Early Netherlandish Collection

The Garden of Earthly Delights, 1490-1500 (oil on panel)
3107159 The Garden of Earthly Delights, 1490-1500 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; (add.info.: Detail of central panel); Netherlandish, out of copyright

Annunciation Triptych (Merode Altarpiece), c. 1427-32 (oil on oak)
3432899 Annunciation Triptych (Merode Altarpiece), c.1427-32 (oil on oak) by Master of Flemalle, (Robert Campin) (1375/8-1444); 64.5x27.3 cm; Metropolitan Museum of Art, New York

The Brothers Van Eyck (engraving)
820829 The Brothers Van Eyck (engraving) by German School, (19th century); Private Collection; (add.info.: The Brothers Van Eyck - Jan (circa 1389-1441) and Hubert (1370-1426)

A Man Reading (Saint Ivo?), c. 1450 (oil on panel)
3119698 A Man Reading (Saint Ivo?), c.1450 (oil on panel) by Weyden, Rogier van der (1399-1464) (workshop of); 45 x 35 cm; National Gallery, London, UK; Netherlandish, out of copyright

The Bellows Mender (oil on canvas)
3850898 The Bellows Mender (oil on canvas) by Bosch, Hieronymous (c.1450-1516) (attr.); Musee des Beaux-Arts, Tournai, Belgium; Photo © Derek Bayes. All rights reserved 2022

Hans Memling (engraving)
820831 Hans Memling (engraving) by German School, (19th century); Private Collection; (add.info.: Hans Memling. Flemish religious painter who worked in the tradition of Early Netherlandish painting)

Portrait of a Man with a Pink, 1504-14 (oil on panel)
5858776 Portrait of a Man with a Pink, 1504-14 (oil on panel) by Massys, Quentin (c.1466-1530) (attr. to); 43.8 A-- 29.2 cm; The Art Institute of Chicago, IL

Portrait of Philip the Good, Duke of Burgundy, c. 1460-80 (oil on panel)
3709971 Portrait of Philip the Good, Duke of Burgundy, c.1460-80 (oil on panel) by Netherlandish School, (15th century); diam: 38.7 cm; Rijksmuseum, Amsterdam

Hans Memling (litho)
815607 Hans Memling (litho) by French School, (19th century); Private Collection; (add.info.: Hans Memling. 1430 - 11 August 1494)

The Holy Family with Saint Paul and a Donor (oil on wood)
3614094 The Holy Family with Saint Paul and a Donor (oil on wood) by Weyden, Rogier van der (1399-1464) (after); 57.5x48.3 cm; Metropolitan Museum of Art, New York, USA; Flemish, out of copyright

Annunciation Triptych (Merode Altarpiece), c. 1427-32 (oil on oak)
3432890 Annunciation Triptych (Merode Altarpiece), c.1427-32 (oil on oak) by Master of Flemalle, (Robert Campin) (1375/8-1444); 64.1x63.2 cm; Metropolitan Museum of Art, New York

Portinari Altarpiece, left panel (detail of the head of Saint Anthony), c
897964 Portinari Altarpiece, left panel (detail of the head of Saint Anthony), c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); Galleria degli Uffizi, Florence, Tuscany

Portinari Altarpiece, central panel (detail of the angels to the right hand side), c
897963 Portinari Altarpiece, central panel (detail of the angels to the right hand side), c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); Galleria degli Uffizi, Florence, Tuscany

The Mass of St. Gregory the Great (detail of the altar) (oil on panel)
897389 The Mass of St. Gregory the Great (detail of the altar) (oil on panel) by Campin, Robert (c.1378-1444); Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; (add.info.: The Mass of St)

Triptych of the Crucifixion, left panel: Jewish judges, Roman soldiers (detail of the heads), c
897253 Triptych of the Crucifixion, left panel: Jewish judges, Roman soldiers (detail of the heads), c.1480 (oil on panel) by David, Gerard (c.1460-1523); Musees Royaux des Beaux-Arts de Belgique

Portrait Man 1491 Oil linden 18 3 / 4 x 13 47. 6 33 cm
Artokoloro

Virgin Child Oil gold silver linden 15 5 / 8 x 12 1 / 8
Artokoloro

The Pieta (oil on panel)
XIR899670 The Pieta (oil on panel) by Weyden, Rogier van der (1399-1464); Museo e Gallerie Nazionali di Capodimonte, Naples, Italy; (add.info.: Piete); Netherlandish, out of copyright

BridgemanArt Full Collection
OneVisionArt BridgemanArt Full Collection

Triptych of the Calvary (left panel, the Nativity in the upper section, Saint Francis of Assisi)
XIR897491 Triptych of the Calvary (left panel, the Nativity in the upper section, Saint Francis of Assisi and possibly Saint Julian the Hospitaller in the lower section) (oil on panel) by Weyden

1765747; out of copyright

Entombment, c. 1450-60 (tempera on linen)
XOS1765746 Entombment, c.1450-60 (tempera on linen) by Bouts, Dirck (c.1415-75); 87.5x73.6 cm; National Gallery, London, UK; Dutch, out of copyright

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"Early Netherlandish: Exploring the Enigmatic Garden of Earthly Delights" Step into a mesmerizing world where fantasy and reality intertwine, as we delve into the captivating realm art. At the heart of this artistic movement lies "The Garden of Earthly Delights, " an enigmatic masterpiece created between 1490-1500 by an unknown artist. This triptych painting, executed in oil on panel, invites viewers to embark on a visual journey like no other. Its intricate details and vibrant colors transport us to a surreal landscape filled with bizarre creatures, alluring temptations, and profound symbolism. In the left panel, we encounter Eden's innocence—a lush paradise teeming with exotic animals and harmonious scenes. The central panel reveals a kaleidoscope of hedonistic indulgences; humans engage in extravagant festivities while peculiar beings emerge from every corner. This chaotic depiction raises questions about morality and human desires. As our eyes wander towards the right panel, darkness descends upon this fantastical narrative. Hell unfolds before us—an infernal abyss populated by grotesque figures enduring unimaginable tortures. Herein lies a cautionary tale about sin's consequences—its vivid imagery serving as both warning and contemplation. "The Garden of Earthly Delights" epitomizes Early Netherlandish art's distinctive style characterized by meticulous attention to detail, luminous color palettes, and innovative use of perspective. These artists sought to capture reality with astonishing precision while infusing their works with spiritual undertones. Although its creator remains anonymous today, this masterpiece continues to captivate audiences worldwide through its timeless allure. It challenges our perceptions of beauty and morality while offering glimpses into humanity's complex nature—a testament to the enduring power that art holds over centuries.