Doomsday Collection (page 3)

Artists concept of an extraterrestrial planet
An extraterrestrial planet. While the dayside looks hospitable, the nightside reveals a hellish world of molten lava

Idea taken from Star Trek. The project turns dead and lifeless planets into green earth-like habitats, killing already existing forms of life during the process

A planet harvested off its resources and left for dead on its own
Artists concept of a planet harvested off its resources and left for dead on its own

A victim of gravity. After millions of years, the moon could not resist any longer

An eye-shaped nebula and ring of glowing debris around a planetary system
An eye-shaped nebula, the remains of a star forming molecular cloud that is being torn apart by the supergiant at its center

Spaceship escaping from a Sun which is about to implode

Close-up of an Animus Majoris solar system Sun and its planets

An abandoned planet about to get hit by a gigantic asteroid
Artists concept of an abandoned planet about to get hit by a gigantic asteroid

Europe is burning in war, climate changed completely and China and India are the
In 500 years from today, the world has changed. Europe is burning in war, climate changed completely and China and India are the new global player

A pair of Allosaurus dinosaurs running from the site of meteorite impacts on a prehistoric Earth

Artists concept of the extinction of prehistoric Earth
Omeisaurus sauropod dinosaurs graze peacefully as a falling bright light brings about extinction as it crashes into the Earth

SAN FRANCISCO, 1906. San Francisco residents watching the course of the fire from a hillside after the earthquake of 18 April 1906. Photographed by Arnold Genthe

MAIUS BEATUS, c950 A. D. The New Jerusalem. Spanish manuscript illumination, c950
MAIUS BEATUS, c950 A.D. The New Jerusalem. Spanish manuscript illumination, c950, from the Maius Beatus, an illuminated copy of the Commentary on the Apocalypse, by Beatus of Liebana, 8th century

REVELATION OF SAINT JOHN. The Angel with the Key hurls the dragon into the abyss, and another angel shows St. John the New Jerusalem (Revelation 20, 1-3; 21, 9-12; 22, 8)

LAST JUDGMENT. Resurrection of the dead before final judgment. Manuscript illumination from a Hortus Deliciarum, Alsace, 12th century

LAST JUDGMENT. Initial A containing a scene from the Last Judgment. From an Italian antiphonary, c1300

ANGELS MAKING WINE. English illumination, c1275, from Apocalyptic manuscript

APOCALYPSE. Two angels with scroll (top); defeat of dragon (bottom); (Rev. 12: 7-12). English manuscript illumination, c1250

APOCALYPSE. Resurrection of witnesses; earthquake (Rev. 11: 11-14): Spanish manuscript illumination, c950 A.D

APOCALYPSE. Babylon in flames. Spanish manuscript illumination, c950, from Commentary on the Apocalypse by Beatus of Liebana

APOCALYPSE. Woman clothed with sun (top); St. Michael and dragon: English Apocalyptic ms. illumination c 1250

APOCALYPSE. St. Johns visions of the fourth angel (top) & fifth angel (bottom): English manuscript illumination, c1250

LAST JUDGMENT. Oil on panel by Jan van Eyck (1370?-?1440)

APOCALYPSE. The Unclean Spirits. Illumination of the Apocalypse from a Norman or German manuscript in Latin, c1320

APOCALYPSE. The River and the Tree of Life. Norman or German manuscript illumination, c1320

APOCALYPSE. Worship of the Beast (Rev. 13: 4-15): English ms. illumination, c. 1250
APOCALYPSE. Worship of the Beast (Rev.13:4-15): English ms. illumination, c. 1250, from Apocalypse

NEW JERUSALEM, c1220. New Heavenly Jerusalem. Spanish manuscript illumination from Las Huelgas Apocalypse by Beatus of Liebana, 1220

APOCALYPSE: BABYLON. Spanish manuscript illumination from Commentary on Apocalypse, 1220, by Beatus of Liebana

SIXTH TRUMPET. Army of Horsemen (Rev. 9: 13-21). Spanish manuscript illumination, 1220
SIXTH TRUMPET. Army of Horsemen (Rev. 9:13-21). Spanish manuscript illumination, 1220

FOUR HORSEMEN. Four Horsemen of the Apocalypse. Spanish manuscript illumination, 1220

HARROWING OF HELL. Beatus page with Resurrection (top) and Harrowing of Hell: Flemish illuminated manuscript miniature, c1275

FALL OF BABYLON (Rev. 18: 1-8) & angel casting stone in sea (Rev. 18:21): English manuscript illumination, c1250

APOCALYPSE. Son of Man with 7 Candlesticks from French Apocalypse manuscript, c1415

FOUR HORSEMEN. The Four Horsemen of the Apocalypse. Woodcut, 1546, by Matthias Gerung

DURER: APOCALYPSE. The Battle of the Angels (Revelation IX, 13-19). Woodcut, 1498, by Albrecht Durer

LAST JUDGEMENT. Woodcut from Epistole e Evangelii, published at Florence in 1495

NEBUCHADNEZZAR. Nebuchadnezzar eating grass: Spanish manuscript illumination from Commentary on Apocalypse by Beatus of Liebana

THE APOCALYPSE, 1250. Feast of birds (Rev. 19: 17-18) & beast battling kings of earth (Rev
THE APOCALYPSE, 1250. Feast of birds (Rev. 19:17-18) & beast battling kings of earth (Rev. 19:19): English manuscript illumination, c1250

SAN FRANCISCO EARTHQUAKE. Aerial view of ruins, fire and smoke, following the earthquake of 18 April 1906

WOMAN CLOTHED WITH SUN. French manuscript illumination, c1415, from the Apocalypse

WILLIAM MILLER (1782-1849). American religious leader, seated in a well-stocked safe, awaits the end of the world on April 23, 1843: contemporary satirical lithograph

BEATUS OF SAINT-SEVER. Page from the Beatus made at the Abbey of Saint-Sever in Gascogny, France, c1050. The manuscript contains Beatus of Liebanas Commentary on the Apocalypse

All Professionally Made to Order for Quick Shipping

"Doomsday: An Artistic Journey into the Final Judgment" Step into a world where time stands still, and the fate of humanity hangs in the balance. The Novgorod Icon whispers ancient prophecies, its tempera on wood revealing glimpses of the Last Judgement. Aslyan's Soviet poster from 1958 warns us with urgency, but this is not a mere political statement; it is an echo of something far greater. In "War in Heaven" (1480), brushstrokes depict a cosmic battle between good and evil as described in Revelation XII and XIII. The Four Horsemen gallop through German woodcuts from 1523, their presence foretelling chaos and destruction. St John illuminates manuscripts with Prochoros by his side, recounting the Harrowing of Hell in vivid detail. The Byzantine mosaics from the 12th century transport us to Domesday scenes—a mosaic tapestry depicting souls facing judgment day. Yet amidst these visions lies hope—an asteroid deflection scheme that seeks to protect our fragile existence. "The Four Horsemen of the Apocalypse" (1887) emerge once more on canvas, their colors evoking both fear and fascination. In "The Crucifixion; The Last Judgment" (c. 1440-41), oil transfers reveal profound contemplation about life's ultimate reckoning. Adam's dream unveils haunting engravings—his vision of the Day of Judgment etched forever onto paper. And as we ascend Snowdon through an engraving’s lens, nature itself seems to whisper secrets about what lies beyond our earthly realm. Finally, we encounter William I receiving the Doomsday Book—an engraving that symbolizes accountability for all mankind. Doomsday beckons us to ponder our mortality—to reflect upon our actions before it arrives unannounced. It reminds us that every stroke on canvas or chisel mark on stone carries a message, urging us to live with purpose and compassion.