Dterry Collection

Edmund Kean in Richard III, 1822.. Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeares Richard III at the Theatre Royal Drury Lane

John Cooper in The Pirate, 1822.. Mr. John Cooper as Clement Cleveland in The Pirate at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

James Wilkinson in Free and Easy, 1822.. Mr. James Pimbury Wilkinson as Michael in Free and Easy at the Theatre Royal English Opera House, Strand

Edward Fitzwilliam in The Review, 1822.. Mr. Edward Fitzwilliam as Looney Macwolter in The Review at the Theatre Royal Drury Lane

William Dowton in The Hypocrite, 1822.. Mr. William Dowton as Doctor Cantwell in The Hypocrite at the Theatre Royal Drury Lane

Henry Gattie in Monsieur Tonson, 1822.. Mr. Henry Gattie as Monsieur Morbleu in the farce Monsieur Tonson at the Theatre Royal Drury Lane

Edward Knight in Love in a Village, 1822.. Mr. Edward Knight as Hodge in the opera Love in a Village at the Theatre Royal Drury Lane

Charles Young in The Stranger, 1822.. Mr. Charles Young in The Stranger at the Theatre Royal Covent Garden. Handcolored stipple copperplate engraving by Robert Cooper after a painting by Michael

John Harley in The Review, 1822.. Mr. John Pritt Harley as Caleb Quotem in The Review at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Mrs Siddons as Lady Macbeth, 1822
Mrs. Siddons as Lady Macbeth, 1822.. Mrs. Sarah Siddons as Lady Macbeth at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by George Harlowe

Miss Lise Noblet, dancer in La Paysanne Supposee, 1822.. Mlle. Lise Noblet, dancer, in the ballet La Paysanne Supposee at the Italian Opera House Haymarket

Frances Copeland in Maid or Wife, 1822.. Miss Frances Copeland as Fanny in Maid or Wife at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Felicite Hullin, dancer in La Paysanne Supposee, 1822.. Miss Felicite Hullin, dancer, in the ballet La Paysanne Supposee at the Italian Opera House Haymarket

Harriet Smithson in Wives as They Were, 1822.. Miss Harriet Constance Smithson as Miss Dorrillon in Wives as They Were and Maids as They Are at the Theatre Royal Drury Lane

Sarah Booth in Love in Humble Life, 1822.. Sarah Booth as Christine in Love in Humble Life the Theatre Royal Covent Garden

Etienne le Blond, ballet dancer, 1822.. Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Maria Bland in Monsieur Tonson, 1822.. Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in Monsieur Tonson the Theatre Royal Drury Lane

Giuseppe de Begnis in Il Turco in Italia, 1822.. Mr. Giuseppe de Begnis as Don Geronio in Il Turco in Italia at the Italian Opera House Haymarket

George Smith in No Song No Supper, 1822.. Mr. George Smith as Robin in No Song No Supper at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting

Samuel Simmons in Harlequin Munchausen, 1822.. Mr. Samuel Simmons as Baron Munchausen in the pantomime Harlequin Munchausen at the Theatre Royal Covent Garden

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"Dterry: A Timeless Performer of the 19th Century Stage" Step back in time to the vibrant theater scene of 1822, where a remarkable actor named Dterry graced the stage with unparalleled talent. In this golden era of dramatic arts, renowned actors like Edmund Kean and John Cooper captivated audiences with their performances in Richard III and The Pirate respectively. However, it was Dterry who stood out among his peers. With each role he undertook, whether as James Wilkinson in Free and Easy or Edward Fitzwilliam in The Review, Dterry breathed life into characters that resonated deeply with spectators. His versatility knew no bounds as he effortlessly transitioned from comedic roles like Henry Gattie's Monsieur Tonson to more serious ones such as Charles Young's portrayal of The Stranger. Not only did Dterry excel on stage himself, but he also shared it with esteemed colleagues like John Harley in The Review and Mrs Siddons' unforgettable rendition of Lady Macbeth. Together they created magical moments that etched themselves into the memories of all fortunate enough to witness them. Beyond acting prowess, Dterry appreciated other forms of artistic expression too. He marveled at Miss Lise Noblet's graceful movements while she danced her heart out in La Paysanne Supposee. And let us not forget Frances Copeland's captivating performance in Maid or Wife – an actress whose talent matched his own, a true luminary during this period; his name became synonymous with excellence on stage. Audiences flocked to see him perform night after night because they knew they were witnessing something extraordinary – a performer who could transport them to another world through sheer artistry. Though centuries have passed since then, we still recognize and celebrate the legacy left behind by this exceptional artist known simply as Dterry. His contributions continue to inspire generations of actors who strive for greatness on today's stages.