Eagle Lance Collection

End of the battle (ink on paper)
STC168271 End of the battle (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: warriors retiring from the battlefield with captured horses; Battle of the Little Big)

Topographical chart of the battlefield of the Little Big Horn (charcoal and ink on paper)
STC168257 Topographical chart of the battlefield of the Little Big Horn (charcoal and ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info)

Retreat of Major Marcus Renos command (ink on paper)
STC168264 Retreat of Major Marcus Renos command (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info)

Retreat of Major Marcus Renos command (ink on paper)
STC168263 Retreat of Major Marcus Renos command (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: Battle of Little Big Horn)

Retreat of Major Marcus Renos command (ink on paper)
STC168260 Retreat of Major Marcus Renos command (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: Battle of Little Big Horn)

Public dance in honour of the warrior He Dog (ink on paper)
STC168276 Public dance in honour of the warrior He Dog (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info)

Opening of the Battle of the Little Big Horn (ink on paper)
STC168258 Opening of the Battle of the Little Big Horn (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info)

Grass dance (ink on paper)
STC168277 Grass dance (ink on paper) by Bonnemaison, Fereol (c.1770-1827); Private Collection; (add.info.: Battle of the Little Big Horn)

Smoothing the Place Dance (ink on paper)
STC168275 Smoothing the Place Dance (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: warriors form a ring around the dancing court; Medicine Man carries scalp)

Scalp dance or victory dance (ink on paper)
STC168274 Scalp dance or victory dance (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: hand)

Troopers being driven across the river (ink on paper)
STC168269 Troopers being driven across the river (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: Battle of the Little Big Horn)

The end of the battle (ink on paper)
STC168270 The end of the battle (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: Battle of the Little Big Horn)

Retreat of Major Marcus Renos command (ink on paper)
STC168268 Retreat of Major Marcus Renos command (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: Battle of Little Big Horn)

Retreat of Major Marcus Renos command (ink on paper)
STC168262 Retreat of Major Marcus Renos command (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info)

Retreat of Major Marcus Renos command (ink on paper)
STC168265 Retreat of Major Marcus Renos command (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: a warrior, upper left)

Major Marcus Renos retreat before the Indian counter-attack (ink on paper)
STC168259 Major Marcus Renos retreat before the Indian counter-attack (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: Battle of Little Big Horn)

Sioux warriors at Custers Last Stand, 1876, (c1900). Artist: Adam Bad Heart Buffalo
Sioux warriors at Custers Last Stand, 1876, (c1900). Sioux warriors leading away captured horses after defeating Custers troops at Custers Last Stand

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"Eagle Lance: A Visual Chronicle of the Battle and Beyond" In a mesmerizing display of artistic prowess, "Eagle Lance" captures the essence of history's most pivotal moments. With ink on paper as their medium, these masterpieces transport us to an era long gone but never forgotten. The journey begins with the "End of the battle, " where strokes of ink immortalize the final moments when dust settles and warriors lay down their weapons. The intricate details reveal both triumph and tragedy etched onto this canvas. Moving forward, we delve into Major Marcus Reno's retreat through his command depicted in ink on paper. Each stroke tells a story of courage amidst chaos, showcasing the relentless pursuit for survival against all odds. As our eyes wander further, we encounter a topographical chart unveiling the battlefield at Little Big Horn. Charcoal and ink intertwine to create a vivid landscape that whispers tales of bravery and sacrifice from every contour. Celebration takes center stage as we witness a public dance honoring warrior He Dog. Ink dances across paper, capturing each rhythmic movement that pays homage to valorous deeds performed by those who fought bravely. Opening up another chapter in this visual narrative is "Grass Dance. " Ink breathes life into swirling patterns symbolizing unity and resilience within Native American culture—a testament to their unwavering spirit even in times of adversity. With delicate precision, "Smoothing the Place Dance" unveils rituals aimed at healing wounds inflicted during battles past. The artist's hand guides us through ceremonial movements meant to restore harmony amongst tribes torn apart by conflict. Ink transforms once again as it portrays a triumphant moment—the Scalp Dance or Victory Dance—where warriors rejoice over hard-won battles. This vibrant depiction radiates jubilation while reminding us of lives forever changed by war's cruel touch. A somber scene emerges as troopers are driven across rivers under duress; each brushstroke echoes desperation mingled with determination.