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Donor Collection (page 9)

"Unveiling the Generosity: A Journey through Donor's Artistic Legacy" Step into a world where art intertwines with philanthropy

Background imageDonor Collection: Madonna Child Enthroned Two Angels Donor 1481?

Madonna Child Enthroned Two Angels Donor 1481?
Artokoloro

Background imageDonor Collection: Madonna Child Enthroned Saint Basil Great John

Madonna Child Enthroned Saint Basil Great John
Artokoloro

Background imageDonor Collection: Crucifixion Saints Donor ca 1520 Oil wood Shaped top

Crucifixion Saints Donor ca 1520 Oil wood Shaped top
Artokoloro

Background imageDonor Collection: Altar Shrine Madonna Child Donor last quarter 15th century

Altar Shrine Madonna Child Donor last quarter 15th century
Artokoloro

Background imageDonor Collection: BLOOD DRIVE, 1956. Crew members of the USS Lake Champlain participating in a

BLOOD DRIVE, 1956. Crew members of the USS Lake Champlain participating in a blood drive aboard the ship. Photograph, 1956

Background imageDonor Collection: RED CROSS: AMBULANCE, 1942. A Red Cross ambulance used by the blood donor service at Boston

RED CROSS: AMBULANCE, 1942. A Red Cross ambulance used by the blood donor service at Boston, Massachusetts. Photograph, 1942

Background imageDonor Collection: A compact object, or a black hole, is seen ripping off gas from its sun-like companion

A compact object, or a black hole, is seen ripping off gas from its sun-like companion that has filled its Roche Lobe. Gas from the star (called the donor)

Background imageDonor Collection: Christ Child Adored by Angels, Central panel of the Portinari Altarpiece, c. 1479

Christ Child Adored by Angels, Central panel of the Portinari Altarpiece, c. 1479
XAL9619 Christ Child Adored by Angels, Central panel of the Portinari Altarpiece, c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); 253x304 cm; Galleria degli Uffizi, Florence

Background imageDonor Collection: Madonna and Child (obverse), c. 1415 (tempera on panel)

Madonna and Child (obverse), c. 1415 (tempera on panel)
XOS877583 Madonna and Child (obverse), c.1415 (tempera on panel) by Carpaccio, Vittore (c.1460/5-1523/6); 29.7x18.5 cm; National Gallery of Art, Washington DC, USA; Italian, out of copyright

Background imageDonor Collection: Madonna and Child with Two Donors, 1525-1530 (oil on canvas)

Madonna and Child with Two Donors, 1525-1530 (oil on canvas)
XOS847287 Madonna and Child with Two Donors, 1525-1530 (oil on canvas) by Lotto, Lorenzo (c.1480-1556); 85.7x115.5 cm; J. Paul Getty Museum, Los Angeles, USA; Italian, out of copyright

Background imageDonor Collection: Petrus Christus, Portrait of a Female Donor, Netherlandish, active 1444-1475-1476, c

Petrus Christus, Portrait of a Female Donor, Netherlandish, active 1444-1475-1476, c. 1455, oil on panel

Background imageDonor Collection: Petrus Christus, Portrait of a Male Donor, Netherlandish, active 1444-1475-1476, c

Petrus Christus, Portrait of a Male Donor, Netherlandish, active 1444-1475-1476, c. 1455, oil on panel

Background imageDonor Collection: Carlo Crivelli, Italian (c. 1430-1435-1495), Madonna and Child Enthroned with Donor

Carlo Crivelli, Italian (c. 1430-1435-1495), Madonna and Child Enthroned with Donor, 1470, tempera on panel

Background imageDonor Collection: Peter II de Beaujeu of Bourbon with St. Peter, left wing of the Bourbon Altarpiece

Peter II de Beaujeu of Bourbon with St. Peter, left wing of the Bourbon Altarpiece
XIR57633 Peter II de Beaujeu of Bourbon with St. Peter, left wing of the Bourbon Altarpiece by Master of Moulins (Jean Hey), (fl.c.1483-c.1529); Moulins Cathedral, Allier, France; French

Background imageDonor Collection: The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari

The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari
XAL53972 The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari and two sons Antonio and Pigello, Left Wing, c.1479 (oil on panel) by Goes

Background imageDonor Collection: Hans Jegli II (Swiss, 1580 - 1643), A Donor with a Coat of Arms (Schildbegleiter

Hans Jegli II (Swiss, 1580 - 1643), A Donor with a Coat of Arms (Schildbegleiter und Wappenschild mit SchraÔé¼gbalken), 1603, pen and ink with wash

Background imageDonor Collection: Lukas Paumgartner portrayed as Saint Eustace, right panel of the Paumgartner Altarpiece, c

Lukas Paumgartner portrayed as Saint Eustace, right panel of the Paumgartner Altarpiece, c
XIR498139 Lukas Paumgartner portrayed as Saint Eustace, right panel of the Paumgartner Altarpiece, c.1500 (tempera on panel) (see also 495745) by DAOErer or Duerer

Background imageDonor Collection: Paumgartner Altarpiece, c. 1500 (tempera on panel) (see also 61057 and 331713)

Paumgartner Altarpiece, c. 1500 (tempera on panel) (see also 61057 and 331713)
BAL495745 Paumgartner Altarpiece, c.1500 (tempera on panel) (see also 61057 and 331713) by DAOErer or Duerer, Albrecht (1471-1528); 155x126.1 cm; Alte Pinakothek, Munich

Background imageDonor Collection: The Virgin and child surrounded by saints and kneeling donor, 1610, Gandini, Alessandro

The Virgin and child surrounded by saints and kneeling donor, 1610, Gandini, Alessandro

Background imageDonor Collection: St. John the Baptist and the Donor, Heinrich Von Werl from the Werl Altarpiece, 1438

St. John the Baptist and the Donor, Heinrich Von Werl from the Werl Altarpiece, 1438
XIR36923 St. John the Baptist and the Donor, Heinrich Von Werl from the Werl Altarpiece, 1438 (oil on panel) (see also 161980) by Master of Flemalle, (Robert Campin) (1375/8-1444); 101x47 cm; Prado

Background imageDonor Collection: The Triptych of Moses and the Burning Bush, c. 1476 (oil on panel) (detail of 173010)

The Triptych of Moses and the Burning Bush, c. 1476 (oil on panel) (detail of 173010)
XIR362943 The Triptych of Moses and the Burning Bush, c.1476 (oil on panel) (detail of 173010) by Froment, Nicolas (c.1425-c.83/86); St

Background imageDonor Collection: Right panel, from the main altar polyptych, depicting the donor of the altarpiece

Right panel, from the main altar polyptych, depicting the donor of the altarpiece
XIR344038 Right panel, from the main altar polyptych, depicting the donor of the altarpiece, Michel de Chaugy, 1460-66 (oil on panel) by Weyden, Rogier van der (1399-1464) (attr)

Background imageDonor Collection: The Last Supper (oil on panel)

The Last Supper (oil on panel)
XPH330493 The Last Supper (oil on panel) by Cranach, Lucas (1472-1553) (studio of); Dessau, Germany; (add.info.: Das Abendmahl; ); German, out of copyright

Background imageDonor Collection: Altarpiece with a pieta and donors in centre panel; St. Andrew and St. John on the side panel, c

Altarpiece with a pieta and donors in centre panel; St. Andrew and St. John on the side panel, c
BAL32263 Altarpiece with a pieta and donors in centre panel; St. Andrew and St. John on the side panel, c.1480-90 (oak) by Master of the Life of Virgin Mary

Background imageDonor Collection: The Virgin of Victory or The Madonna and Child Enthroned with Six Saints and Adored

The Virgin of Victory or The Madonna and Child Enthroned with Six Saints and Adored
XIR94923 The Virgin of Victory or The Madonna and Child Enthroned with Six Saints and Adored by Gian-Francesco II Gonzaga, commissioned in 1495 (oil on canvas) by Mantegna

Background imageDonor Collection: The Vision of St. Bernard, c. 1485-87 (tempera & oil on panel) (for detail see 82733)

The Vision of St. Bernard, c. 1485-87 (tempera & oil on panel) (for detail see 82733)
XAL80050 The Vision of St. Bernard, c.1485-87 (tempera & oil on panel) (for detail see 82733) by Lippi, Filippino (c.1457-1504); 210x195 cm; Church of the Badia, Florence

Background imageDonor Collection: Lamentation for Christ, 1500-03 (oil on panel)

Lamentation for Christ, 1500-03 (oil on panel)
XJL61055 Lamentation for Christ, 1500-03 (oil on panel) by DAOErer or Duerer, Albrecht (1471-1528); 151x121 cm; Alte Pinakothek, Munich, Germany; (add.info.: dedicated by the Nuremberg goldsmith)

Background imageDonor Collection: Paumgartner Altarpiece (central panel), c. 1500 (tempera on panel) (see also 495745)

Paumgartner Altarpiece (central panel), c. 1500 (tempera on panel) (see also 495745)
XIR61057 Paumgartner Altarpiece (central panel), c.1500 (tempera on panel) (see also 495745) by DAOErer or Duerer, Albrecht (1471-1528); 157x250 cm; Alte Pinakothek, Munich

Background imageDonor Collection: Scenes from the Passion of Christ, 1510 (oil on oak)

Scenes from the Passion of Christ, 1510 (oil on oak)
XCF285143 Scenes from the Passion of Christ, 1510 (oil on oak) by Master of Delft (16th century); 98.2 105 cm; National Gallery, London, UK; (add.info.: central panel; ); out of copyright

Background imageDonor Collection: The Virgin and Child with Saints and Donors, a panel from The Donne Triptych c

The Virgin and Child with Saints and Donors, a panel from The Donne Triptych c
XCF285118 The Virgin and Child with Saints and Donors, a panel from The Donne Triptych c.1478 (oil on oak) by Memling, Hans (c.1433-94); 70.7x70.5 cm; National Gallery, London, UK; Netherlandish

Background imageDonor Collection: 2906809; out of copyright

2906809; out of copyright

Background imageDonor Collection: Triptych of Moses and the Burning Bush, right panel depicting Jeanne de Laval (d

Triptych of Moses and the Burning Bush, right panel depicting Jeanne de Laval (d
XIR232841 Triptych of Moses and the Burning Bush, right panel depicting Jeanne de Laval (d.1498) with St. John, St. Catherine and St

Background imageDonor Collection: Triptych of Moses and the Burning Bush, left panel depicting Rene I d Anjou

Triptych of Moses and the Burning Bush, left panel depicting Rene I d Anjou
XIR232840 Triptych of Moses and the Burning Bush, left panel depicting Rene I d Anjou (1409-80) with Mary Magdalene, St. Anthony and St

Background imageDonor Collection: St. John the Baptist and St. Peter, from the Altarpiece of Pierre Rup, c

St. John the Baptist and St. Peter, from the Altarpiece of Pierre Rup, c
XIR230163 St. John the Baptist and St. Peter, from the Altarpiece of Pierre Rup, c.1450 (oil on panel) by Swiss School, (15th century); Musee des Beaux-Arts, Dijon, France; Swiss, out of copyright

Background imageDonor Collection: Two Wings of a Triptych with the Donor, Thomas Isaacq, accompanied by Saint Thomas

Two Wings of a Triptych with the Donor, Thomas Isaacq, accompanied by Saint Thomas, left, outer wing, and the Donors Wife accompanied by Saint Margaret, right, outer wing

Background imageDonor Collection: The Lamentation of Christ, central panel from an altarpiece (oil on panel)

The Lamentation of Christ, central panel from an altarpiece (oil on panel)
XIR223246 The Lamentation of Christ, central panel from an altarpiece (oil on panel) by Cleve, Joos van (c.1485-1541); 145x206 cm; Louvre, Paris, France; Netherlandish, out of copyright

Background imageDonor Collection: The Calling of the Virgin (oil on panel)

The Calling of the Virgin (oil on panel)
XIR223231 The Calling of the Virgin (oil on panel) by French School, (15th century); 99x57 cm; Louvre, Paris, France; (add.info.: Le Sacerdoce de la Vierge; ); French, out of copyright

Background imageDonor Collection: The Triptych of the Sedano Family, c. 1495-98 (oil on panel)

The Triptych of the Sedano Family, c. 1495-98 (oil on panel)
XIR223220 The Triptych of the Sedano Family, c.1495-98 (oil on panel) by David, Gerard (c.1460-1523); 97x145 cm; Louvre, Paris

Background imageDonor Collection: The Fathers of the Church and the Donors, from the Triptych of the Immaculate Conception

The Fathers of the Church and the Donors, from the Triptych of the Immaculate Conception
XIR222764 The Fathers of the Church and the Donors, from the Triptych of the Immaculate Conception (oil on panel) by Bellegambe, Jean the Elder (c.1470-c.1534); Musee de la Chartreuse, Douai

Background imageDonor Collection: Pre Ministrant Pasture Salutaire (Meadow Ministering Saving Sustenance) 1519 (oil

Pre Ministrant Pasture Salutaire (Meadow Ministering Saving Sustenance) 1519 (oil
XMN221359 Pre Ministrant Pasture Salutaire (Meadow Ministering Saving Sustenance) 1519 (oil on panel) by Master of Amiens (fl.1510-20); 162x87 cm; Musee de Picardie, Amiens

Background imageDonor Collection: The Carondelet Diptych: left hand panel depicting Jean Carondelet (1469-1545) Dean

The Carondelet Diptych: left hand panel depicting Jean Carondelet (1469-1545) Dean
XIR210362 The Carondelet Diptych: left hand panel depicting Jean Carondelet (1469-1545) Dean of Besancon church, 1517 (oil on panel) (see also 97189 & 210363) by Gossaert

Background imageDonor Collection: A Donor and his two Sons with Saint John the Evangelist, inner left wing of a triptych

A Donor and his two Sons with Saint John the Evangelist, inner left wing of a triptych, workshop of The (Bruges) Master of the Legend of Saint Ursula, c. 1480 - c. 1485

Background imageDonor Collection: Virgin and Child Enthroned with St. John the Evangelist and the Blessed Giacomo Bertoni

Virgin and Child Enthroned with St. John the Evangelist and the Blessed Giacomo Bertoni
XIR201607 Virgin and Child Enthroned with St. John the Evangelist and the Blessed Giacomo Bertoni (oil on panel) by Scaletti, Leonardo I (fl.1457-87); Pinacoteca Comunale, Faenza

Background imageDonor Collection: Left panel, from the main altar polyptych, depicting Jean de Chaugy, father of the

Left panel, from the main altar polyptych, depicting Jean de Chaugy, father of the
XIR189943 Left panel, from the main altar polyptych, depicting Jean de Chaugy, father of the donor of the altarpiece, 1460-66 (oil on panel) by Weyden, Rogier van der (1399-1464) (attr)

Background imageDonor Collection: The Crucifixion, c. 1500 (oil on panel) (see also 148971)

The Crucifixion, c. 1500 (oil on panel) (see also 148971)
XKH182371 The Crucifixion, c.1500 (oil on panel) (see also 148971) by Master of Hamburg (fl.1500); 197x130 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageDonor Collection: Portrait of Donor Heart Elmenhorst in oval, Jan Diricks van Campen, Johan. Huswedelius

Portrait of Donor Heart Elmenhorst in oval, Jan Diricks van Campen, Johan. Huswedelius, 1616

Background imageDonor Collection: Virgin and Child with St. Francis and St. John the Evangelist (fresco)

Virgin and Child with St. Francis and St. John the Evangelist (fresco)
XIR179447 Virgin and Child with St. Francis and St. John the Evangelist (fresco) by Lorenzetti, Pietro (c.1284-after 1345); San Francesco, Assisi, Italy; Italian, out of copyright

Background imageDonor Collection: Triptych of Jean de Witte, 1473 (oil on panel)

Triptych of Jean de Witte, 1473 (oil on panel)
XIR179403 Triptych of Jean de Witte, 1473 (oil on panel) by Flemish School, (15th century); Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; (add.info.: left depicts Jean de Witte; right)



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"Unveiling the Generosity: A Journey through Donor's Artistic Legacy" Step into a world where art intertwines with philanthropy, as we explore the captivating realm of "donor. " From timeless masterpieces to thought-provoking conceptual images, these hints offer glimpses into the diverse facets of this intriguing theme. Immerse yourself in the ethereal beauty of "Archangel Raphael with Bishop Domonte, " an oil on canvas masterpiece that transports us to celestial realms. Witness their divine connection and ponder upon the significance of this donor's contribution. In another poignant depiction, "Christ on the cross, the Three Marys on mourning by John, " we are reminded of sacrifice and compassion. The presence of a donor adds depth to this scene, inviting contemplation about their role in preserving such profound moments for eternity. Yet not all donations come without controversy. Enter Sir Richard Acland's Gift to the Nation, which sparked heated debates and ignited conversations about cultural heritage. Explore how one act can shape public discourse and challenge societal norms. Travel back in time with Hugo van der Goes' "Adoration of the Shepherd" from 1476-1479. Amidst its intricate details lies a hidden narrative involving donors who supported artistic endeavors during Renaissance times – an ode to those who believed in nurturing creativity. Shifting gears towards modern concerns, witness a conceptual image capturing a healthy heart – symbolizing life-saving organ donors whose selflessness gives others a second chance at life. Reflect on their immense impact within medical advancements and human resilience. Venturing further into uncharted territories, frozen sperm takes center stage as yet another form of donation depicted conceptually. This evocative image raises questions about fertility treatments and reproductive choices while shedding light on alternative paths towards parenthood. Delve into history as we encounter Leningrad Blood Donors - unsung heroes whose contributions have saved countless lives throughout tumultuous times.