Ecorche Collection

An ecorche study of the legs of a male nude, with a subsidiary study of the right leg
3588687 An ecorchestudy of the legs of a male nude, with a subsidiary study of the right leg (pen & brown ink on paper) by Rubens

Portrait of an Artist, 1655. Creator: Gerrit van Honthorst
Portrait of an Artist, 1655. Other Title(s): Self Portrait

Male Ecorché, c. 1810. Creator: John Partridge
Male Ecorche, c. 1810

Detail of a male anatomical ecorche model, displaying muscles, arteries and veins
CH469822 Detail of a male anatomical ecorche model, displaying muscles, arteries and veins, the circulation and nervous system (wax) (see also 469823 to 469827) by Zeiller

Flayed body, from Tables of the Skeleton and Muscles of the Human Body
XIR176212 Flayed body, from Tables of the Skeleton and Muscles of the Human Body by Bernard Siegfried Albinus (1697-1770) 1747 (engraving) (b/w photo) by German School

Sistine Chapel Ceiling: The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco)
ALI182514 Sistine Chapel Ceiling: The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

Anatomical Study, plate 64, illustration from Anatomia del corpo humano
CHT213246 Anatomical Study, plate 64, illustration from Anatomia del corpo humano by Juan de Valverde (c.1525-c.1587) Rome, 1560 (engraving) (b/w photo) by Italian School

Anatomical Study, illustration from De Humani Corporis Fabrica
CHT213276 Anatomical Study, illustration from De Humani Corporis Fabrica by Andreas Vesalius (1514-64) Basel, 1543 (engraving) (b/w photo) by Vesalius

Fiery-breasted bushshrike and yellow-headed caracara
Fiery-breasted bushshrike, Malaconotus cruentus, and yellow-headed caracara, Milvago chimachima. Handcoloured copperplate engraving from Rene Primevere Lessons Complements de Buffon, Pourrat Freres

Ecorche (engraving)
3634552 Ecorche (engraving) by English School, (19th century); Private Collection; (add.info.: Ecorche. A flayed figure. Illustration for Adelines Art Dictionary (Virtue, 1891)

Ecorche head, with the features of the Emperor Galba (pen & brown ink on white paper)
5907012 Ecorchehead, with the features of the Emperor Galba (pen & brown ink on white paper) by Rubens, Peter Paul (1577-1640); 13x17.4 cm; eThe Devonshire Collections

Anatomical study, illustration from De Humani Corporis Fabrica Librorum Epitome
CHT326112 Anatomical study, illustration from De Humani Corporis Fabrica Librorum Epitome by Andreas Vesalius (1514-64) published in Basel, 1543 (engraving) (b/w photo) by Flemish School

An ecorche man, c. 1562-67 (bronze)
2909787 An ecorche man, c.1562-67 (bronze) by Tetrode, Willem Danielsz. van (Guglielmo Fiammingo) (before c.1530 - after 1587); height: 43.5 cm; Private Collection; Photo eChristies Images; Dutch

Detail of a male anatomical ecorche model, displaying muscles, arteries and veins
CH469824 Detail of a male anatomical ecorche model, displaying muscles, arteries and veins, the circulation and nervous system (wax) (see also 469822 to 469827) by Zeiller

Detail of a male anatomical ecorche model, displaying muscles, arteries and veins
CH469823 Detail of a male anatomical ecorche model, displaying muscles, arteries and veins, the circulation and nervous system (wax) (see also 469822 to 469827) by Zeiller

Anatomical Study, illustration from De Humani Corporis Fabrica
CHT213278 Anatomical Study, illustration from De Humani Corporis Fabrica by Andreas Vesalius (1514-64) Basel, 1543 (engraving) (b/w photo) by Vesalius

Squelettes et Ecorches, c. 1540-1545. Creator: Domenico del Barbiere
Squelettes et Ecorches, c. 1540-1545. [Skeletons and Ecorches]

Two Flayed Men and Their Skeletons, ca. 1540-45. Creator: Domenico del Barbiere
Two Flayed Men and Their Skeletons, ca. 1540-45

Study Anatomy Youth Drawing Ecorche Standing Man
Artokoloro

Bathers Bridge recto Study Houdon Ecorche verso
Artokoloro

Christ, detail from The Last Judgement, in the Sistine Chapel, 16th century
BAL53522 Christ, detail from The Last Judgement, in the Sistine Chapel, 16th century with self-portrait of Michelangelo as Saint Bartholomew holding flayed skin (fresco) by Buonarroti

Flayed body (plaster) (b / w photo)
XIR164331 Flayed body (plaster) (b/w photo) by Houdon, Jean-Antoine (1741-1828); Ecole Nationale Superieure des Beaux-Arts, Paris, France; French, out of copyright

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"Ecorche: A Fascinating Glimpse into the Intricacies of Human Anatomy" Delving into the world of ecorche, we encounter a captivating detail of a male anatomical ecorche model. This intricate depiction showcases muscles, arteries, and veins in astonishing clarity, offering us an unparalleled understanding of our own physicality. The concept finds its roots in art history as well. In "The Martyrdom of St. Bartholomew, " painted in 1722, we witness the gruesome fate suffered by this saint. His flayed body serves as a reminder of sacrifice and devotion. Moving forward to Michelangelo's masterpiece on the Sistine Chapel Ceiling, "The Last Judgement, " we come across a striking detail featuring St. Bartholomew holding his own flayed skin. This fresco from 1538-41 not only showcases artistic brilliance but also highlights the significance placed on anatomical accuracy during that era. Anatomical studies have long been integral to medical education and scientific exploration. From illustrations found in "Anatomia del corpo humano" to those featured in "De Humani Corporis Fabrica, " these works provide invaluable insights into human anatomy for generations to come, and are not limited to human subjects alone; they extend their gaze towards nature as well. The fiery-breasted bushshrike and yellow-headed caracara serve as examples where animals become subjects for anatomical dissection, revealing nature's intricacy through this unique lens. Artistic interpretations also find their place within the realm studies. An engraving aptly titled "Ecorche" captures attention with its detailed portrayal while an ecorche head bearing Emperor Galba's features adds historical context through pen and brown ink on white paper. Further exploring male anatomy brings us face-to-face with an intriguing study focusing on legs—a subsidiary study accompanying it meticulously examines the right leg.