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Early Renaissance Collection

"Exploring the Early Renaissance: A Journey through Art and History" Step back in time to the captivating era of the Early Renaissance

Background imageEarly Renaissance Collection: Anne of Cleves

Anne of Cleves
" Vintage engraving of Anne of Cleves by Hans Hobein. A German noblewoman and the fourth wife of Henry VIII of England and as such she was Queen of England from 6 January 1540 to 9 July 1540

Background imageEarly Renaissance Collection: The Sea Monster

The Sea Monster
Vintage engraving by Albrech Durer, showing The Sea Monster, 1498

Background imageEarly Renaissance Collection: Virgin and Child with Saint Lorenzo Giustiniani and Zeno, 1874, (1903)

Virgin and Child with Saint Lorenzo Giustiniani and Zeno, 1874, (1903)
Virgin and Child with Saint Lorenzo Giustiniani and Zeno, 1874. From The Connoisseur Vol. VII [Otto Limited, London, 1903.]

Background imageEarly Renaissance Collection: Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving)

Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving)
5309211 Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving); (add.info.: Fragment of Dante Alighieri's "Divina Comedia")

Background imageEarly Renaissance Collection: 'Italie souvenirs de voyage'; view of the Rocca Pia in Tivoli

"Italie souvenirs de voyage"; view of the Rocca Pia in Tivoli
3560899 "Italie souvenirs de voyage"; view of the Rocca Pia in Tivoli by Unknown photographer, (19th century); (add.info.: Tivoli 1870 ca)

Background imageEarly Renaissance Collection: Bovolo Staircase (Spiral Staircase) built for Pietro Contanin to embellish the interior facade of

Bovolo Staircase (Spiral Staircase) built for Pietro Contanin to embellish the interior facade of the Palazzo di San
3566436 Bovolo Staircase (Spiral Staircase) built for Pietro Contanin to embellish the interior facade of the Palazzo di San Paternian (today Campo Manin) by Unknown photographer

Background imageEarly Renaissance Collection: View of the Arsenal of Venice

View of the Arsenal of Venice
3560799 View of the Arsenal of Venice; (add.info.: Venice 1871 Date of Artwork: XV -XVII sec. Artist: Bon, Bartolomeo;Gambello, Antonio;Tremignon, Alessandro;Alberghetti Giovanni Francesco;Campagna)

Background imageEarly Renaissance Collection: View of Campo Santi Giovanni and Paolo in Venice, with the Monument to Bartolomeo Colleoni

View of Campo Santi Giovanni and Paolo in Venice, with the Monument to Bartolomeo Colleoni
3575767 View of Campo Santi Giovanni and Paolo in Venice, with the Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco; postcard; (add.info.: Campo SS)

Background imageEarly Renaissance Collection: Male head, roundel from the frame of the Gates of Paradise (East doors)

Male head, roundel from the frame of the Gates of Paradise (East doors) by Lorenzo Ghiberti (1378-1455)
BEN87667 Male head, roundel from the frame of the Gates of Paradise (East doors) by Lorenzo Ghiberti (1378-1455) 1425-52 (gilt bronze) (see also 87652-66); Baptistery, Florence

Background imageEarly Renaissance Collection: The Anatomical Institutes in the course of demolition, Florence

The Anatomical Institutes in the course of demolition, Florence
3560233 The Anatomical Institutes in the course of demolition, Florence by Unknown photographer, (20th century); (add.info.: Via degli Alfani)

Background imageEarly Renaissance Collection: 'Calli, Canali e Isole della Laguna', edition by Ferdinando Ongania

"Calli, Canali e Isole della Laguna", edition by Ferdinando Ongania
3560754 "Calli, Canali e Isole della Laguna", edition by Ferdinando Ongania, the Scala dei Giganti (the giants' staircase), of the Ducal Palace

Background imageEarly Renaissance Collection: View of the Colleoni Chapel, Bergamo

View of the Colleoni Chapel, Bergamo
3569247 View of the Colleoni Chapel, Bergamo; (add.info.: The Colleoni Chapel, Bergamo 1880 ca. Date of Artwork: 1472-1476 Artist: Amadeo Giovanni Antonio (1447-1522) Photographer

Background imageEarly Renaissance Collection: The dome of Santa Maria del Fiore in Florence

The dome of Santa Maria del Fiore in Florence
3563422 The dome of Santa Maria del Fiore in Florence by Unknown photographer, (20th century); (add.info.: Santa Maria del Fiore, gallery, Florence 1930 ca)

Background imageEarly Renaissance Collection: Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini

Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini (1409-1464), Pienza
3557900 Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini (1409-1464), Pienza. The photograph was taken after the restoration of 1901

Background imageEarly Renaissance Collection: Female head, roundel from the frame of the Gates of Paradise (East doors)

Female head, roundel from the frame of the Gates of Paradise (East doors) by Lorenzo Ghiberti (1378-1455)
BEN87663 Female head, roundel from the frame of the Gates of Paradise (East doors) by Lorenzo Ghiberti (1378-1455) 1425-52 (gilt bronze) (see also 87652-62 & 87664-67); Baptistery, Florence

Background imageEarly Renaissance Collection: A moor from the clock tower in Piazza San Marco in Venice

A moor from the clock tower in Piazza San Marco in Venice
3563433 A moor from the clock tower in Piazza San Marco in Venice by Unknown photographer, (20th century); (add.info.: Venice 1930 ca)

Background imageEarly Renaissance Collection: Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini

Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini (1409-1464), Pienza
3557901 Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini (1409-1464), Pienza. The photo was taken before the restoration of 1901 by Unknown photographer

Background imageEarly Renaissance Collection: First floor landing of the Scuola Grande di San Giovanni Evangelista, in Venice

First floor landing of the Scuola Grande di San Giovanni Evangelista, in Venice
3572361 First floor landing of the Scuola Grande di San Giovanni Evangelista, in Venice, taken from the hall through the arch springs from columns and coupled piers; (add.info.: Venice 1860-1890 ca)

Background imageEarly Renaissance Collection: St. Florian's Gate in Cracow

St. Florian's Gate in Cracow
3570431 St. Florian's Gate in Cracow by Unknown photographer, (19th century); (add.info.: Cracow, Poland 1870 ca. Date of Artwork: XVI, 1657 Photographer: Unidentified Author); Alinari Archives

Background imageEarly Renaissance Collection: St. Sebastian. Creator: Perugino

St. Sebastian. Creator: Perugino
St. Sebastian, Unknown date

Background imageEarly Renaissance Collection: Portrait of a Member of the Alardes Family, early 16th century. Creator: Jacob Claesz van Utrecht

Portrait of a Member of the Alardes Family, early 16th century. Creator: Jacob Claesz van Utrecht
Portrait of a Member of the Alardes Family, early 16th century

Background imageEarly Renaissance Collection: The Holy Family, 1465-1523. Creator: Perugino

The Holy Family, 1465-1523. Creator: Perugino
The Holy Family, 1465-1523

Background imageEarly Renaissance Collection: Shrine with the Crucifixion, Saints and Angels. Creator: Taddeo Gaddi

Shrine with the Crucifixion, Saints and Angels. Creator: Taddeo Gaddi
Shrine with the Crucifixion, Saints and Angels, Unknown date

Background imageEarly Renaissance Collection: Madonna and Child with Two Angels, c1500. Creator: Agnolo di Domenico di Donnino

Madonna and Child with Two Angels, c1500. Creator: Agnolo di Domenico di Donnino
Madonna and Child with Two Angels, c1500. This "tondo" (circular painting) shows two lily-bearing angels striding toward the Madonna and crowning her as Queen of Heaven

Background imageEarly Renaissance Collection: Madonna and Child with St. Michael and Other Saints, c1440. Creator: Antonio Vivarini

Madonna and Child with St. Michael and Other Saints, c1440. Creator: Antonio Vivarini
Madonna and Child with St. Michael and Other Saints, c1440. This monumental and intact polyptych (multi-paneled altarpiece), which is now unfortunately badly damaged

Background imageEarly Renaissance Collection: Three musicians / Three ladies playing music, c1530. Creator: Master of the Female Half-Lengths

Three musicians / Three ladies playing music, c1530. Creator: Master of the Female Half-Lengths
Three musicians / Three ladies playing music, c1530. Three female Musicians playing the poem Jouissance vous donneray by Clement Marot, music by Claudin de Sermisy

Background imageEarly Renaissance Collection: Madonna and Child, 1480-1485. Creator: Bartolomeo Montagna

Madonna and Child, 1480-1485. Creator: Bartolomeo Montagna
Madonna and Child, 1480-1485. Christ and Mary's divinity is downplayed; their halos are just barely visible and they appear quite simply as mother and son

Background imageEarly Renaissance Collection: A Prophet. Companion piece to NM 6863, c1310-1340. Creator: Master of Figline

A Prophet. Companion piece to NM 6863, c1310-1340. Creator: Master of Figline
A Prophet. Companion piece to NM 6863, c1310-1340

Background imageEarly Renaissance Collection: Female Angel. Companion piece to NM 6862, c1310-1340. Creator: Master of Figline

Female Angel. Companion piece to NM 6862, c1310-1340. Creator: Master of Figline
Female Angel. Companion piece to NM 6862, c1310-1340

Background imageEarly Renaissance Collection: Judgment of Paris, 1532. Creator: Master of the Female Half-Lengths

Judgment of Paris, 1532. Creator: Master of the Female Half-Lengths
Judgment of Paris, 1532

Background imageEarly Renaissance Collection: Madonna, undated. (c1500s) Creator: Perugino

Madonna, undated. (c1500s) Creator: Perugino
Madonna, undated. (c1500s)

Background imageEarly Renaissance Collection: Mystic Nativity, 1500, (1909). Artist: Sandro Botticelli

Mystic Nativity, 1500, (1909). Artist: Sandro Botticelli
Mystic Nativity, 1500, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Background imageEarly Renaissance Collection: Photomontage of the east side of the Cappella dei Magi showing the nineteenth-century window in

Photomontage of the east side of the Cappella dei Magi showing the nineteenth-century window in the altar wall, Palazzo Medici Riccardi Florence Palazzo Medici Riccardi

Background imageEarly Renaissance Collection: Monument of Bartolomeo Colleoni by Andrea del Verrocchio (1435-88), Campo San Giovanni e Paolo

Monument of Bartolomeo Colleoni by Andrea del Verrocchio (1435-88), Campo San Giovanni e Paolo, Venice (photo)
3929946 Monument of Bartolomeo Colleoni by Andrea del Verrocchio (1435-88), Campo San Giovanni e Paolo, Venice (photo) by Verrocchio

Background imageEarly Renaissance Collection: Mosaic on the domed ceiling of St Johns Baptistry, Florence (mosaic)

Mosaic on the domed ceiling of St Johns Baptistry, Florence (mosaic)
423889 Mosaic on the domed ceiling of St Johns Baptistry, Florence (mosaic) by Florentine School; (add.info.: Work on the mosaics probably spanned from the 13th to 14th centuries)

Background imageEarly Renaissance Collection: The Perussis Altarpiece, 1480 (oil and gold on wood)

The Perussis Altarpiece, 1480 (oil and gold on wood)
3432881 The Perussis Altarpiece, 1480 (oil and gold on wood) by Froment, Nicolas (c.1425-c.83/86) (circle of); 138.4x58.4 cm; Metropolitan Museum of Art, New York

Background imageEarly Renaissance Collection: Epiphany triptych (oil on panel)

Epiphany triptych (oil on panel)
471120 Epiphany triptych (oil on panel) by Master of Frankfurt, (1460-c.1533); 161x416 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Nativity)

Background imageEarly Renaissance Collection: Saint Ambrose refuses Emperor Theodosius Admission to the Church (tempera on panel)

Saint Ambrose refuses Emperor Theodosius Admission to the Church (tempera on panel)
471158 Saint Ambrose refuses Emperor Theodosius Admission to the Church (tempera on panel) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Background imageEarly Renaissance Collection: Madonna at the Fountain, 1439 (oil on panel)

Madonna at the Fountain, 1439 (oil on panel)
471200 Madonna at the Fountain, 1439 (oil on panel) by Eyck, Jan van (c.1390-1441); 24.9x18.2 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: The different flowers)

Background imageEarly Renaissance Collection: Fresco of a woman of the Vismara family, formerly in the Casa Vismara in Legnano

Fresco of a woman of the Vismara family, formerly in the Casa Vismara in Legnano
3573955 Fresco of a woman of the Vismara family, formerly in the Casa Vismara in Legnano by Italian School, (15th century); (add.info.: Fresco of a woman of the Vismara family)

Background imageEarly Renaissance Collection: Fresco of floral ornamentation and crowns, formerly in the Casa Vismara in Legnano, XVsec

Fresco of floral ornamentation and crowns, formerly in the Casa Vismara in Legnano, XVsec
3573956 Fresco of floral ornamentation and crowns, formerly in the Casa Vismara in Legnano, XVsec. by Italian School, (15th century); (add.info.: Fresco of floral ornamentation and crowns)

Background imageEarly Renaissance Collection: Christ among the Doctors, an episode from the New Testament scenes (fresco)

Christ among the Doctors, an episode from the New Testament scenes (fresco)
3573820 Christ among the Doctors, an episode from the New Testament scenes (fresco) by Italian School, (15th century); Chapel of San Biagio, Piedimonte Matese

Background imageEarly Renaissance Collection: St. Jerome

St. Jerome
3574062 St. Jerome by Corso, Nicolo, Il Lombarducio (1446-1513) (attr.to); Amedeo Lia Museum, La Spezia, Liguria, Italy; (add.info.: Artist: Nicolo Corso, Nicolo di Lombarduccio)

Background imageEarly Renaissance Collection: Aristotle and Phyllis, surrounded by a young man and woman with Eros

Aristotle and Phyllis, surrounded by a young man and woman with Eros, and reclining nude woman with two children
1163365 Aristotle and Phyllis, surrounded by a young man and woman with Eros, and reclining nude woman with two children, second half of the 15th century (engraving) by Baldini

Background imageEarly Renaissance Collection: Battle of Nude Men, c. 1470 - 1475 (engraving)

Battle of Nude Men, c. 1470 - 1475 (engraving)
1217305 Battle of Nude Men, c. 1470 - 1475 (engraving) by Pollaiuolo, Antonio (1432/3-98); 40x62.1 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageEarly Renaissance Collection: Virgin in the Apse (oil on panel)

Virgin in the Apse (oil on panel)
781562 Virgin in the Apse (oil on panel) by David, Gerard (c.1460-1523) (attr. to); Private Collection; Photo © Christies Images

Background imageEarly Renaissance Collection: Isaiah, by the Master of Becerril, ca. 1525 (oil on panel)

Isaiah, by the Master of Becerril, ca. 1525 (oil on panel)
FIA5393744 Isaiah, by the Master of Becerril, ca. 1525 (oil on panel) by Maestro de Becerril, (fl.1530-1540); Prado, Madrid



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"Exploring the Early Renaissance: A Journey through Art and History" Step back in time to the captivating era of the Early Renaissance, where artistic brilliance flourished and cultural transformations took place. Delve into this enchanting period as we unravel its secrets through a collection of remarkable artworks. One such masterpiece is "Anne of Cleves, " a portrait that encapsulates the elegance and grace of this influential figure from history. Her regal presence reflects the ideals celebrated during this period, showcasing an appreciation for beauty and refinement. Moving on to religious art, "Annunciation and Madonna and Child with Saints" mesmerizes viewers with its intricate details. The delicate brushstrokes bring to life divine messages delivered by heavenly messengers, evoking a sense of awe and wonder. In contrast, "The Sea Monster, " depicted in mosaic form on St John's Baptistry ceiling in Florence, transports us to mythical realms. This artwork showcases not only technical skill but also highlights the fascination with fantastical creatures prevalent during this time. "The Perussis Altarpiece" stands as a testament to devotion and spirituality. Its rich colors combined with gold accents create an ethereal atmosphere that invites contemplation and reverence. Sandro Botticelli's "Mystic Nativity" captivates audiences with its mystical interpretation of Christ's birth. Through vibrant colors and symbolic imagery, it explores profound spiritual themes while offering a glimpse into Botticelli's unique artistic vision. On another note, Masaccio's "Expulsion from Eden" depicts humanity's fall from grace in haunting detail. This powerful painting serves as a reminder of our vulnerability yet offers hope for redemption through repentance—a theme central to early Renaissance thought. Religious narratives continue their prominence within works like the "Epiphany Triptych. " With meticulous attention to detail, artists conveyed biblical stories that resonated deeply with viewers' faiths—inspiring devotion while celebrating divine miracles.