Divisionism Collection (page 5)

Pont de Lezardrieux, 1925. Private Collection

Comblat-le-Chateau, La Vallee (Opus 163), 1887
Comblat-le-Chateau. La Vallee (Opus 163), 1887. Private Collection

Canal in Overschie, 1906. Found in the collection of Ohara Museum of Art, Kurashiki

The Seine near Samois (Study), 1899. Found in the collection of Neue Pinakothek, Munich

Shipwreck, 1899. Artist: Cross, Henri Edmond (1856-1910)
Shipwreck, 1899. Private Collection

Breakfast. Artist: Signac, Paul (1863-1935)
Breakfast. Found in the collection of Kroller-Muller Museum, Otterlo

Rotterdam. Les Fumees. Artist: Signac, Paul (1863-1935)
Rotterdam. Les Fumees. Found in the collection of Shimane Art Museum

Red Buoy (La bouee rouge). Artist: Signac, Paul (1863-1935)
Red Buoy (La bouee rouge). Found in the collection of Musee d Orsay, Paris

Entrance to the Port of Volendam. Artist: Rysselberghe, Theo van (1862-1926)
Entrance to the Port of Volendam. Found in the collection of Thyssen-Bornemisza Collections

L Hirondelle Steamship (Seine near Samois). Artist: Signac, Paul (1863-1935)
L Hirondelle Steamship (Seine near Samois). Found in the collection of National Gallery, Prague

Women at the well (Femmes au puits). Artist: Signac, Paul (1863-1935)
Women at the well (Femmes au puits). Found in the collection of Musee d Orsay, Paris

Ponton de la Felicite at Asnieres (Opus no. 143), 1886. Found in the collection of Van Gogh Museum, Amsterdam

Pont Saint-Michel and Notre-Dame de Paris, 1901. Artist: Luce, Maximilien (1858-1941)
Pont Saint-Michel and Notre-Dame de Paris, 1901. Found in the collection of Musee d Orsay, Paris

Suburb, 1920. Found in the Collection of Pinacoteca Fondazione Cassa di Risparmio di Tortona

The Seine seen from La Grande Jatte, 1888. Artist: Seurat, George Pierre (1859-1891)
The Seine seen from La Grande Jatte, 1888. Found in the collection of the National Gallery, London

Study for La Grande Jatte, 1884-1885. Artist: Seurat, George Pierre (1859-1891)
Study for La Grande Jatte, 1884-1885. Found in the collection of the National Gallery, London

The Western Railway at its Exit from Paris, 1886. Artist: Angrand, Charles (1854-1926)
The Western Railway at its Exit from Paris, 1886. Found in the collection of the National Gallery, London

The Golden Horn, Minarets, 1907. Artist: Signac, Paul (1863-1935)
The Golden Horn, Minarets, 1907. From a private collection

Les Andelys. The Riverbank, 1886. Artist: Signac, Paul (1863-1935)
Les Andelys. The Riverbank, 1886. Found in the collection of the Musee d Orsay, Paris

Beach, Evening Effect, 1902. Artist: Cross, Henri Edmond (1856-1910)
Beach, Evening Effect, 1902. Found in the collection of the Thyssen-Bornemisza Collections

Two Breton women in a meadow, 1886. Artist: Bernard, Emile (1868-1941)
Two Breton women in a meadow, 1886. Found in the collection of the Van Gogh Museum, Amsterdam

Coastal Scene, c. 1892-1893. Artist: Rysselberghe, Theo van (1862-1926)
Coastal Scene, c. 1892-1893. Found in the collection of the National Gallery, London

Jeune femme en robe verte (Germaine Marechal), 1893. Artist: Rysselberghe, Theo van (1862-1926)
Jeune femme en robe verte (Germaine Marechal), 1893. From a private collection

The Channel at Nieuwpoort, c. 1889. Artist: Finch, Alfred William (1854-1930)
The Channel at Nieuwpoort, c. 1889. Found in the collection of the National Gallery, London

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"Exploring the World of Divisionism: A Captivating Artistic Technique" Divisionism, also known as Pointillism or Neo-Impressionism, emerged in the late 19th century as a revolutionary artistic movement. Artists like George Pierre Seurat, Theo van Rysselberghe, Henri Edmond Cross, and Valdemar Schonheyder Moller embraced this technique to create mesmerizing masterpieces that captivate viewers even today. One notable divisionist artwork is "Bathers at Asnieres (Baigneurs a Asnieres)" by Seurat. Painted in 1884, it depicts bathers relaxing on the banks of the River Seine. Through meticulous placement of tiny dots and dashes of color, Seurat achieved an optical blending effect that brings vibrancy and depth to his composition. "The Red Sail" by Rysselberghe showcases another stunning example of divisionism. With delicate brushstrokes and carefully selected hues placed side by side, he captures the serene beauty of a sailboat gliding across calm waters. Cross's "In July - before noon or The orchard" transports us to a sunlit orchard bursting with vivid colors. By applying individual strokes of pure pigment onto canvas without mixing them directly on the palette, Cross creates an enchanting scene filled with dappled light and shimmering foliage. Another remarkable piece is "The Beach of Vignasse" by Cross. This painting portrays beachgoers enjoying leisurely moments under bright umbrellas amidst sparkling waves. The artist's mastery over divisionist techniques allows him to convey both tranquility and liveliness simultaneously. Le Bois ou Nu sous bois, " created between 1906-1907 by Cross himself once again demonstrates his expertise in divisionism. Here he presents an ethereal forest scene where sunlight filters through leaves creating intricate patterns while highlighting human figures within nature's embrace. Moller's "Sunset.