Easel Collection (page 7)

Painter at Moret-sur-Loing France Moret-sur-Loing. Date of Photograph:1920-1925 ca

The well and garden in the cloister of the Basilica of San Giovani in Laterano, Rome Rome Basilica of San Giovani in Laterano, Cloister Well Early Middle Ages, Europe

Street painter in Florence Florence Bridge Mannerism, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:06/1935. Date of Artwork:1252, 1557, 1952

Girl in nineteenth century costume portrayed next to a picture Florence. Date of Photograph:1897

Room with a few easles in Villa Bellagio, Fiesole Fiesole Villa Bellagio. Date of Photograph:1905

A hall in Villa Bellagio, Fiesole. Paint easels, colors and brushes. Fiesole Villa Bellagio. Date of Photograph:1902

Hall of painters of the Stabilimento Fotografico Fratelli Alinari in via Nazionale, Florence Florence. Date of Photograph:1930 ca

Decorator in the Ginori Factory, in Doccia near Florence Sesto Fiorentino Ginori Factory. Date of Photograph:1902

Decorators in the Ginori Factory, in Doccia near Florence Sesto Fiorentino Ginori Factory. Date of Photograph:1902

Cover of Les Hommes d'aujourd'hui, number 386, , illustration by Emile Schuffenecker (1851-1934)
ICA4842943 Cover of Les Hommes d'aujourd'hui, number 386, , illustration by Emile Schuffenecker (1851-1934): Redon Odilon (1840-1916) by Redon

Edgar DEGAS (1834-1917), French painter. Drawing by Adrien Barrere (1874-1931) from FANTASIO, 1916
JAB4120522 Edgar DEGAS (1834-1917), French painter. Drawing by Adrien Barrere (1874-1931) from FANTASIO, 1916 by Barrere, Adrien (1874-1931); (add.info.: Edgar DEGAS (1834-1917), French painter

monkey painter painting a painting, 1909 (engraving)
PCT4286150 monkey painter painting a painting, 1909 (engraving) by Cohl, Emile (1857-1938); (add.info.: Image of an anime cartoon by Emile Cohl (1857-1938)

Allegory of the Arts, 1740 (oil on canvas)
7762075 Allegory of the Arts, 1740 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 175.4 x 138 cm; Stadel Museum, Frankfurt am Main

Self Portrait, 1883 (painting)
7432276 Self Portrait, 1883 (painting) by Krohg, Christian (1852-1925); 47.5x36 cm; Private Collection; (add.info.: Christian Krohg (1852-1925)); Photo © O. Vaering

The Vandyke Room, Windsor Castle, 1838 (chromolitho)
STC169790 The Vandyke Room, Windsor Castle, 1838 (chromolitho) by Pyne, James Baker (1800-70) (after); Private Collection; (add.info)

From The Studio, 1925 (painting)
7432281 From The Studio, 1925 (painting) by Bech, Rigmor (1876-1938); 54x46 cm; Private Collection; (add.info.: Rigmor Bech (1876-1938)); Photo © O. Vaering

Self-portrait (oil on canvas)
NGW336472 Self-portrait (oil on canvas) by Barker of Bath, Thomas (1769-1847); 76.5x63.5 cm; National Museum Wales; National Museums & Galleries of Wales

Family in a study room on the Ile de La Reunion, 1813 (w / c on paper)
CHT386046 Family in a study room on the Ile de La Reunion, 1813 (w/c on paper) by Patu de Rosemont, Jean-Joseph (1766-1818); Private Collection; (add.info)

Self portrait, c. 1870 (oil on canvas)
NUL386962 Self portrait, c.1870 (oil on canvas) by Hovenden, Thomas (1840-95); 61x48 cm; Private Collection; American, out of copyright

Female art students at the Royal Academy school
Women art students in a life drawing class at the Royal Academy school

Art-Students and Copyists in the Louvre Gallery, Paris (Harpers Weekly, Vol. XII), January 11, 1868

The Chamber of Genius, April 2, 1806. April 2, 1806. Creator: Thomas Rowlandson
The Chamber of Genius, April 2, 1806

Dali Painting, Vincennes Zoo
Spanish artist Salvador Dali, one of the most popular painters of the 20th century, is painting with a bread crust on his head, on April 30, 1955 in the Vincennes zoo

A Girl Selling Fruit in an Artist's Studio, 1828. Creator: Albert Kuchler
A Girl Selling Fruit in an Artist's Studio, 1828

A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror, 1826. Creator: Wilhelm Bendz
A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror, 1826

Self-portrait next to easel, 1854-1914. Creator: Albert Neuhuys
Self-portrait next to easel, 1854-1914

The Painter in the Village, 1897. Creator: Laurits Andersen Ring
The Painter in the Village, 1897

Portrait of the Marine Painter, 1846-1850. Creator: Emil Baerentzen
Portrait of the Marine Painter, 1846-1850

The critic, n.d.. Creator: Frances Benjamin Johnston
The critic, n.d.. Woman, full lgth. seated, right profile; looking at a half lgth. painting of herself?

A class in painting, Central High School, (1899?). Creator: Frances Benjamin Johnston
A class in painting, Central High School, (1899?)

Easel and palette in front of the sea, island of Vulcano, Aeolian, or Aeolian Islands, Sicily, Italy, Europe

Flying painter
Evgeny Loza

Lounge, Home of Renoir, Essoyes, Aube, France
Workshop lounge, a room in an attached barn used 1897-1906 by Impressionist painter Pierre-Auguste Renoir, 1841-1919, in his family home, restored and opened to the public in 2017, in Essoyes

Harry Rountree, artist in his studio, St Ives, Cornwall Date: 1948

Leon Bonnat, French artist
Leon Bonnat (1833-1922), French artist at the age of 28. Date: circa 1861

All tickets sold for FA Cup Final at Wembley Stadium Date: 1946

Inspiration of the painter, 1897, by Jacek Malczewski
Jacek Malczewski (1854-1929). Polish painter. Inspiration of the painter, 1897. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland. Date: 2018

Troubled Artist
An etching showing an artist, appearing frustrated from his slumped seated posture infront of an easel, with his brush and palette discarded on the floor. Date: circa 1926

Wasting Time
Illustration by Charles Dana Gibson (1867-1944) entitled Wasting Time - a beautiful young woman sitting on a low stone wall gazes with rather bored distain at her male companion

Workshop of Corot
Commemorating the death of the artist, Jean-Baptiste-Camille Corot who is shown at his easel, painting a landscape whilst smoking on his pipe. Date: 1796-1875

A Quiet Day in the Studio, 1885 (oil on canvas)
3550981 A Quiet Day in the Studio, 1885 (oil on canvas) by Lavery, John (1856-1941); 41.9x52.1 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Her portrait, 1882 (chalk on paper)
3551029 Her portrait, 1882 (chalk on paper) by Lavery, John (1856-1941); 25.9x33 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

The artist's dream, 1840 (engraving)
2909966 The artist's dream, 1840 (engraving) by Sartain, John (1808-97); (add.info.: The artist's dream. The artist, with his head down on a table in his studio)

Hard At It, 1883 (oil on canvas)
GLS219839 Hard At It, 1883 (oil on canvas) by Guthrie, James (1859-1930); 31.1x46 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

A Young Artist (oil on canvas)
MAN276861 A Young Artist (oil on canvas) by Soyer, Paul (1823-1903); 22.7x18 cm; Manchester Art Gallery, UK

The Artist's Studio, c. 1839 (pencil with red & white chalks on paper)
MAN276848 The Artist's Studio, c.1839 (pencil with red & white chalks on paper) by Mulready, William (1786-1863); 39x35.1 cm; Manchester Art Gallery, UK

Cabinet d'amateur, 17th century (Oil on canvas)
7393530 Cabinet d'amateur, 17th century (Oil on canvas) by Teniers, David the Younger (1610-90); 65, 5 x 81 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

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"Easel: A Canvas for Artistic Expressions" The easel, a timeless companion of artists throughout history, holds within it the power to bring imagination to life. From the delicate brushstrokes of Edward Seago to the graceful movements captured by Alicia Markova, this humble tool has witnessed masterpieces in the making. Intriguingly, even renowned painters like Henri de Toulouse-Lautrec found themselves posing as both model and artist before their trusty easels. Their photographic double portraits serve as testaments to their multifaceted artistic identities. But let us not forget that an easel's purpose extends beyond traditional paintings. It embraces diversity with open arms, accommodating various forms of artistry. Just imagine an elephant delicately wielding a paintbrush with its trunk or Donald McGill playfully capturing his own essence on a comic postcard from the 20th century. Throughout centuries, easels have been witness to extraordinary scenes unfolding before them – St. Luke painting the Virgin in 1602 or JMW Turner immortalizing Venice's Bridge of Sighs and Ducal Palace through his vibrant strokes in 1833, and is also worth mentioning how theatrical productions have utilized easels as props; Wilfrid Coleby and Edward Knoblauch's "The Headmaster" or Antoine Wiertz's captivating portrayal of "The Two Young Girls - The Beautiful Rosine. " These works remind us that an they are transcend its role as a mere support for canvases and become part of storytelling itself. Even modern times embrace this versatile tool; Jean-Louis-Ernest Meissonier's sketch for "Le Peintre" showcases how an artist envisions himself at work while nude models take breaks playing pianos nearby – a fusion between creativity and relaxation. So let us celebrate the ever-present companion that allows artists' visions to come alive—the humble yet essential easel—a symbol of artistic freedom and expression.