of Andrew and Peter)

Christ Finding the Apostles Asleep, c. 1654 (pen & ink with wash on paper)
CLK339986 Christ Finding the Apostles Asleep, c.1654 (pen & ink with wash on paper) by Rembrandt Harmensz. van Rijn (1606-69); 18.3x28 cm; Sterling and Francine Clark Art Institute, Williamstown

Rose window depicting the works of the months and the twelve apostles (stained glass)
PC347105 Rose window depicting the works of the months and the twelve apostles (stained glass) by French School, (13th century); Private Collection; French, out of copyright

Jesus in the Garden of Gethsemane, detail of a Renaissance altarpiece
REV345864 Jesus in the Garden of Gethsemane, detail of a Renaissance altarpiece (painted and gilded wood) by Spanish School, (16th century); Monasterio de Santa Maria de San Salvador, Canas

Apostles Peter and Andrew, c. 1418-20 (tempera on poplar wood)
BFM286737 Apostles Peter and Andrew, c.1418-20 (tempera on poplar wood) by Alvaro, Piero di (fl.1450); 144x84 cm; Lindenau Museum, Altenburg

St. John Changes Sticks and Stones into Jewels
AII78762 St. John Changes Sticks and Stones into Jewels by Bedoli, Girolamo Mazzola (c.1500-69); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

Last Supper (stained glass)
PC84886 Last Supper (stained glass) by French School, (13th century); Saint-Etienne Cathedral, Bourges, France; French, out of copyright

The Last Supper (tempera on panel)
AII80583 The Last Supper (tempera on panel) by Gaddi, Taddeo (c.1300-66); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright

B. 99. II Death of the Virgin, c. 1639 (etching)
FIT107386 B.99.II Death of the Virgin, c.1639 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch, out of copyright

The Descent of the Holy Ghost, 1495-1505 (oil on panel)
BIR99800 The Descent of the Holy Ghost, 1495-1505 (oil on panel) by Botticelli, Sandro (1444/5-1510) (studio of); 207x229.8 cm; Birmingham Museums and Art Gallery; Italian, out of copyright

Ms EAB 664 The Last Supper, Jesus washing the disciples feet
XIR252748 Ms EAB 664 The Last Supper, Jesus washing the disciples feet, from the Codex Purpureus (vellum) (b/w photo) by Byzantine School, (6th century); Museo Diocesano, Rossano

The Last Supper, 1611 (oil on canvas)
ALF238736 The Last Supper, 1611 (oil on canvas) by Calvaert or Calvart, Denys (1540-1619); Private Collection; Alinari

Ms EAB 664 Jesus on the Mount of Olives, from the Codex Purpureus
XIR252751 Ms EAB 664 Jesus on the Mount of Olives, from the Codex Purpureus (vellum) (b/w photo) by Byzantine School, (6th century); Museo Diocesano, Rossano

Window depicting the Ascension, c. 1145 (stained glass)
XIR210445 Window depicting the Ascension, c.1145 (stained glass) by French School, (12th century); 168x116 cm; Saint Julien Cathedral, Le Mans, France; French, out of copyright

Ms Lat. Q. v. I. 126 f. 69v Martha and Mary telling Jesus of the death of Lazarus
XJL197039 Ms Lat. Q.v.I.126 f.69v Martha and Mary telling Jesus of the death of Lazarus, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe

Assumption of the Virgin (w / c on vellum)
BRN196650 Assumption of the Virgin (w/c on vellum) by French School, (15th century); The Barnes Foundation, Philadelphia, Pennsylvania

Ms Lat. Q. v. I. 126 f. 86v Pentecost, from the Book of Hours of Louis d Orleans
XJL197047 Ms Lat. Q.v.I.126 f.86v Pentecost, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); total:225x155 cm; National Library, St

The Lamentation of the Dead Christ, c. 1305 (fresco)
BBC191990 The Lamentation of the Dead Christ, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; Italian, out of copyright

Triptych (oil on panel)
XKH191635 Triptych (oil on panel) by Coffermans, Marcellus (d.c.1575); Hamburger Kunsthalle, Hamburg, Germany; (add.info.: central panel: The Agony in the Garden (Christus am Olberg)

The Last Supper, 1897 (oil on canvas)
BOO183452 The Last Supper, 1897 (oil on canvas) by La Touche, Gaston de (1854-1913); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Ms 870 The Sermon on the Mount, from La Somme le Roy by Frere Laurent
BMR179638 Ms 870 The Sermon on the Mount, from La Somme le Roy by Frere Laurent, illuminated by Maitre Honore (vellum) by French School, (13th century); Bibliotheque Mazarine, Paris

Copy of The Adoration of the Mystic Lamb, from the Ghent Altarpiece
XIR179415 Copy of The Adoration of the Mystic Lamb, from the Ghent Altarpiece, lower half of central panel (oil on panel) (see also 166057) by Eyck

Christ calling St. Peter and St. Andrew, from a series of Signs of the Zodiac
MAE176561 Christ calling St. Peter and St. Andrew, from a series of Signs of the Zodiac, 1681 (oil on canvas) by Tito, Diego Quispe (1611-c.1681); Cuzco Cathedral, Cuzco

The Kiss of Judas, from Antwerp (polychrome wood)
XIR220279 The Kiss of Judas, from Antwerp (polychrome wood) by Flemish School, (16th century); Musee des Beaux-Arts, Arras, France; Flemish, out of copyright

Wooden carvings of St. James the Greater, St. Simon and St. Thaddeus, from the predella of the Isenheim Altarpiece, c
XIR223808 Wooden carvings of St. James the Greater, St. Simon and St. Thaddeus, from the predella of the Isenheim Altarpiece, c.1490 (painted wood) by Hagenauer

The Agony in the Garden (oil on copper)
AGN227809 The Agony in the Garden (oil on copper) by Boeckhorst, Jan (1605-68); 44.5x44.5 cm; Private Collection; Photo eAgnew s, London; Dutch, out of copyright

Christ on the Road to Emmaus (mosaic) (b / w photo)
ALI224385 Christ on the Road to Emmaus (mosaic) (b/w photo) by Byzantine School, (6th century); Sant Apollinare Nuovo, Ravenna, Italy; Alinari

Historiated initial A depicting The Incredulity of St. Thomas, c. 1370 (vellum)
MMT215628 Historiated initial A depicting The Incredulity of St. Thomas, c.1370 (vellum) by Niccolo di Giacomo (14th century); Musee Marmottan Monet, Paris

The Calling of St. Peter and St. Andrew, c. 1626-30 (oil on canvas)
FIT58808 The Calling of St. Peter and St. Andrew, c.1626-30 (oil on canvas) by Cortona, Pietro da (Berrettini) (1596-1669); 28.7x57.4 cm; Fitzwilliam Museum, University of Cambridge

Christ Washing the Disciples Feet, c. 1305 (fresco) (pre-restoration
BEN65194 Christ Washing the Disciples Feet, c.1305 (fresco) (pre-restoration) (see also 192698) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

The Agony in the Garden of Olives, 1889 (oil on canvas)
PHD334 The Agony in the Garden of Olives, 1889 (oil on canvas) by Gauguin, Paul (1848-1903); 72.4x91.4 cm; Norton Museum of Art, West Palm Beach, Florida, USA; French, out of copyright

The Kiss of Judas, detail from panel three of the Silver Treasury of Santissima
BAT43901 The Kiss of Judas, detail from panel three of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel) by Angelico

Jesus dies on the Cross (colour litho)
5226662 Jesus dies on the Cross (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: Jesus dies on the Cross)

Jesus and his Disciples going to Jerusalem, Mark X, 32 (engraving)
5218769 Jesus and his Disciples going to Jerusalem, Mark X, 32 (engraving) by English School, (19th century); Private Collection; (add.info.: Jesus and his Disciples going to Jerusalem, Mark X, 32)

Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile)
6336186 Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); 328x498 cm; eThe Devonshire Collections

Jesus Christ entering Jerusalem (engraving)
6029603 Jesus Christ entering Jerusalem (engraving) by Callot, Jacques (1592-1635) (after); Private Collection; (add.info.: Jesus Christ entering Jerusalem)

Christ Appeareth to the Two Disciples on the Way to Emmaus (engraving)
5200645 Christ Appeareth to the Two Disciples on the Way to Emmaus (engraving) by Schnorr von Carolsfeld, Julius (1794-1872) (after); Private Collection; (add.info)

The fall of Eutychus, illustration from Harold Copping Pictures
3036995 The fall of Eutychus, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

Jesus heals the little boy, illustration from Harold Copping Pictures
3036983 Jesus heals the little boy, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The remorse of Judas, illustration from Harold Copping Pictures
3036963 The remorse of Judas, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The transfiguration, illustration from Harold Copping Pictures: The Crown Series
3036961 The transfiguration, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

Group of wooden sculptures, from the Isenheim Altarpiece, c. 1490 (gilded wood)
XIR50209 Group of wooden sculptures, from the Isenheim Altarpiece, c.1490 (gilded wood) by Hagenauer, Nikolaus (c.1455-1526/28); 167.5x90 cm; Musee d Unterlinden, Colmar

The Agony in the Garden, detail from panel three of the Silver Treasury of Santissima
BAT43902 The Agony in the Garden, detail from panel three of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel) by Angelico

The Betrayal of Christ, c. 1618-20 (oil on canvas)
487972 The Betrayal of Christ, c.1618-20 (oil on canvas) by Dyck, Anthony van (1599-1641); 141.9x113 cm; Minneapolis Institute of Arts, MN

The Descent of the Holy Spirit, 1450-1500 (vellum)
CZA228938 The Descent of the Holy Spirit, 1450-1500 (vellum) by Lochner, Stephan (fl.1442-1466) (circle of); 38.5x25 cm; Czartoryski Museum, Cracow, Poland; German, out of copyright

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"Disciples: Following in the Footsteps of Faith" In the realm of art, they have been immortalized through various masterpieces that depict their unwavering devotion and transformative encounters. From Rembrandt van Rijn's captivating "Supper at Emmaus" to Raphael Morghen and Teodoro Matteini's poignant portrayal of "The Last Supper, " these artworks serve as windows into the lives of those who walked alongside Jesus. One cannot overlook the iconic image of SS. Peter and Paul, depicted in tempera on panel, symbolizing two pillars of Christianity whose teachings continue to inspire generations. Similarly, "Jesus Teaches to Pray" captures a profound moment where disciples learn from their Master how to communicate with God. Amongst these devoted followers was Doubting Thomas, whose skepticism transformed into unyielding faith upon witnessing Christ's resurrection. Yet amidst this circle of loyalty emerged Judas Iscariot, forever remembered for his betrayal – an unfortunate reminder that even among discipleship, darkness can lurk. "The Last Supper/Disciples, " a recurring motif throughout history, showcases both unity and diversity within this chosen group. It serves as a testament to their shared experiences while celebrating individuality within community. As we delve deeper into biblical narratives, we encounter pivotal events such as "The Ascension of Jesus. " This awe-inspiring moment marks the end of physical presence but ignites an everlasting flame within each disciple's heart – empowering them to carry forth His message. However, not all interactions were filled with love and devotion; one striking example is captured in "The Kiss of Judas. " This mosaic depicts treachery juxtaposed against divine grace - reminding us that even amidst betrayal there remains room for redemption and forgiveness. Finally, we witness an act that epitomizes humility and servitude - "Christ Washing the Disciples' Feet. " In this powerful fresco post-restoration masterpiece dating back to 1305, we witness the embodiment of true discipleship.