Dyck Collection (page 2)

Sir Anthony van Dyck (engraving)
815574 Sir Anthony van Dyck (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Anthony van Dyck.); Look and Learn / Elgar Collection; English, out of copyright

Michelangelo, from a print in the British Museum
Michelangelo di Lodovico Buonarroti Simoni or Michelangelo, was an Italian Renaissance. 1475-1564 Michael Angelo. From a print in the British Museum

Adriaen Brouwer, Flemish painter
Adriaen Brouwer or Adrian Brower, Flemish painter, 1605-1638. After a portrait by Anthony van Dyck. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all

Titian, Italian Renaissance painter
Tiziano Vecelli, Vecellio or Titian, Italian Renaissance painter, 1488-1576. From a self portrait. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools

Sir Anthony Van Dyck, Flemish Baroque artist, 1599-1641. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1827

King Charles I of England, 17th century, from a portrait by Van Dyck, 1635
5855352 King Charles I of England, 17th century, from a portrait by Van Dyck, 1635. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: King Charles I of England, 17th century)

Portrait of Philip van Dyck (engraving)
820513 Portrait of Philip van Dyck (engraving) by Dyck, Philip van (1680-1753); Private Collection; (add.info.: Philip van Dyck, Dutch painter)

Portrait of Inigo Jones (engraving)
820157 Portrait of Inigo Jones (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Inigo Jones, British architect, head turned and looking slightly up and to right)

Portrait of Vandyck as a Youth (engraving)
1064102 Portrait of Vandyck as a Youth (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Portrait of Vandyck as a Youth)

Portrait of a Gentleman, Three-Quarter Length, Wearing a Black Costume with White Collar
659360 Portrait of a Gentleman, Three-Quarter Length, Wearing a Black Costume with White Collar and Cuffs, by a Table with a Watch, (oil on canvas) by Dyck

Sir Antonio Van Dyke, (the Painter) (engraving)
978862 Sir Antonio Van Dyke, (the Painter) (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Antonio Van Dyke, (the Painter)

Portrait of King James I (engraving)
820145 Portrait of King James I (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: King James I, wearing ruff, ribbon and pendant, 1721 (Jacobus Imus D.G)

Anthony van Dyck (engraving)
666013 Anthony van Dyck (engraving) by English School, (19th century); Private Collection; (add.info.: Anthony van Dyck. Illustration from A Biographical History of England by J Granger)

The Holy Family, (oil on canvas)
659348 The Holy Family, (oil on canvas) by Dyck, Anthony van (1599-1641) (school of); 123.4x118.5 cm; Private Collection; (add.info.: The Holy Family. School of Van Dyck. Oil on canvas)

Sir Anthony van Dyck (etching)
815603 Sir Anthony van Dyck (etching) by English School, (19th century); Private Collection; (add.info.: Sir Anthony van Dyck. 22 March 1599 - 9 December 1641)

Sir Anthony van Dyck (engraving)
815440 Sir Anthony van Dyck (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Anthony van Dyck. 22 March 1599 - 9 December 1641)

Queen Henrietta Maria, 1770. Creator: Unknown
Queen Henrietta Maria, 1770. 18th-century copy of the 17th-century original, after Sir Anthony van Dyck. Noted with object description - Probably furnishing pictures for Sir Lister Holtes c.1755

King Charles I, 1770. Creator: Unknown
King Charles I, 1770. After Sir Anthony van Dyck

Lord Strafford And His Secretary Sir P Mainwaring, 1800. Creator: Unknown
Lord Strafford And His Secretary Sir P Mainwaring, 1800. After Sir Anthony van Dyck The original picture actually by Van Dyck in collection of Lady Juliet de Chair

Isabella of Austria (1566-1633), 1800. Creator: Unknown
Isabella of Austria (1566-1633), 1800. After Sir Anthony van Dyck. A copy of an original van Dyck painting

Figure of a Lady Standing, 1625-77. Creator: Wenceslaus Hollar
Figure of a Lady Standing, 1625-77

Whole-length lady, after Anthony van Dyck, 1625-77. Creator: Wenceslaus Hollar
Whole-length lady, after Anthony van Dyck, 1625-77

Lucas and Cornelius van Wael, 1646. Creator: Wenceslaus Hollar
Lucas and Cornelius van Wael, 1646

Charles I and Henrietta Maria, 1641. Creator: Wenceslaus Hollar
Charles I and Henrietta Maria, 1641

William Laud, Archbishop of Canterbury, 1641. Creator: Wenceslaus Hollar
William Laud, Archbishop of Canterbury, 1641

Inigo Jones, 1655. Creator: Wenceslaus Hollar
Inigo Jones, 1655

Richard Weston, Earl of Portland, 1645. Creator: Wenceslaus Hollar
Richard Weston, Earl of Portland, 1645

Charles II, 1649. Creator: Wenceslaus Hollar
Charles II, 1649

Mary Villiers, Dutchess of Lennox and Richmond, 1625-77. Creator: Wenceslaus Hollar
Mary Villiers, Dutchess of Lennox and Richmond, 1625-77

Frances Stuart, Countess of Portland, 1650. Creator: Wenceslaus Hollar
Frances Stuart, Countess of Portland, 1650

Bishop Jan van Malderen, 1645. Creator: Wenceslaus Hollar
Bishop Jan van Malderen, 1645

Sir Anthony van Dyck with a sunflower, 1644. Creator: Wenceslaus Hollar
Sir Anthony van Dyck with a sunflower, 1644

Rest on the Flight into Egypt, 1650-59. Creator: Boetius Adams Bolswert
Rest on the Flight into Egypt, 1650-59. After Anthony van Dyck

Portrait of Nicolas Chrystin, 17th century. Creator: Jean Morin
Portrait of Nicolas Chrystin, 17th century

Marguerite Lemon, maitresse d Antoine van Dyck. Creator: Jean Morin
Marguerite Lemon, maitresse d Antoine van Dyck

Nicolas Chrystin, bourgeois d Anvers. Creator: Jean Morin
Nicolas Chrystin, bourgeois d Anvers

Portrait of Justus Suttermans, 17th century. Creator: Anthony van Dyck
Portrait of Justus Suttermans, 17th century

The Triumph of Silenus, 1775-78. 1775-78. Creator: Nicolas de Launay
The Triumph of Silenus, 1775-78

Charles I, 1649. 1649. Creator: Wenceslaus Hollar
Charles I, 1649

Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624. Creator: Anthony van Dyck
Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624

James Stuart (1612-1655), Duke of Richmond and Lennox, ca. 1633-35. Creator: Anthony van Dyck
James Stuart (1612-1655), Duke of Richmond and Lennox, ca. 1633-35

Robert Rich (1587-1658), Second Earl of Warwick, ca. 1632-35. Creator: Anthony van Dyck
Robert Rich (1587-1658), Second Earl of Warwick, ca. 1632-35

Virgin and Child, ca. 1620. Creator: Anthony van Dyck
Virgin and Child, ca. 1620

Study Head of a Young Woman, ca. 1618-20. Creator: Anthony van Dyck
Study Head of a Young Woman, ca. 1618-20

Self-Portrait, ca. 1620-21. Creator: Anthony van Dyck
Self-Portrait, ca. 1620-21

Portrait of a Man, ca. 1618. Creator: Anthony van Dyck
Portrait of a Man, ca. 1618

Study Head of an Old Man with a White Beard, ca. 1617-20. Creator: Anthony van Dyck
Study Head of an Old Man with a White Beard, ca. 1617-20

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"Dyck: Capturing the Majesty and Intrigue of Charles I's Reign" Step into the world of Sir Anthonis van Dyck, a renowned artist who immortalized the iconic figures of his time. One such figure was King Charles I, whose reign from 1600 to 1649 left an indelible mark on England. In his masterpiece "Portrait of King Charles I, " Dyck skillfully captures the regal presence and introspective gaze that defined this enigmatic monarch. The painting stands as a testament to both Dyck's talent and the complexity of Charles I's character. It also delved into aristocratic circles, portraying influential individuals like Montague Earl Lindsey with meticulous attention to detail. His brushstrokes bring forth their power and charisma, revealing glimpses into their lives beyond mere titles. Another notable work is "Double portrait of King Charles I and Queen Henrietta Maria. " Though attributed to Dyck's studio, it showcases his ability to depict not only royalty but also conjugal love amidst turbulent times. The tender connection between king and queen is palpable in every stroke. Beyond royal portraits, Dyck explored religious themes in works like "The Crucified Christ with the Virgin Mary" where he masterfully conveys profound emotions through light and shadow. This piece exemplifies his versatility as an artist capable of capturing both earthly grandeur and spiritual transcendence. One cannot overlook Dyck's portrayal of innocence in "Five Eldest Children of Charles I. " Through careful composition and delicate expressions, he immortalizes these young heirs against a backdrop filled with uncertainty—a poignant reminder that even royalty is not immune to tragedy. Dyck's equestrian portrait titled "Equestrian portrait of Charles I" reveals another facet—his ability to capture dynamic movement alongside dignified poise. Here we see King Charles astride his horse accompanied by M. De St Antoine—an image that exudes authority and strength.