Earl Orford Collection

Idol-Worship or the Way to Preferment, 1740 (engraving)
XJF863053 Idol-Worship or the Way to Preferment, 1740 (engraving) by English School, (18th century); Private Collection; (add.info.: Prime Minister Robert Walpole)

The Stature of a Great Man or an English Colossus, by George Bickham the Younger
XJF867974 The Stature of a Great Man or an English Colossus, by George Bickham the Younger, 1740 (engraving) by King, Haynes (1831-1904); Private Collection; (add.info.: BM 18680808.3635); English

The Noble Stand, or the Glorious CCIII Sacred to their Immortal Honour down to posterity, c
XJF867953 The Noble Stand, or the Glorious CCIII Sacred to their Immortal Honour down to posterity, c.1733 (etching) by English School, (18th century); Private Collection; (add.info.: Robert Walpole)

Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving)
XJF867970 Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving) by English School, (19th century); Private Collection; English, out of copyright

Robins Progress in eight scenes, from his first coming up from Oxford to London
XJF867946 Robins Progress in eight scenes, from his first coming up from Oxford to London to his present situation, 1733 (engraving) by English School

The Lyon in Love, or A Political Farmer, 1738 (engraving)
XJF867857 The Lyon in Love, or A Political Farmer, 1738 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1871, 1209.4897); English, out of copyright

The Scheme Disappointed, A Fruitless Sacrifice, circa 1733 (etching)
XJF867848 The Scheme Disappointed, A Fruitless Sacrifice, circa 1733 (etching) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0808.3559); English, out of copyright

The Present State of A Certain Great Kingdom, 1738 (engraving)
XJF867852 The Present State of A Certain Great Kingdom, 1738 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0808.3604); English, out of copyright

Robins Reign, or Sevens the Main, 1731 (etching)
XJF867850 Robins Reign, or Sevens the Main, 1731 (etching) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0808.3541); English, out of copyright

Satire on the Excise Bill, 1733 (engraving)
XJF867843 Satire on the Excise Bill, 1733 (engraving) by English School, (18th century); Private Collection; English, out of copyright

The Champion, or Evening Advertiser by Capt. Hercules Vinegar of Pall Mall, 1744
XJF867803 The Champion, or Evening Advertiser by Capt. Hercules Vinegar of Pall Mall, 1744 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0808.3630); English

The Night Visit or the Relapse: with the Pranks of Bob Fox the Jugler while Steward
XJF863064 The Night Visit or the Relapse: with the Pranks of Bob Fox the Jugler while Steward to Lady Britannia, display d on a screen, 1742 (engraving) by English School

The London Merchants Triumphant, 1733 (engraving)
XJF863066 The London Merchants Triumphant, 1733 (engraving) by English School, (18th century); Private Collection; (add.info.: Satire on the defeat of the Excise Bill of Robert Walpole)

The Grounds, 1741 (engraving)
XJF863045 The Grounds, 1741 (engraving) by English School, (18th century); Private Collection; (add.info.: Satire on reasons to remove Robert Walpole)

The Statue of a Great Man or the English Colossus, 1740 (engraving)
XJF863054 The Statue of a Great Man or the English Colossus, 1740 (engraving) by Bickham, George (the Younger) (c.1706a'71); Private Collection; (add.info)

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"Earl Orford: A Satirical Journey Through the Political Landscape of 18th Century England" Step into the world of Earl Orford, a prominent figure in 18th century England whose influence and controversies were captured through various satirical prints. From "Idol-Worship or the Way to Preferment" to "The Stature of a Great Man or an English Colossus, " these engravings by artists like George Bickham the Younger and Nathaniel Parr provide a glimpse into the political climate of that era. In "The Noble Stand, or the Glorious CCIII Sacred to their Immortal Honour down to posterity, " we witness Orford's rise to power and his unwavering commitment to his cause. The eight scenes depicted in "Robins Progress from his first coming up from Oxford to London" showcase his journey towards success, highlighting both triumphs and challenges along the way. However, not all depictions are flattering. In works such as "The Lyon in Love, or A Political Farmer" and "The Scheme Disappointed, A Fruitless Sacrifice, " we see satire at its finest as Orford faces criticism for certain decisions he made during his tenure. These etchings serve as reminders that even great men can be subject to scrutiny. "The Present State of A Certain Great Kingdom" provides a comprehensive overview of the state of affairs during this period. With intricate details engraved on paper, it offers viewers an opportunity to delve deeper into political intricacies that shaped society back then. As we explore further into Orford's legacy through pieces like "Robins Reign, or Sevens the Main" and "Satire on the Excise Bill, " it becomes evident how influential he was in shaping policies and leaving lasting impressions on governance structures. Yet amidst all these serious portrayals lies humor too. In works such as "The Champion, or Evening Advertiser by Capt.