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Ecclesiastical Collection (page 3)

"Ecclesiastical Marvels: A Glimpse into Sacred Spaces" The serene Statue of St Peter stands tall

Background imageEcclesiastical Collection: Baptismal Font, Cover, c. 1939. Creators: Ruth Buker, Raymond E. Noble

Baptismal Font, Cover, c. 1939. Creators: Ruth Buker, Raymond E. Noble
Baptismal Font, Cover, c. 1939

Background imageEcclesiastical Collection: Baptismal Font, 1939. Creators: Ruth Buker, Raymond E. Noble

Baptismal Font, 1939. Creators: Ruth Buker, Raymond E. Noble
Baptismal Font, 1939

Background imageEcclesiastical Collection: Mission Church Doors and Doorway, 1940. Creators: Dayton Brown, Harry Mann Waddell

Mission Church Doors and Doorway, 1940. Creators: Dayton Brown, Harry Mann Waddell
Mission Church Doors and Doorway, 1940

Background imageEcclesiastical Collection: Pulpit - San Buenaventura Mission, 1935/1942. Creator: Dayton Brown

Pulpit - San Buenaventura Mission, 1935/1942. Creator: Dayton Brown
Pulpit - San Buenaventura Mission, 1935/1942

Background imageEcclesiastical Collection: Original Tabernacle, for Communion Vessels, 1936. Creator: Dayton Brown

Original Tabernacle, for Communion Vessels, 1936. Creator: Dayton Brown
Original Tabernacle, for Communion Vessels, 1936

Background imageEcclesiastical Collection: Wall Bracket (Ecclesiastical), c. 1940. Creator: Dayton Brown

Wall Bracket (Ecclesiastical), c. 1940. Creator: Dayton Brown
Wall Bracket (Ecclesiastical), c. 1940

Background imageEcclesiastical Collection: Church Door (Interior), 1937. Creator: Dayton Brown

Church Door (Interior), 1937. Creator: Dayton Brown
Church Door (Interior), 1937

Background imageEcclesiastical Collection: Sanctuary Table, 1936. Creator: Dayton Brown

Sanctuary Table, 1936. Creator: Dayton Brown
Sanctuary Table, 1936

Background imageEcclesiastical Collection: Church Doors, 1937. Creator: Dayton Brown

Church Doors, 1937. Creator: Dayton Brown
Church Doors, 1937

Background imageEcclesiastical Collection: Side of Confessional, 1937. Creator: Dayton Brown

Side of Confessional, 1937. Creator: Dayton Brown
Side of Confessional, 1937

Background imageEcclesiastical Collection: Metal Pyx, 1850. Creator: Unknown

Metal Pyx, 1850. Creator: Unknown
Metal Pyx, 1850. Item from an Exhibition of Ancient and Mediaeval Art at the Society of Arts, in John-street, Adelphi, [London]....a Pyx, or Ciborium, from the museum of the Archeological Institute

Background imageEcclesiastical Collection: Portrait of Ecclesiastic, n.d. Creator: Gaspar Netscher

Portrait of Ecclesiastic, n.d. Creator: Gaspar Netscher
Portrait of Ecclesiastic, n.d

Background imageEcclesiastical Collection: Ciborium, 1850. Creator: Unknown

Ciborium, 1850. Creator: Unknown
Ciborium, 1850. Item from an Exhibition of Ancient and Medieval Art in London:..Pyx or ciborium, the vessel in which the consecrated wafer was kept...It has small enamels

Background imageEcclesiastical Collection: Ancient Silver Alms-Dish, 1850. Creator: Unknown

Ancient Silver Alms-Dish, 1850. Creator: Unknown
Ancient Silver Alms-Dish, 1850. Among the communion plate of Bermondsey Church [in London] is an ancient Silver Salver, now used for the collection of alms

Background imageEcclesiastical Collection: Confessional, 1939/1940. Creator: Edith Towner

Confessional, 1939/1940. Creator: Edith Towner
Confessional, 1939/1940

Background imageEcclesiastical Collection: Church Bell, 1939. Creator: Edith Towner

Church Bell, 1939. Creator: Edith Towner
Church Bell, 1939

Background imageEcclesiastical Collection: Meeting of the Archaeological Institute...Christchurch Cathedral, Oxford, 1850. Creator: Unknown

Meeting of the Archaeological Institute...Christchurch Cathedral, Oxford, 1850. Creator: Unknown
Meeting of the Archaeological Institute - Professor Willis's Visit to Christchurch Cathedral, Oxford, 1850. the Rev. Professor Willis delivered his lecture on the Cathedral

Background imageEcclesiastical Collection: Chrismatory, from the Archaeological Institute Museum, 1850. Creator: Unknown

Chrismatory, from the Archaeological Institute Museum, 1850. Creator: Unknown
Chrismatory, from the Archaeological Institute Museum, 1850. Ecclesiastical object used for containing chrism oil. The Chrismatory...was exhibited by the Rev

Background imageEcclesiastical Collection: The International Exhibition: view of the Mediaeval Court, 1862. Creator: Mason Jackson

The International Exhibition: view of the Mediaeval Court, 1862. Creator: Mason Jackson
The International Exhibition: view of the Mediaeval Court, 1862. The International Exhibition was a world's fair in South Kensington, London

Background imageEcclesiastical Collection: St Constantine Chapel, St Merryn, Cornwall. Undated, probably early 1900s

St Constantine Chapel, St Merryn, Cornwall. Undated, probably early 1900s
A view of the ruins of the shale and slate stone medieval Constantine Chapel showing the entrance arch. It is Grade II listed

Background imageEcclesiastical Collection: St Constantine chapel remains, St Merryn, Cornwall. 1906

St Constantine chapel remains, St Merryn, Cornwall. 1906
A view of the ruins of the shale and slate stone medieval St Constantine chapel with two men standing to the side. The chapel is Grade II listed

Background imageEcclesiastical Collection: Font, Church of St Sithney, Sithney, Cornwall. Date unknown but probably early 1900s

Font, Church of St Sithney, Sithney, Cornwall. Date unknown but probably early 1900s
The font in Sithney Parish Church. Photographer: Herbert Hughes

Background imageEcclesiastical Collection: The Norman font, Church of St Sithney, Sithney, Cornwall. April 1935

The Norman font, Church of St Sithney, Sithney, Cornwall. April 1935
The Norman font with rounded granite bowl from Carnmenellis around 1919. Said to be the original font taken away by Captain Rogers to Carnmenellis. Photographer: Herbert Hughes

Background imageEcclesiastical Collection: Bishop Frere in procession to St Pirans Oratory, Perranzabuloe, Cornwall. Between 1923 and 1935

Bishop Frere in procession to St Pirans Oratory, Perranzabuloe, Cornwall. Between 1923 and 1935
A procession arriving at the oratory for a service under Bishop Frere. St Pirans Oratory survives as an early Christian chapel with all four walls standing

Background imageEcclesiastical Collection: A view of St Pirans Oratory surrounded by railings, Perranzabuloe, Cornwall. Between 1890s and 1910

A view of St Pirans Oratory surrounded by railings, Perranzabuloe, Cornwall. Between 1890s and 1910
A general view looking south of the oratory surrounded by the iron railings which were erected in the 1890s. This is before the excavations of 1910

Background imageEcclesiastical Collection: Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageEcclesiastical Collection: Pope Benedict XV (gouache with wash on paper)

Pope Benedict XV (gouache with wash on paper)
NGW385980 Pope Benedict XV (gouache with wash on paper) by John, Gwen (1876-1939); National Museum Wales; (add.info.: Giacomo della Chiesa (1854-1922)

Background imageEcclesiastical Collection: Portrait of a Cardinal (charcoal & w/c on paper)

Portrait of a Cardinal (charcoal & w/c on paper)
NGW385990 Portrait of a Cardinal (charcoal & w/c on paper) by John, Gwen (1876-1939); 25.9x32.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEcclesiastical Collection: The Chapel of the Virgin at the Eglise Saint Gervais, Paris, c.1860 (oil on canvas)

The Chapel of the Virgin at the Eglise Saint Gervais, Paris, c.1860 (oil on canvas)
XIR52611 The Chapel of the Virgin at the Eglise Saint Gervais, Paris, c.1860 (oil on canvas) by Lafaye or Lafait, Prosper (1806-83); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageEcclesiastical Collection: The organ in the Basilica of St. Martin, Weingarten (engraving)

The organ in the Basilica of St. Martin, Weingarten (engraving)
1127319 The organ in the Basilica of St. Martin, Weingarten (engraving) by German School, (18th century); Private Collection; (add.info.: The organ at the Basilica of St)

Background imageEcclesiastical Collection: Mosaic on the domed ceiling of St Johns Baptistry, Florence (mosaic)

Mosaic on the domed ceiling of St Johns Baptistry, Florence (mosaic)
423889 Mosaic on the domed ceiling of St Johns Baptistry, Florence (mosaic) by Florentine School; (add.info.: Work on the mosaics probably spanned from the 13th to 14th centuries)

Background imageEcclesiastical Collection: Heraldic Bearings on Tomb of Walter Frampton in St Johns Church (w / c on paper)

Heraldic Bearings on Tomb of Walter Frampton in St Johns Church (w / c on paper)
2831879 Heraldic Bearings on Tomb of Walter Frampton in St Johns Church (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageEcclesiastical Collection: Communion Table of Old Oak, St Johns Church (w / c on paper)

Communion Table of Old Oak, St Johns Church (w / c on paper)
2831871 Communion Table of Old Oak, St Johns Church (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageEcclesiastical Collection: Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown

Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown
Italian Renaissance embroidery and carpet-weaving, (1898). Fig 1: Embroidery on an ecclesiastical mantle in S. Croce at Florence

Background imageEcclesiastical Collection: St. Ambrose, (c340-397), 1830. Creator: Unknown

St. Ambrose, (c340-397), 1830. Creator: Unknown
St. Ambrose, (c340-397), 1830. Aurelius Ambrosius (c340-397) Bishop and patron saint of Milan, one of the most influential ecclesiastical figures of 4th century. Roman governor of Liguria and Emilia

Background imageEcclesiastical Collection: St Petroc Minor Church interior, Little Petherick, Cornwall. 1968

St Petroc Minor Church interior, Little Petherick, Cornwall. 1968
View north-east from south-west of south aisle showing the font, pews, rood screen and vaulted ceiling. The church is a Grade I listed building with 14th century origins

Background imageEcclesiastical Collection: Coffin lid, Church of St Sithney, Sithney, Cornwall. April 1935

Coffin lid, Church of St Sithney, Sithney, Cornwall. April 1935
The granite lid of a coffin with flared Latin cross resting against the inside of the North wall. Said to be the coffin of the founder of the 13th century Priory of St John of Sithney parish

Background imageEcclesiastical Collection: Lecture by Thurstan Peter at St Pirans Oratory, Perranzabuloe, Cornwall. 29th August 1910

Lecture by Thurstan Peter at St Pirans Oratory, Perranzabuloe, Cornwall. 29th August 1910
Historian and author Thurstan Peter with the audience at his lecture at the Oratory on 29th August 1910. St Pirans Oratory survives as an early Christian chapel with all four walls standing

Background imageEcclesiastical Collection: A view of St Pirans Oratory under the new concrete shell, Perranzabuloe, Cornwall

A view of St Pirans Oratory under the new concrete shell, Perranzabuloe, Cornwall. 1910 or soon after
A view of the oratory under the new concrete preserving shell built after the excavations of 1910. Note the Victorian railings which have been dragged to one side

Background imageEcclesiastical Collection: A distant view of Bishop Frere in procession to St Pirans Oratory, Perranzabuloe, Cornwall

A distant view of Bishop Frere in procession to St Pirans Oratory, Perranzabuloe, Cornwall. Between 1923 and 1935
A distant view of a procession crossing the dunes to the oratory for a service under Bishop Frere. St Pirans Oratory survives as an early Christian chapel with all four walls standing

Background imageEcclesiastical Collection: A view of the excavation of St Pirans Oratory, Perranzabuloe, Cornwall. 1910

A view of the excavation of St Pirans Oratory, Perranzabuloe, Cornwall. 1910
A general view of the 1910 excavations of the Oratory with the site hut in the foreground. St Pirans Oratory survives as an early Christian chapel with all four walls standing

Background imageEcclesiastical Collection: Second Council of Constantinople, held in 553 a. C. under the pontificate of Pope Vigilio

Second Council of Constantinople, held in 553 a. C. under the pontificate of Pope Vigilio and the reign of Justinian, fresco Painting, 16th century

Background imageEcclesiastical Collection: The Loan Collection, South-Kensington: Queen Elizabeth's prayer-book, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Queen Elizabeth's prayer-book, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. 'Queen Elizabeth's Prayer-book, bound in gold and enamelled, the workmanship of George Heriot

Background imageEcclesiastical Collection: The Loan Collection, South-Kensington: Missal of Claude, Queen of Francis I., 1862. Creator: Unknown

The Loan Collection, South-Kensington: Missal of Claude, Queen of Francis I., 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. 'A magnificent missal, painted on vellum, with illuminated capitals, and whole leaves painted with illustrations from Scripture history

Background imageEcclesiastical Collection: Vaulted Roof, St. Agnes Church, Cawston (b/w photo)

Vaulted Roof, St. Agnes Church, Cawston (b/w photo)
CLF294257 Vaulted Roof, St. Agnes Church, Cawston (b/w photo) by Evans, Frederick Henry (1853-1943); (add.info.: it was erected in the late 14th Century by Michael de la Pole)

Background imageEcclesiastical Collection: St. Agnes Church, Cawston (b/w photo)

St. Agnes Church, Cawston (b/w photo)
CLF294252 St. Agnes Church, Cawston (b/w photo) by Evans, Frederick Henry (1853-1943); (add.info.: it was erected in the late 14th Century by Michael de la Pole)

Background imageEcclesiastical Collection: Woman With Goats

Woman With Goats
This painting depicts a woman carrying a bowl of fruit on her head, whilst carrying a little goat, some large ones are standing to each side of her, on a hill overlooking an ecclesiastical building

Background imageEcclesiastical Collection: An Irish Village

An Irish Village
A painting of an ecclesiastical building and a monument within an Irish village, a figure can be seen in the foreground by a merchant's cart. Date: circa 1922



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"Ecclesiastical Marvels: A Glimpse into Sacred Spaces" The serene Statue of St Peter stands tall, radiating a sense of divinity in front of the magnificent Basilica di San Giovanni in Laterano. Transport yourself to 1905 Cornwall with a captivating view of St Pirans Oratory, adorned with intricate railings that add an ethereal touch to this ancient site. Step back in time to around 1870 and witness the grandeur of St Mary's Church in Truro, Cornwall - a testament to architectural brilliance and religious devotion. Immerse yourself in the early 1900s as you explore St Michaels Church nestled amidst the picturesque village of Porthilly, exuding timeless charm and spiritual tranquility. Journey inside Brompton Oratory and be captivated by its awe-inspiring interior, where every corner whispers tales of faith and reverence. Discover the Holy Monastery of Kykkos perched amidst Cyprus' Troodos Mountains - a sanctuary that has witnessed centuries-old prayers echoing through its hallowed halls. Delve into history with Manning's remarkable photograph from 1890, offering a glimpse into an era when spirituality was deeply intertwined with daily life. Reflect on Vatican Council's momentous gathering in 1870 as it shaped Catholicism's course for generations to come - an event etched forever within ecclesiastical history. Marvel at Quethiock parish church's slate altar tomb dedicated to Hugh Vashmond (1931), reminding us that even after departing this world, our legacies endure through sacred memorials. Travel back to September 13th, 1920, when T. F. G Dexter stood before St Pirans Oratory - his presence adding another layer of significance to this cherished place steeped in tradition.