Edgar Collection (page 9)

After the Bath, 1889. Artist: Edgar Degas
After the Bath, 1889. Found in the collection of the State Hermitage, St Petersburg

Portrait of Hilaire de Gas, grandfather of the artist, 1857. Artist: Edgar Degas
Portrait of Hilaire de Gas, grandfather of the artist, 1857. From the Musee d Orsay, Paris

Edgar Berillon, French psychologist, 1929
Edgar Berillon (1854-1948), French psychologist, c1929. Reverse of a medal struck to commemorate the 40th anniversary of Berillons (1854-1948)

Man and a Puppet (detail), c1860. Artist: Edgar Degas
Man and a Puppet (detail), c1860. From the collection of the Museu Calouste Gulbenkian, Lisbon, Portugal

Young Spartans Exercising, c1860. Artist: Edgar Degas
Young Spartans Exercising, c1860. Spartan girls urge boys to fight. From the National Gallery, London

Horse Riders, 1864-1868. Artist: Edgar Degas
Horse Riders, 1864-1868. From a private collection

Uncle and Niece, c1876. Artist: Edgar Degas
Uncle and Niece, c1876. From the collection of the Art Institute of Chicago, Illinois, USA

Dancers Heads, 1899. Artist: Edgar Degas
Dancers Heads, 1899. From the collection of the State Hermitage Museum, St Petersburg

Four Dancers in the Foyer, late 19th-early 20th century. Artist: Edgar Degas
Four Dancers in the Foyer, late 19th-early 20th century. From a private collection

Russian Ballerina, 1880. Artist: Edgar Degas
Russian Ballerina, 1880. From a private collection

Dance Class, 1874. Artist: Edgar Degas
Dance Class, 1874. Located in the collection at, Musee d Orsay, Paris, France

Giovanna Bellelli, 1856. Artist: Edgar Degas
Giovanna Bellelli, 1856. Portrait of Nini, the artists cousin. From the collection of the Musee d Orsay, Paris

Young Women Resting, late 19th-early 20th century. Artist: Edgar Degas
Young Women Resting, late 19th-early 20th century

Milliner Furnishing a Hat, 1898. Artist: Edgar Degas
Milliner Furnishing a Hat, 1898. From a private collection

Apres le Bain ( After the Bath ), c1895. Artist: Edgar Degas
Apres le Bain ( After the Bath ), c1895. From the Hermitage Museum, St Petersburg

Semiramis Building Babylon (unfinished), (detail), 1860-1862. Artist: Edgar Degas
Semiramis Building Babylon (unfinished), (detail), 1860-1862. From the Musee d Orsay, Paris

Shaving the Master
The Edwardian butler (Mr. Edgar), in his role as valet, gives the Master of the house (Sir John Olliff-Cooper) his morning shave, using a cut- throat razor. Date: early 1900s (re-enactment)

DORE: THE RAVEN, 1882. Perched upon a bust of Pallas just above my chamber doora Perched
DOR: THE RAVEN, 1882. Perched upon a bust of Pallas just above my chamber door Perched, and sat, and nothing more. Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

GIRL SITTING ON BED, 1936. One of Edgar Allens children sitting on the bed of his farmhouse. There are no sheets, pillowcases, or pillows (other than makeshift) in use

TERESA BAGIOLI SICKLES (1836-1867). Wife of Congressman Daniel E. Sickles. Mrs. Sickles confession of her infidelity with Philip B. Key, dated 26 February 1859. Wood engraving, 1859

Oddeninos Restaurant, Regent Street
Oddeninos Restaurant at 54 - 62 Regent Street, at the junction with Piccadilly Circus, London. Date: 1947

EDGAR DEGAS: THE TUB, 1886. Pastel on cardboard, 1886, by Edgar Degas

Four early English kings. Edwy, Edgar, Edward the Martyr, Ethelred II. Engraving from The New, Impartial and Complete History of England by Edward Barnard, published in London 1783

Richard Horatio Edgar Wallace, 1875 - 1932. English writer. From The Pageant of the Century, published 1934

Edgar Allen Poe, 1809-1849. American writer; United States of America

Major-General Daniel Edgar Sickles 1825 1914
Major-General Daniel Edgar Sickles (1825 - 1914); Studio of Mathew B. Brady (American, about 1823 - 1896); about 1862; Albumen silver print

Hannah Edgar Portrait boy 1890s Gelatin silver
Hannah. Edgar. Portrait of a boy; 1890s; Gelatin silver print

Edgar Algernon Robert Gascoyne-Cecil, 1St Viscount Cecil Of Chelwood, 1864 A

Richard Horatio Edgar Wallace, 1875

Robert Falcon Scotts Party At The South Pole, 18 January 1912, During The Terra Nova Expedition. Left To Right Standing, Edward Adrian Wilson, Uncle Bill, 1872

Edgar Allan Poe, 1809 To 1849. American Writer. After A 19Th Century Print. Later Colouration

Edgar Allan Poe 1809 To 1849 American Author Editor And Critic From 19Th Century Print

Signature Of Edgar Allan Poe 1809 To 1849 American Writer

Portrait of Edgar Worthington, IMechE Secretary, 1898-1920. Date: circa 1920

Off, off, you lendings-Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793
Off, off, you lendings - Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793

Landors Cottage by Harry Clarke
Poe illustration by Harry Clarke from " Tales of Mystery and Imagination". The boat appeared to be hanging, as if by magic... upon the interior surface of a funnel. From Landors Cottage

Edgar Degas (1834-1917). Women Ironing (1884-1886). Orsay Museum. Paris. France

DORE: THE RAVEN, 1882. But whose velvet-violet lining with the lamp-light gloating oaer
DOR: THE RAVEN, 1882. But whose velvet-violet lining with the lamp-light gloating o er, She shall press, ah, nevermore! Engraving by Gustave Dor, 1882

DORE: THE RAVEN, 1882. Wandering from the Nightly shore. Engraving by Gustave Dore
DOR: THE RAVEN, 1882. Wandering from the Nightly shore. Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

DORE: THE RAVEN, 1882. A stately Raven of the saintly days of yore; Not the least
DOR: THE RAVEN, 1882. A stately Raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he

DORE: THE RAVEN, 1882. Here I opened wide the door; Darkness there and nothing more
DOR: THE RAVEN, 1882. Here I opened wide the door; Darkness there and nothing more. Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

DORE: THE RAVEN, 1882. Engraving by Gustave Dore, 1882, for an 1884 edition of
DOR: THE RAVEN, 1882. Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

DORE: THE RAVEN, 1882. Get thee back into the tempest and the Nightas Plutonian shore
DOR: THE RAVEN, 1882. " Get thee back into the tempest and the Nights Plutonian shore!" Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

DORE: THE RAVEN, 1882. On this home by Horror haunted. Engraving by Gustave Dore
DOR: THE RAVEN, 1882. On this home by Horror haunted. Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

Mr Monck Masons Aerial Machine
The Model of Mr Monck Masons Aerial Machine now exhibiting at the Royal Adelaide Gallery, Lowther Arcade, Strand Date: 1843

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"Edgar: A Multifaceted Name in Art and Exploration" From the enigmatic psychic Edgar Cayce to the renowned painter Edgar Degas, the name "Edgar" has left an indelible mark on various realms of human creativity. One cannot help but be captivated by Edgar Degas' masterpieces such as "At the Cafe, or The Absinthe Drinker, " where he skillfully portrays a scene of melancholy and introspection through oil on canvas in 1873. Similarly, his pastel work titled "The Star or The Dancer on Stage" from 1876-77 transports us into a mesmerizing world of ballet, capturing the grace and elegance of dancers. In literature, we encounter another influential figure named Edgar - none other than Edgar Allan Poe. Known for his macabre tales and haunting poetry, Poe's legacy continues to send shivers down our spines even today. Moving away from artistry, we delve into exploration with Henry Bowers' painting "Amundsens Tent at the South Pole. " This artwork depicts an important moment in history when Roald Amundsen reached this remote location in January 1912. Bowers' brushstrokes immortalize this significant achievement. Returning to Degas' oeuvre, we find ourselves immersed in vibrant scenes like "Dancers, " where he captures their fluid movements with oil on canvas circa 1877. Another masterpiece is "Dancers Pink and Green, " created around 1890; here, Degas showcases his ability to portray movement and atmosphere with finesse. Venturing beyond visual arts lies ventriloquist E Bergen who brings laughter through their comedic performances that have entertained audiences for generations. Meanwhile, Degas takes us back to intimate moments with his portrayal of a woman combing her hair in 1886 – a simple act transformed into art under his skilled hand. Shifting gears once more, we find ourselves in Cecil Avenue, Ndola, Northern Rhodesia.