Eden Collection (page 15)

The International Skating Meeting Near Groningen, the Netherlands: the Last Round of Eden V. Ericsson: Eden Winning

Beatus of Turin mappamundi (hand-coloured engraving)
XCF307319 Beatus of Turin mappamundi (hand-coloured engraving) by Italian School, (12th century); Private Collection; (add.info.: after Beatus of Liebana (8th century), Asturian monk; ); Italian

The Expulsion from the Garden of Eden, illustration from Cranmers Bible, 1540
XJF472222 The Expulsion from the Garden of Eden, illustration from Cranmers Bible, 1540 (woodcut) by English School, (15th century); Private Collection; (add.info)

The Tempation of Eve (litho)
XJF472219 The Tempation of Eve (litho) by Crane, Walter (1845-1915) (after); Private Collection; English, out of copyright

Adam and Eve, c. 1506 (engraving)
XJF472226 Adam and Eve, c.1506 (engraving) by Leyden, Lucas van (c.1494-1533); Private Collection; Netherlandish, out of copyright

Adam and Eve, engraved by Pietro Monaco, c. 1741-52 (engraving)
XJF472225 Adam and Eve, engraved by Pietro Monaco, c.1741-52 (engraving) by Tintoretto, Jacopo Robusti (1518-94) (after); Private Collection; (add.info)

The Fall of Mankind, c. 1450-67 (engraving)
XJF472224 The Fall of Mankind, c.1450-67 (engraving) by Master E. S. (c.1420-c.1468); Private Collection; German, out of copyright

The Marriage of Adam and Eve, c. 1540-55 (engraving)
XJF472220 The Marriage of Adam and Eve, c.1540-55 (engraving) by Duvet, Jean (1485-1561); Private Collection; French, in copyright PLEASE NOTE

The Fall of Mankind, 1519 (engraving)
XJF472223 The Fall of Mankind, 1519 (engraving) by Leyden, Lucas van (c.1494-1533); Private Collection; Netherlandish, out of copyright

The Fall of Man, illustration from the Quentell Bible, published in 1478 (woodcut)
XJF472217 The Fall of Man, illustration from the Quentell Bible, published in 1478 (woodcut) by German School, (15th century); Private Collection; (add.info)

Adam and Eve, illustration from John Lydgates translation of Boccaccioas De
XJF472213 Adam and Eve, illustration from John Lydgates translation of Boccaccioas De Casibus Virorum Illustrium, 1527 (woodcut) by English School

Temptation of Man, engraved by Jan Saenredam, c. 1605 (engraving)
XJF472206 Temptation of Man, engraved by Jan Saenredam, c.1605 (engraving) by Cornelisz. van Haarlem, Cornelis (1562-1638) (after); Private Collection; (add.info)

Temptation of Eve by the serpent (litho)
XJF472212 Temptation of Eve by the serpent (litho) by Tissot, James Jacques Joseph (1836-1902) (after); Private Collection; (add.info.: Tentation d Eve par le serpent)

Adam and Eve, 1638 (etching)
XJF472207 Adam and Eve, 1638 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; Dutch, out of copyright

The Fall of Man, c. 1514 (woodcut)
XJF472209 The Fall of Man, c.1514 (woodcut) by Baldung Grien, Hans (1484/5-1545); Private Collection; German, out of copyright

Lilith, winged and crowned, with serpentas tail, offers the apple to Eve, from Speculum
XJF472204 Lilith, winged and crowned, with serpentas tail, offers the apple to Eve, from Speculum Humanae Salvationis, after the original of 1470 (woodcut) by German School

Frontispiece to the German edition of Matthew Hales The Primitive Origination of Mankind
XJF472201 Frontispiece to the German edition of Matthew Hales The Primitive Origination of Mankind, Considered and Examined According to the Light of Nature (engraving) by German School

Adam and Eve, engraved by Hans Sebald Beham, 1543 (engraving)
XJF472198 Adam and Eve, engraved by Hans Sebald Beham, 1543 (engraving) by Beham, Barthel (1504-40) (after); Private Collection; (add.info)

The Temptation, c. 1597 (pen, ink & wash on paper)
XJF472200 The Temptation, c.1597 (pen, ink & wash on paper) by Goltzius, Hendrik (1558-1617); Private Collection; (add.info.: Adam and Eve seated under the Tree of Knowledge); Dutch, out of copyright

The Story of Adam and Eve from Boccaccios De Casibus Virorum Illustrium
XJF472197 The Story of Adam and Eve from Boccaccios De Casibus Virorum Illustrium, English edition published in 1527 (woodcut) by English School

Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving)
XJF472199 Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving) by Spranger, Bartholomaeus (1546-1611) (after); Private Collection; (add.info.: Adam and Eve under the Tree of Knowledge)

Adam and Eve hiding from The Lord, plate 3 of The Story of the First Men
XJF472196 Adam and Eve hiding from The Lord, plate 3 of The Story of the First Men, engraved by Jan Sadeler I, 1583 (engraving) by Vos

The Holy Well, 1916 (tempera on canvas)
BAL425753 The Holy Well, 1916 (tempera on canvas) by Orpen, William (1878-1931); 234x186 cm; National Gallery of Ireland, Dublin, Ireland; eLiss Fine Art; Irish, out of copyright

The Golden Age, 1530 (oil on panel) (detail of 173761)
XIR244993 The Golden Age, 1530 (oil on panel) (detail of 173761) by Cranach, Lucas, the Elder (1472-1553); 73.5x105.5 cm; Alte Pinakothek, Munich, Germany; German, out of copyright

Adam and Eve are expelled by the angel with the flaming sword of the Earthly Paradise, besides them a crawling snake, print maker: Jan Saenredam (mentioned on object), Dating 1604 and/or 1690 - 1750

The Golden Age, 1530 (oil on panel)
XIR173761 The Golden Age, 1530 (oil on panel) by Cranach, Lucas, the Elder (1472-1553); 73.5x105.5 cm; Alte Pinakothek, Munich, Germany; German, out of copyright

The Expulsion from the Garden of Paradise, detail from The Grabow Altarpiece, 1379-83
XKH145271 The Expulsion from the Garden of Paradise, detail from The Grabow Altarpiece, 1379-83 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg

The Fall, detail from the Grabow Altarpiece, 1379-83 (tempera on panel)
XKH145266 The Fall, detail from the Grabow Altarpiece, 1379-83 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Warwick Castle, c. 1748-49 (oil on canvas)
XYC123138 Warwick Castle, c.1748-49 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 72x120 cm; Yale Center for British Art, Paul Mellon Collection, USA; Italian, out of copyright

Beatus of Turin mappamundi (engraving)
XIR215564 Beatus of Turin mappamundi (engraving) by Italian School, (12th century); Bibliotheque Nationale, Paris, France; (add.info.: after Beatus of Liebana (8th), Asturian monk; ); Italian

A family of Sapara natives on a sandbank beside the Napo river, Ecuador (engraving)
KW1078085 A family of SAapara natives on a sandbank beside the Napo river, Ecuador (engraving) by Spanish School, (19th century); Private Collection; (add.info)

Hotel at Eden, Indian River, Jackson, William Henry, 1843-1942, Hotels, Bays, United States, Florida, Indian River, United States, Florida, Eden, 1880

Eden, Indian River, Fla, Jackson, William Henry, 1843-1942, Waterfronts, Buildings, Bays, United States, Florida, Indian River, United States, Florida, Eden, 1880

St. Lucie at Eden, Indian River, Jackson, William Henry, 1843-1942, St. Lucie (Steamboat), Steamboats, Piers & wharves, Bays, United States, Florida, Indian River, 1880

Pineapple field at Eden, Jackson, William Henry, 1843-1942, Pineapple plantations, United States, Florida, Indian River, 1880

Pineapples at Eden, Jackson, William Henry, 1843-1942, Pineapples, Bays, United States, Florida, Indian River, United States, Florida, Eden, 1880

Rubber tree, Eden, Jackson, William Henry, 1843-1942, Rubber trees, Bays, United States, Florida, Indian River, United States, Florida, Eden, 1880

Portrait of an Elderly Lady and a Girl Portrait of an elderly woman and a girl Portrait of an Elderly Lady and a Young Girl Signed and dated, center left: " Geo : Beare

USA, Massachusetts, Reading, Pierre de Ronsard rose

Hotel Eden du Lac - Lucerne, Switzerland Date: circa 1950s

Art Nouveau - pretty girl kisses a green serpent
Art nouveau postcard design by Nini Hager (Raphael Kirchner using his wifes name for certain works) of a beautiful girl kissing a serpent. Date: circa 1900

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Butchart Gardens, British Columbia, Canada

A lacewing butterfly at the Butterfly Farm on St. Martin

Percival Q6, YI-ROH, Bird of Eden, belonging to King Ghazi I of Iraq

Garden of Eden. circa late 19th century

Adam and the serpent. circa 18th century

Adam and Eve sent out of Eden. 18th century

Picture No. 10900531
Steel Statue of Adam pulling rope Date:

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In Love, like Adam delved and Eve span, the allure transcends time. From an Advertisement for Hotel du Cap D Antibes to an Illustration by Arthur Rackham for A Dish of Apples, Eden Phillpotts' words in 1921 continue to captivate our imagination. Just as Hieronymus Bosch's The Garden of Earthly Delights mesmerized viewers with its oil on panel masterpiece from 1490-1500, so does a view Roc on the French Riviera transport us to paradise. As we stroll along the exterior of Femina in Berlin or witness the Countess of Warwick at her son's wedding, echoes of that fateful moment when Adam and Eve were driven out resonate within us. The Apple depicted by Kay Nielsen serves as a reminder of temptation and consequence, while the intertwined figures of Adam, Eve, and Serpent symbolize both desire and downfall. Even amidst Lemon Street in Truro, Cornwall during the early 1900s before 1910, traces can be found, and is a place where beauty intertwines with nature's bounty—a sanctuary that whispers tales untold. In this vast tapestry woven through artistry and history alike lies our yearning for an idyllic existence—an eternal longing for that lost paradise called Eden.