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Drapery Collection (page 54)

"Drapery: A Timeless Artistic Element Unveiled" From the ethereal folds adorning the Statue of Nike by Paionios in Olympia, Greece

Background imageDrapery Collection: The Parable of Lazarus and the Rich Man, 1618-28 (oil on panel)

The Parable of Lazarus and the Rich Man, 1618-28 (oil on panel)
XOS1766023 The Parable of Lazarus and the Rich Man, 1618-28 (oil on panel) by Fetti or Feti, Domenico (1589-1624); 61.6x45.4 cm; National Gallery of Art, Washington DC

Background imageDrapery Collection: Alexander Condemning False Praise, 1760-9 (oil on canvas)

Alexander Condemning False Praise, 1760-9 (oil on canvas)
XOS1765914 Alexander Condemning False Praise, 1760-9 (oil on canvas) by Mura, Francesco de (1696-1782); 76x63.4 cm; National Gallery of Art, Washington DC, USA; Italian, out of copyright

Background imageDrapery Collection: Mrs. Dolley Madison, 1804 (oil on canvas)

Mrs. Dolley Madison, 1804 (oil on canvas)
XOS1765506 Mrs. Dolley Madison, 1804 (oil on canvas) by Stuart, Gilbert (1755-1828); 74.1u61.3 cm; White House, Washington D.C

Background imageDrapery Collection: 1765480; out of copyright

1765480; out of copyright

Background imageDrapery Collection: 1765469; out of copyright

1765469; out of copyright

Background imageDrapery Collection: 1765460; out of copyright

1765460; out of copyright

Background imageDrapery Collection: 1765459; out of copyright

1765459; out of copyright

Background imageDrapery Collection: 1765351; out of copyright

1765351; out of copyright

Background imageDrapery Collection: 1765345; out of copyright

1765345; out of copyright

Background imageDrapery Collection: Angel with a Candle, 1887 (w / c, pencil & varnish on paper)

Angel with a Candle, 1887 (w / c, pencil & varnish on paper)
BAL1763604 Angel with a Candle, 1887 (w/c, pencil & varnish on paper) by Vrubel, Mikhail Aleksandrovich (1856-1910); 69x26 cm; Museum of Russian Art, Kiev, Ukraine; Russian, out of copyright

Background imageDrapery Collection: Virgin Mary (mosaic)

Virgin Mary (mosaic)
BAL1763600 Virgin Mary (mosaic) by Byzantine, (11th Century); Cathedral of St. Sophia, Kiev, Ukraine; out of copyright

Background imageDrapery Collection: Portrait of Jacques Edelheere, Philip Fruytiers, 1620 - 1666

Portrait of Jacques Edelheere, Philip Fruytiers, 1620 - 1666

Background imageDrapery Collection: The Preaching of the Antichrist, detail of Christ and the Devil, from the Chapel

The Preaching of the Antichrist, detail of Christ and the Devil, from the Chapel
XIR173699 The Preaching of the Antichrist, detail of Christ and the Devil, from the Chapel of the Madonna di San Brizio, 1499-1504 (fresco) by Signorelli, Luca (c.1450-1523); Duomo, Orvieto, Umbria

Background imageDrapery Collection: Portrait of Louise-Francoise de Bourbon (1673-1743) late 17th century (oil on canvas)

Portrait of Louise-Francoise de Bourbon (1673-1743) late 17th century (oil on canvas)
XIR172476 Portrait of Louise-Francoise de Bourbon (1673-1743) late 17th century (oil on canvas) by French School, (17th century); Musee des Beaux-Arts, Agen

Background imageDrapery Collection: Two Poles, Pieter Serwouters, Bonaventura Elzevier, Abraham Elzevier (I), 1627

Two Poles, Pieter Serwouters, Bonaventura Elzevier, Abraham Elzevier (I), 1627

Background imageDrapery Collection: Portrait of Louis-Jean-Marie de Bourbon (1725-93) Duke of Penthievre (oil on canvas)

Portrait of Louis-Jean-Marie de Bourbon (1725-93) Duke of Penthievre (oil on canvas)
XIR162602 Portrait of Louis-Jean-Marie de Bourbon (1725-93) Duke of Penthievre (oil on canvas) by French School, (18th century); Musee des Beaux-Arts, Tours

Background imageDrapery Collection: Study of the robes of Christ, 1508 (gouache and ink on paper)

Study of the robes of Christ, 1508 (gouache and ink on paper)
XIR161997 Study of the robes of Christ, 1508 (gouache and ink on paper) by DAOErer or Duerer, Albrecht (1471-1528); Louvre, Paris, France; (add.info.: Etude du manteau du Christ; ); German

Background imageDrapery Collection: Sappho, 1852 (marble)

Sappho, 1852 (marble)
XIR160238 Sappho, 1852 (marble) by Pradier, James (Jean-Jacques) (1790-1852); 118x70 cm; Musee d Orsay, Paris, France; Swiss, out of copyright

Background imageDrapery Collection: Greek Interior, 1848 (oil on canvas)

Greek Interior, 1848 (oil on canvas)
XIR158833 Greek Interior, 1848 (oil on canvas) by Gerome, Jean Leon (1824-1904); 15.5x21 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imageDrapery Collection: The Holy Family (oil on canvas)

The Holy Family (oil on canvas)
XIR157907 The Holy Family (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Prado, Madrid, Spain; Greek, out of copyright

Background imageDrapery Collection: The Dance, 1856 (oil on canvas)

The Dance, 1856 (oil on canvas)
XIR154110 The Dance, 1856 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 367x185 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imageDrapery Collection: Siege of Mstricht by Louis XIV, 1673, Gaspar Bouttats, 1673

Siege of Mstricht by Louis XIV, 1673, Gaspar Bouttats, 1673

Background imageDrapery Collection: Putto with a spear, Dirk Jurriaan Sluyter, 1826 - 1886

Putto with a spear, Dirk Jurriaan Sluyter, 1826 - 1886

Background imageDrapery Collection: Portrait of Maurits, Prince of Orange, Crispijn van den Queborn, 1612 - 1642

Portrait of Maurits, Prince of Orange, Crispijn van den Queborn, 1612 - 1642

Background imageDrapery Collection: Reclining Nude (oil on canvas)

Reclining Nude (oil on canvas)
BAL14147 Reclining Nude (oil on canvas) by Fantin-Latour, Henri (1836-1904) (follower of); Alan Jacobs Gallery, London, UK; French, out of copyright

Background imageDrapery Collection: Portrait of Anna Maria van Schurman, Cornelis van Dalen (II), Anonymous, Cornelis

Portrait of Anna Maria van Schurman, Cornelis van Dalen (II), Anonymous, Cornelis Janssens van Ceulen, 1678 - 1714

Background imageDrapery Collection: Portrait of Taco Hajo van den Honert, Jacob Houbraken, Anonymous, Hendrik Snakenburg

Portrait of Taco Hajo van den Honert, Jacob Houbraken, Anonymous, Hendrik Snakenburg, 1736 - 1755

Background imageDrapery Collection: Revenge of Tomyris, Paulus Pontius, unknown, 1630

Revenge of Tomyris, Paulus Pontius, unknown, 1630

Background imageDrapery Collection: Antiochus and Stratonice, 1774 (oil on canvas)

Antiochus and Stratonice, 1774 (oil on canvas)
XIR134627 Antiochus and Stratonice, 1774 (oil on canvas) by David, Jacques Louis (1748-1825); 120x155 cm; Ecole Nationale Superieure des Beaux-Arts, Paris, France; (add.info.: son of Seleucus)

Background imageDrapery Collection: hydria, Johannes or Lucas van Doetechum, Hans Vredeman de Vries, Hieronymus Cock, 1563

hydria, Johannes or Lucas van Doetechum, Hans Vredeman de Vries, Hieronymus Cock, 1563

Background imageDrapery Collection: Study of Sculpture: from the Elgin Marbles (pencil on paper)

Study of Sculpture: from the Elgin Marbles (pencil on paper)
XYC217169 Study of Sculpture: from the Elgin Marbles (pencil on paper) by Ward, James (1769-1859); 22.2x17.7 cm; Yale Center for British Art, Paul Mellon Collection

Background imageDrapery Collection: Self Portrait of Pieter Schenk, Pieter Schenk (I), 1680 - 1713

Self Portrait of Pieter Schenk, Pieter Schenk (I), 1680 - 1713

Background imageDrapery Collection: Title page for: Het seste deel vande Tragische oft klaechlijcke historien, 1613

Title page for: Het seste deel vande Tragische oft klaechlijcke historien, 1613, print maker: Michiel le Blon, Cornelis Lodewijcksz. van der Plasse, 1613

Background imageDrapery Collection: Ornamental frame for a title page, Bernard Picart, 1683-1733

Ornamental frame for a title page, Bernard Picart, 1683-1733

Background imageDrapery Collection: Portrait of Magdalena de Cuyper, c. 1635-1636 (oil on canvas)

Portrait of Magdalena de Cuyper, c. 1635-1636 (oil on canvas)
XOS1127466 Portrait of Magdalena de Cuyper, c.1635-1636 (oil on canvas) by Jordaens, Jacob (1593-1678); 152u118 cm; Rijksmuseum, Amsterdam

Background imageDrapery Collection: Female figure in drapery, Ludwig Gottlieb Portman, Schiavonetti, 1787 - 1828

Female figure in drapery, Ludwig Gottlieb Portman, Schiavonetti, 1787 - 1828

Background imageDrapery Collection: The Distribution of the Eagle Standards, 5th December 1804, detail of the standard bearers

The Distribution of the Eagle Standards, 5th December 1804, detail of the standard bearers
XIR18494 The Distribution of the Eagle Standards, 5th December 1804, detail of the standard bearers, 1808-10 (oil on canvas) by David

Background imageDrapery Collection: St. James the Great and St. Clare, predella panel from The Nuptials of the Virgin

St. James the Great and St. Clare, predella panel from The Nuptials of the Virgin
XIR146970 St. James the Great and St. Clare, predella panel from The Nuptials of the Virgin (oil on panel) (see 53825 for main panel) by Master of Flemalle

Background imageDrapery Collection: Study of an Angel and of Drapery

Study of an Angel and of Drapery; Innocenzo da Imola, Italian, 1485 - 1550; Italy, Europe; about 1520; Black chalk and brown wash, with white gouache heightening on brown tinted paper

Background imageDrapery Collection: Studies of a Male Nude, a Drapery, and a Hand

Studies of a Male Nude, a Drapery, and a Hand; Giorgio Vasari, Italian, 1511 - 1574; about 1555 - 1565; Red chalk; 36 x 24.3 cm (14 3/16 x 9 9/16 in.)

Background imageDrapery Collection: Study of a Hanging Drapery

Study of a Hanging Drapery; Hans Brosamer, German, about 1500 - about 1554, active Erfurt and Fulda, Germany 1520 - 1546; about 1530 - 1540; Pen and black ink; 19.5 x 14.9 cm (7 11/16 x 5 7/8 in.)

Background imageDrapery Collection: Hamlet and his Mother; The Closet Scene Dated in red paint, lower left: PINXIT

Hamlet and his Mother; The Closet Scene Dated in red paint, lower left: PINXIT
Hamlet and his Mother; The Closet Scene Dated in red paint, lower left: " PINXIT 1846", Richard Dadd, 1817-1886, British

Background imageDrapery Collection: Venus and Anchises, Benjamin Robert Haydon, 1786-1846, British

Venus and Anchises, Benjamin Robert Haydon, 1786-1846, British

Background imageDrapery Collection: The Death of Lucretia The Oath of Brutus, Gavin Hamilton, 1723-1798, British

The Death of Lucretia The Oath of Brutus, Gavin Hamilton, 1723-1798, British

Background imageDrapery Collection: Mountjoy Blount, Earl of Newport Mountjoy Blount, Ist Earl of Newport, Anthony Van Dyck

Mountjoy Blount, Earl of Newport Mountjoy Blount, Ist Earl of Newport, Anthony Van Dyck, 1599-1641, Flemish

Background imageDrapery Collection: Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of The

Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of The
Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of " The Taming of the Shrew" Henry Woodward as Petruchio, Benjamin van der Gucht, 1753-1794, British

Background imageDrapery Collection: LADY GODIVA, 11th CENTURY. Wife of Leofric, Earl of Mercia. Anglo-Saxon gentlewoman

LADY GODIVA, 11th CENTURY. Wife of Leofric, Earl of Mercia. Anglo-Saxon gentlewoman, patron of the arts, equestrienne, and tax protester. Mezzotint, c1874

Background imageDrapery Collection: BROOKLYN: MORGAN HOME. The hall in the Morgan home at Brooklyn Heights, New York City

BROOKLYN: MORGAN HOME. The hall in the Morgan home at Brooklyn Heights, New York City, c1880



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"Drapery: A Timeless Artistic Element Unveiled" From the ethereal folds adorning the Statue of Nike by Paionios in Olympia, Greece, to the graceful movements captured in the Dance of Apollo with the Nine Muses, it has long been an essential element in art. It weaves a story and adds depth to masterpieces like Madonna Child Infant Saint John Baptist upper left and The Visitation of St. Elizabeth to the Virgin Mary. Intricate details come alive as seen in Evening Dress 1922, where delicate fabrics cascade elegantly around a woman's silhouette. Jane Fleming, later Countess of Harrington, exudes regal charm as her dress billows gracefully in c. 1778-79 oil on canvas portrait. Drapery takes on mythical dimensions too; Leda and the Swan portrays Salomon Gessner's interpretation with flowing fabric enveloping their entwined bodies. Sir Edward Coley Burne-Jones' Sponsa De Libano transports us to another era with its enchanting portrayal enhanced by carefully crafted draperies. Even stage designs are not immune to its allure - Stage model for the opera Tristan and Isolde showcases Richard Wagner's vision brought to life through intricately draped backdrops that set scenes alight. The interplay between love and time is beautifully depicted in Time Vanquished by Love, Venus and Hope; here drapery becomes a metaphorical representation that transcends mere fabric. Meanwhile, The Lute Player captivates viewers with its harmonious blend of music and flowing garments that seem almost animated. And finally, Phaedra, Theseus and Hippolytus illustrate Act III Scene 5 from Phedré—drapery heightens emotions as it wraps around figures caught up in tragic circumstances. Throughout history, artists have harnessed drapery's power to evoke emotions, tell stories, and create timeless beauty.