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Divinity Collection (page 9)

"Journeying through the Divine: Exploring Symbols in Art" Step into a world where divinity transcends time and culture

Background imageDivinity Collection: Janus, ancient Roman god (engraving)

Janus, ancient Roman god (engraving)
8635816 Janus, ancient Roman god (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Janus, ancient Roman god. Illustration from Rom)

Background imageDivinity Collection: Statue of Aphrodite (engraving)

Statue of Aphrodite (engraving)
8635103 Statue of Aphrodite (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Statue of Aphrodite, ancient Greek goddess of love and beauty)

Background imageDivinity Collection: Philosophers in the sacred grove dedicated to Athena, Athens (engraving)

Philosophers in the sacred grove dedicated to Athena, Athens (engraving)
8635084 Philosophers in the sacred grove dedicated to Athena, Athens (engraving) by German School, (19th century) (after); Private Collection; (add.info)

Background imageDivinity Collection: Statue of Pallas Athena by Phidias (engraving)

Statue of Pallas Athena by Phidias (engraving)
8635057 Statue of Pallas Athena by Phidias (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Statue of Pallas Athena by the ancient Greek sculptor Phidias)

Background imageDivinity Collection: Ancient Greek women's headdress (litho)

Ancient Greek women's headdress (litho)
8677445 Ancient Greek women's headdress (litho) by American School, (19th century); Private Collection; (add.info.: Ancient Greek women's headdress)

Background imageDivinity Collection: H for Hercules (chromolitho)

H for Hercules (chromolitho)
8677363 H for Hercules (chromolitho) by French School, (19th century) (after); Private Collection; (add.info.: H for Hercules. Hercules lifting weights to show his strength)

Background imageDivinity Collection: Queen Mary's Dolls' House: The Entrance Hall (b/w photo)

Queen Mary's Dolls' House: The Entrance Hall (b/w photo)
8674091 Queen Mary's Dolls' House: The Entrance Hall (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Entrance Hall)

Background imageDivinity Collection: Pulling down the statue of Diana at Ephesus (engraving)

Pulling down the statue of Diana at Ephesus (engraving)
8664114 Pulling down the statue of Diana at Ephesus (engraving) by English School, (19th century); Private Collection; (add.info.: Pulling down the statue of Diana at Ephesus)

Background imageDivinity Collection: The Car of Thespis (litho)

The Car of Thespis (litho)
8660822 The Car of Thespis (litho) by Rowlandson, George Derville (1861-1930) (after); Private Collection; (add.info.: The Car of Thespis)

Background imageDivinity Collection: Sacrifice of Persian Youths by Themistocles (litho)

Sacrifice of Persian Youths by Themistocles (litho)
8660810 Sacrifice of Persian Youths by Themistocles (litho) by Weatherstone, A.C. (fl.1888-1929); Private Collection; (add.info.: Sacrifice of Persian Youths by Themistocles)

Background imageDivinity Collection: Trevi Fountain, Rome

Trevi Fountain, Rome
3560768 Trevi Fountain, Rome by Unknown photographer, (19th century); (add.info.: Piazza di Trevi, Rome 1870 ca. Date of Artwork: 1732 -1762 Photographer: Unidentified Author); Alinari Archives

Background imageDivinity Collection: Page from Gamage's General Catalogue (96th edition), c.1927 (litho)

Page from Gamage's General Catalogue (96th edition), c.1927 (litho)
8669949 Page from Gamage's General Catalogue (96th edition), c.1927 (litho) by English School, (20th century); Private Collection; (add.info)

Background imageDivinity Collection: Ancient Greek Female Costume (litho)

Ancient Greek Female Costume (litho)
8637106 Ancient Greek Female Costume (litho) by Smith, John Moyr (1839-1912); Private Collection; (add.info.: Demeter (Ceres) with double-girded chiton and himation

Background imageDivinity Collection: Ancient Greek Female Costume (litho)

Ancient Greek Female Costume (litho)
8637083 Ancient Greek Female Costume (litho) by Smith, John Moyr (1839-1912); Private Collection; (add.info.: Bacchante with crotals, wears single chiton without doubled part, and scarf (mantile)

Background imageDivinity Collection: The Kaiser's Garland: The Writing on the Wall (litho)

The Kaiser's Garland: The Writing on the Wall (litho)
8642729 The Kaiser's Garland: The Writing on the Wall (litho) by Sullivan, Edmund Joseph (1869-1933) (after); Private Collection; (add.info.: The Writing on the Wall)

Background imageDivinity Collection: Second Period of Greek Sculpture, About 470-400 BC (engraving)

Second Period of Greek Sculpture, About 470-400 BC (engraving)
8644781 Second Period of Greek Sculpture, About 470-400 BC (engraving) by European School, (19th century); Private Collection; (add.info.: Second Period of Greek Sculpture, About 470-400 BC)

Background imageDivinity Collection: Shelley: Prometheus Unbound (litho)

Shelley: Prometheus Unbound (litho)
8655241 Shelley: Prometheus Unbound (litho) by Bell, Robert Anning (1863-1933); Private Collection; (add.info.: Prometheus Unbound)

Background imageDivinity Collection: The country folk drew near to wonder at him (colour litho)

The country folk drew near to wonder at him (colour litho)
8647718 The country folk drew near to wonder at him (colour litho) by Reid, Stephen (1873-1948); Private Collection; (add.info.: The country folk drew near to wonder at him)

Background imageDivinity Collection: Mercury, guided by Minerva, bearing Science round the World (engraving)

Mercury, guided by Minerva, bearing Science round the World (engraving)
8649657 Mercury, guided by Minerva, bearing Science round the World (engraving) by English School, (19th century); Private Collection; (add.info.: Mercury, guided by Minerva)

Background imageDivinity Collection: William Shakespeare's play: Henry V (colour litho)

William Shakespeare's play: Henry V (colour litho)
8648394 William Shakespeare's play: Henry V (colour litho) by Hammond, Gertrude E. Demain (1862-1952) (after); Private Collection; (add.info.: "God for Harry, England, and St George)

Background imageDivinity Collection: Reading the Bible on Sunday afternoon (colour litho)

Reading the Bible on Sunday afternoon (colour litho)
8642092 Reading the Bible on Sunday afternoon (colour litho) by English School, (19th century); Private Collection; (add.info.: Reading the Bible on Sunday afternoon)

Background imageDivinity Collection: Greek Architecture, Roman-Doric and Roman-Ionic Orders, Plans of Temples

Greek Architecture, Roman-Doric and Roman-Ionic Orders, Plans of Temples, Rock Tombs in Asia Minor, etc (engraving)
8644778 Greek Architecture, Roman-Doric and Roman-Ionic Orders, Plans of Temples, Rock Tombs in Asia Minor, etc (engraving) by European School

Background imageDivinity Collection: The Historical Pageant of Bradford, July 1931 (b/w photo)

The Historical Pageant of Bradford, July 1931 (b/w photo)
8652353 The Historical Pageant of Bradford, July 1931 (b/w photo) by Scott, Walter (1878-1947); Private Collection; (add.info.: Illustration for The Historical Pageant of Bradford, the Souvenir Book)

Background imageDivinity Collection: Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs

Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs, 1650-52 (wall tempera painting)
8683560 Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageDivinity Collection: Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting)

Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting)
8683553 Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageDivinity Collection: Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus' corpse into pieces

Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus' corpse into pieces
8683542 Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus' corpse into pieces, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense

Background imageDivinity Collection: Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo

Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy
8683538 Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy by Colonna, Angelo Michele (1604-1687); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageDivinity Collection: Wedding Banquet. On the clouds Bacchus, Ariadne and Venus with a figure pouring wine are seated at

Wedding Banquet. On the clouds Bacchus, Ariadne and Venus with a figure pouring wine are seated at a round table
8683576 Wedding Banquet. On the clouds Bacchus, Ariadne and Venus with a figure pouring wine are seated at a round table. The other gods watch from afar

Background imageDivinity Collection: one of the forty-one panels with scenes, 1650-52 (wall tempera painting)

one of the forty-one panels with scenes, 1650-52 (wall tempera painting)
8683547 one of the forty-one panels with scenes, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Background imageDivinity Collection: Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo

Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy
8683534 Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy by Colonna, Angelo Michele (1604-1687); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageDivinity Collection: Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo

Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy
8683533 Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy by Colonna, Angelo Michele (1604-1687); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageDivinity Collection: One of the forty-one panels with scenes which narrate the events of Bacchus

One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting)
8683586 One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageDivinity Collection: One of the forty-one panels with scenes which narrate the events of Bacchus

One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting)
8683585 One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageDivinity Collection: Pirates find Bacchus, 1650-52 (wall tempera painting)

Pirates find Bacchus, 1650-52 (wall tempera painting)
8683577 Pirates find Bacchus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo, Este Ducal Palace)

Background imageDivinity Collection: Butterfield dial for latitude 50 degrees, in its case, seen from the reverse

Butterfield dial for latitude 50 degrees, in its case, seen from the reverse. Silver instrument, 1700-20 (silver)
MMM5474073 Butterfield dial for latitude 50 degrees, in its case, seen from the reverse. Silver instrument, 1700-20 (silver) by Rowley, John (1668-1728); National Maritime Museum, London

Background imageDivinity Collection: Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century

Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century, by Thomas Ducher (?) (ivory)
MMM5474011 Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century, by Thomas Ducher (?) (ivory); National Maritime Museum, London

Background imageDivinity Collection: Remains of the Macellum of Pozzuoli, southern Italy, rom The Universe or, The Infinitely Great

Remains of the Macellum of Pozzuoli, southern Italy, rom The Universe or, The Infinitely Great
7125184 Remains of the Macellum of Pozzuoli, southern Italy, rom The Universe or, The Infinitely Great and the Infinitely Little, published 1882; (add.info.: Pozzuoli); Photo © Ken Welsh

Background imageDivinity Collection: Head of Zeus Amun, greco roman period, 332 BC-395 AD, marble, Egyptian Museum, Cairo, Egypt

Head of Zeus Amun, greco roman period, 332 BC-395 AD, marble, Egyptian Museum, Cairo, Egypt
7058345 Head of Zeus Amun, greco roman period, 332 BC-395 AD, marble, Egyptian Museum, Cairo, Egypt; Egyptian National Museum, Cairo, Egypt; Photo © Stefano Baldini.

Background imageDivinity Collection: Block statue of Hetep, 12th dynasty, reign of Amenemhat I, from Saqqara, limestone

Block statue of Hetep, 12th dynasty, reign of Amenemhat I, from Saqqara, limestone, Egyptian Museum, Cairo, Egypt
7058339 Block statue of Hetep, 12th dynasty, reign of Amenemhat I, from Saqqara, limestone, Egyptian Museum, Cairo, Egypt; Egyptian National Museum, Cairo, Egypt; Photo © Stefano Baldini.

Background imageDivinity Collection: Statue of Aphrodite in a crouching position with a dolphin, Boncompagni Ludovisi collection

Statue of Aphrodite in a crouching position with a dolphin, Boncompagni Ludovisi collection, National Roman Museum
6384485 Statue of Aphrodite in a crouching position with a dolphin, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps

Background imageDivinity Collection: Statue of Dionysus, Boncompagni Ludovisi collection, carrara marble, National Roman Museum

Statue of Dionysus, Boncompagni Ludovisi collection, carrara marble, National Roman Museum, Palazzo Altemps, Rome
6384470 Statue of Dionysus, Boncompagni Ludovisi collection, carrara marble, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome

Background imageDivinity Collection: Aphrodite of Cnidos, Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy

Aphrodite of Cnidos, Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy
6384458 Aphrodite of Cnidos, Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Aphrodite of Cnidos)

Background imageDivinity Collection: Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC

Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia (sculpture)
6384306 Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia (sculpture); Palazzo Massimo alle Terme & Museum, Rome, Lazio

Background imageDivinity Collection: Large relief of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of

Large relief of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384409 Large relief of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageDivinity Collection: Head of Apollo, Hadrian period, marble, National Roman Museum at the Baths of Diocletian, Rome

Head of Apollo, Hadrian period, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384403 Head of Apollo, Hadrian period, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini.

Background imageDivinity Collection: Head of Zeus, roman copy of an original by Phidias, marble, National Roman Museum at the Baths of

Head of Zeus, roman copy of an original by Phidias, marble, National Roman Museum at the Baths of Diocletian, Rome
6384395 Head of Zeus, roman copy of an original by Phidias, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageDivinity Collection: Statue of Silvanus, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy

Statue of Silvanus, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384391 Statue of Silvanus, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini.

Background imageDivinity Collection: Group of Mars and Venus, 170 AD circa, marble, National Roman Museum at the Baths of Diocletian

Group of Mars and Venus, 170 AD circa, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384386 Group of Mars and Venus, 170 AD circa, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome



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"Journeying through the Divine: Exploring Symbols in Art" Step into a world where divinity transcends time and culture, as we unravel the captivating symbols depicted in various artworks. In Rembrandt van Rijn's masterpiece "Supper at Emmaus, " we witness the divine presence amidst an ordinary meal, reminding us that they are manifest itself even in the most mundane moments. The Winged Victory of Samothrace, also known as Nike of Samothrace, stands tall with her majestic wings spread wide. This ancient sculpture symbolizes triumph and victory, embodying the essence of divinity. As we delve deeper into Eastern philosophy, we encounter the Wheel of Samsara—a visual representation of life's cyclical nature. It teaches us that true divinity lies in breaking free from this cycle and attaining enlightenment. Egyptian mythology introduces us to Goddess Nephthys—an embodiment of protection and healing. Her relief sculpture found in Memphis reminds us that they are be both nurturing and powerful. Fuxi and Nuwa grace our journey with their presence—ancient Chinese deities who created humanity out of clay. Their painted silk depiction reveals how divinity intertwines with creation itself. Initiation rites portrayed in frescoes from Villa Dei Mysteri shed light on Dionysus' cult—the god associated with ecstasy and liberation. These rituals remind us that embracing our wild side is also part of experiencing divine energy. God Bes greets us from an Egyptian capital column relief—a deity believed to bring joy and protect households. His image serves as a reminder that they are be found within our homes too. Love takes center stage in "Marriage of Cupid and Psyche, " a fresco capturing their eternal union against all odds. It signifies how love transcends mortal boundaries, revealing its divine nature.