Douglas Lord Collection

Madame Poupoule at her Toilet, 1898, (1952). Creator: Henri de Toulouse-Lautrec
Madame Poupoule at her Toilet, 1898, (1952). Woman combing her hair in front of a mirror. Painting in the Musee Toulouse-Lautrec, Albi, France

La Toilette, 1889, (1952). Creator: Henri de Toulouse-Lautrec
La Toilette, 1889, (1952). A red-haired woman seated on the floor, seen from the back. Painting, also known as Rousse, and Redhead (Bathing), in the Musee d Orsay, Paris

The Modiste, 1900, (1952). Creator: Henri de Toulouse-Lautrec
The Modiste, 1900, (1952). Portrait of Parisian milliner Louise Blouet of Enguin. Painting in the Musee Toulouse-Lautrec, Albi, France. From " Henri De Toulouse-Lautrec" by Douglas Cooper

Portrait of the Artists Mother Reading, 1881, (1952). Creator: Henri de Toulouse-Lautrec
Portrait of the Artists Mother Reading, 1881, (1952). Comtesse Adele de Toulouse-Lautrec (1841-1930) in the salon at the Chateau Malrome, painted by her son Henri de Toulouse-Lautrec

Monsieur Boileau at the Cafe, 1893, (1952). Creator: Henri de Toulouse-Lautrec
Monsieur Boileau at the Cafe, 1893, (1952). Portrait of a man sitting at a table with dominoes, in Paris. The green drink is probably absinthe. Painting in the Cleveland Museum of Art, USA

Maxime Dethomas, 1896, (1952). Creator: Henri de Toulouse-Lautrec
Maxime Dethomas, 1896, (1952). French artist and costume designer Maxime Dethomas (1867-1929) at the Bal de l Opera in Paris. Painting in the National Gallery of Art, Washington DC, USA

A Corner of the Moulin de la Galette, 1892, (1952). Creator: Henri de Toulouse-Lautrec
A Corner of the Moulin de la Galette, 1892, (1952). Scene in a Parisian cafe. Painting in the National Gallery of Art, Washington DC, USA

At the Cafe La Mie, c1891, (1952). Creator: Henri de Toulouse-Lautrec
At the Cafe La Mie, c1891, (1952). Man and woman drinking at a table, based on a staged photograph of Lautrecs friend Maurice Guibert. Painting in the Museum of Fine Arts, Boston, USA

Equestrienne (At the Cirque Fernando), 1888, (1952). Creator: Henri de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando), 1888, (1952). Louis Fernando, and a female perfomer riding a horse at the circus in Paris. Painting in the collection of the Art Institute of Chicago, USA

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Douglas Lord: A Captivating Glimpse into Toulouse-Lautrec's World Step into the enchanting world of Douglas Lord, where Henri de Toulouse-Lautrec's masterpieces come to life. With each stroke of his brush, Lautrec immortalized moments that would otherwise fade away in time. And now, through the lens of Douglas Lord, these iconic artworks are brought back to our modern eyes. In "Madame Poupoule at her Toilet, " we witness a private moment captured with delicate precision. The artist's attention to detail allows us to peek behind closed doors and glimpse the intimate rituals of this mysterious woman. Transporting us further into the vibrant nightlife of Paris is "La Goulue at the Moulin Rouge. " This vivacious dancer exudes energy and passion as she captivates audiences with her mesmerizing moves. Through Douglas Lord's lens, we can almost hear the lively music and feel the pulsating rhythm. "The Modiste" takes us on a journey through fashion and elegance. In this piece, Lautrec beautifully portrays a milliner engrossed in her craft. Her skilled hands delicately shape hats that will adorn fashionable heads across Paris. Douglas Lord captures every intricate detail, allowing us to appreciate both artistry and craftsmanship. Lovers of literature will find solace in "Portrait of the Artist's Mother Reading. " Here we see a tender moment frozen in time as Lautrec's mother immerses herself in words written by another hand. Through Douglas Lord's interpretation, we sense not only her love for reading but also an unspoken bond between mother and son. Moving from private spaces to public scenes brings us face-to-face with intriguing characters such as Monsieur Boileau at the Cafe or Maxime Dethomas caught mid-thoughtful gaze. These portraits offer glimpses into their lives while leaving room for imagination to fill in their stories.