Drunk Collection (page 9)

The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy
STC255135 The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London

The Last Glass (colour litho)
979741 The Last Glass (colour litho) by Ehrenberger, Ludwig Lutz (1878-1950); Private Collection; (add.info.: The Last Glass.); © Look and Learn

A police brigade charges a group of demonstrators, from Crimes and Punishments
BAL366888 A police brigade charges a group of demonstrators, from Crimes and Punishments, special edition of L Assiette au Beurre, 1st March 1902 (colour litho) by Vallotton

Orpheus torn to pieces by the Bacchantes (chromolitho)
1094450 Orpheus torn to pieces by the Bacchantes (chromolitho) by European School, (19th century); Private Collection; (add.info.: Orpheus torn to pieces by the Bacchantes)

Drunkard terrorising his family, cover of a school exercise book. c. 1900 (colour litho)
CHT225199 Drunkard terrorising his family, cover of a school exercise book. c.1900 (colour litho) by French School, (20th century); Private Collection; (add.info)

Wrath, detail from the Table of the Seven Deadly Sins and the Four Last Things, c. 1480 (oil on panel)
XIR405649 Wrath, detail from the Table of the Seven Deadly Sins and the Four Last Things, c.1480 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Self Portrait with Nude Woman and Glass, 1902 (oil on canvas)
CH402192 Self Portrait with Nude Woman and Glass, 1902 (oil on canvas) by Corinth, Lovis (Franz Heinrich Louis) (1858-1925); Private Collection; (add.info)

Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Moun... September 1887
Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Mount Godai (Rochishin ransui Godaisan Kongojin o uchikowasu no zu), September 1887

Drunkenness, 1851. Creator: Charles Rambert
Drunkenness, 1851

Mountain Dewberry or Crimson Drambler, illustration from The Bogus Book of Botany by John Weir, 1930-48 (ink on paper)
HIG294468 Mountain Dewberry or Crimson Drambler, illustration from The Bogus Book of Botany by John Weir, 1930-48 (ink on paper) by Weir, John (1907-1951); Private Collection

On the Lawn, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1923 (pochoir print)
STC227545 On the Lawn, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1923 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

The Drunk (oil on plywood)
3708531 The Drunk (oil on plywood) by Semprebon, Bruno (1817-77); 57x80 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

A Rustic turned into a Teetotaler (colour litho)
3652649 A Rustic turned into a Teetotaler (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: A Rustic turned into a Teetotaler)

The Drunk (oil on plywood)
3708532 The Drunk (oil on plywood) by Semprebon, Bruno (1817-77); 57x80 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

The Lovers, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho)
STC194695 The Lovers, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho) by Lobel-Riche

The Drunkenness of Noah
HAT43726 The Drunkenness of Noah by Procaccini, Camillo (c.1560-1629); Hatton Gallery, University of Newcastle Upon Tyne, UK; Tyne & Wear Archives & Museums

The Intruder : what billeting of German Soldiers often means to French and Belgian Villagers
STC311097 The Intruder : what billeting of German Soldiers often means to French and Belgian Villagers, from The Illustrated War News, 1916 (litho) by Jonas

She and he, the last bomb - Emile Loubet and Marianne fall asleep at the Xmas table, 1905. (litho)
3666845 She and he, the last bomb - Emile Loubet and Marianne fall asleep at the Xmas table, 1905. (litho) by Camara, Leal de (1877-1948); Private Collection; (add.info)

Grotesquerie of two fashionably dressed men singing (black & red chalks on white paper)
CTS366772 Grotesquerie of two fashionably dressed men singing (black & red chalks on white paper) by Procaccini, Camillo (c.1560-1629); 24.6x32.2 cm; The Devonshire Collections

Cafe Society, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho)
STC194692 Cafe Society, from Paris: Moeurs, Costumes et Attitudes 1912-13, Vol. 1: Les Bars, published 1914 (colour litho) by Lobel-Riche

Cautionary illustration of the dangers of alcohol (engraving)
3245471 Cautionary illustration of the dangers of alcohol (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

Drunk husband brought home (engraving)
3245463 Drunk husband brought home (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

Loose women drinking at races, late 19th century (engraving)
3245379 Loose women drinking at races, late 19th century (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures

Interior of an Inn, detail of drinkers fighting (fresco)
XIR223612 Interior of an Inn, detail of drinkers fighting (fresco) by Italian School, (15th century); Castello di Issogne, Val d Aosta, Italy; (add.info.: interior of cabaret, rixing of drinkers; )

Busy pub in London with fighting drunks (etching)
3245445 Busy pub in London with fighting drunks (etching) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

Stick figures, Dot and Line, dancing and fainting, 1817 (engraving)
5912701 Stick figures, Dot and Line, dancing and fainting, 1817 (engraving) by British School, (19th century); (add.info.: Dottator et Lineator Loquitor)

The Drunken Silenus (oil on panel)
LST204486 The Drunken Silenus (oil on panel) by Wouters, Frans (1612-59); 36.9x52.7 cm; Private Collection; © Lawrence Steigrad Fine Arts, New York

"Four o Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721)
NP125720 " Four o Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721) by Rowlandson, Thomas (1756-1827); 22.9x30.5 cm; Private Collection; (add.info)

Young man - day after (Hangover) 1884 (oil on canvas)
5322483 Young man - day after (Hangover) 1884 (oil on canvas) by Lochen, Kalle (Karl) (1865-93); 63x51 cm; Private Collection; (add.info.: Ung mann - dager derpa); Photo © O. Vaering

Wine and Song, 1895 (oil on canvas)
OVR328437 Wine and Song, 1895 (oil on canvas) by Bergslien, Nils (1853-1928); 150x280 cm; Private Collection; Photo © O. Vaering

Champagne Girl (oil on canvas)
OVR368866 Champagne Girl (oil on canvas) by Heyerdahl, Hans Olaf (1857-1913); Drammens Museum, Norway; (add.info.: Champagnepiken); Photo © O. Vaering

Untitled, 1893 (w / c on paper)
OVR368845 Untitled, 1893 (w/c on paper) by Kittelsen, Theodor Severin (1857-1914); 27x22 cm; Private Collection; (add.info.: from the series Do the Animals have a Soul.); Photo © O. Vaering

Old bar at Maridalsveien
5954324 Old bar at Maridalsveien by Flintoe, Johannes (1787-1870); 41x21 cm; Private Collection; Photo © O. Vaering

Drinking and Dancing Before the Tribal Chief, China, Qing dynasty (644-1911), late 17th to early 18th century

Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints, c. 1708

The Actor Asao Tamejuro I as Drunken Gotobei in Act Three of the Play Yoshitsune... c
The Actor Asao Tamejuro I as Drunken Gotobei in Act Three of the Play Yoshitsune Koshigoe Jo (Yoshitsunes Koshigoe Petition), Performed at the Ichimura Theater from the Ninth Day of the Ninth Month

The Actor Asao Tamejuro I as Drunken Gotobei in the Play Yoshitsune Koshigoe Jo... c
The Actor Asao Tamejuro I as Drunken Gotobei in the Play Yoshitsune Koshigoe Jo, Performed at the Ichimura Theater in the Ninth Month, 1790, c. 1790

Judge (Qazi) of Hamadan in a Drunken State, a scene from the Gulistan of Sa di, about 1550

Five Sketches for the Triumph of Silenus, n. d. Creator: Sir James Thornhill
Five Sketches for the Triumph of Silenus, n.d

Drunken Man, n. d. Creator: Philip William May
Drunken Man, n.d

Drunken Clown Puppet, c. 1937. Creator: Verna Tallman
Drunken Clown Puppet, c. 1937

Wallenstein lansquenet, painted by Wilhelm Camphausen (1818-1885), chromolithograph
Wallenstein lansquenet. Musketeer from the time of the Thirty Years War (1618 - 1648). Chromolithograph after a painting by Wilhelm Camphausen (German painter, 1818-1885), published in 1871

The Parsonage, c1780-1825. Creator: Thomas Rowlandson
The Parsonage, c1780-1825. This drawing of The Parsonage is vigorous, emphatic, and one might say brilliant in Rowlandsons best manner

Bacchante with Infant Faun, Modeled 1894, cast after 1894. Creator: Jaboeuf et Rouard
Bacchante with Infant Faun, Modeled 1894, cast after 1894. Cast by Jaboeuf et Rouard

Bar-room Scene, 1835. Creator: William Sidney Mount
Bar-room Scene, 1835. Drinkers clap as a man in ragged clothes dances, his back to the viewer. An African American watches from a distance

Merrymakers in an Inn, 1674. Creator: Adriaen van Ostade
Merrymakers in an Inn, 1674

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"Exploring the Depths of Drunkenness: A Historical Journey through Art and Satire" Step into the world of intoxication as we delve into the captivating artworks and satirical depictions that portray the concept of being "drunk. " From William Hogarth's iconic Gin Lane and Beer Street engravings to Roman statues showcasing a drunken Hercules, these visual masterpieces offer a glimpse into society's fascination with inebriation throughout history. In Hogarth's Gin Lane, created in 1751, we witness a grim portrayal of London's gin epidemic. The engraving depicts a scene filled with poverty, despair, and moral decay caused by excessive consumption of this spirit. On the other hand, Beer Street presents an alternative image where beer is celebrated as a healthier choice for socializing. These contrasting works serve as reminders of society's struggle to find balance between indulgence and moderation. Moving beyond Hogarth's artistry, we encounter various interpretations of drunkenness across different cultures and time periods. In ancient Rome, a statue portrays Hercules under the influence—a reminder that even legendary heroes can succumb to excesses. Meanwhile, satirical pieces like "His Masters Breath" mock those who indulge excessively while highlighting their folly. The theme continues in Casimiro Tomba’s Italian painting from the 19th century featuring a drunk warrior alongside a court jester—an intriguing juxtaposition that questions societal norms surrounding alcohol consumption. Similarly thought-provoking is Buster Keaton and Phyllis Barry’s comedic performance in Edward Sedgwicks' film "What. No Beer?" (1933), which humorously explores prohibition-era America. Even popular culture has not shied away from portraying drunkenness; Dulux Dog Drunk captures our attention with its unexpected twist on an iconic mascot. Additionally, "The Gin Shop" (1829) offers insight into how drinking establishments were depicted during this era—places where people sought solace or succumbed to their vices.