Edmund J Sullivan Collection

Illustration for The Rubaiyat of Omar Khayyam, 1900. Artist: Edmund Joseph Sullivan
Illustration for The Rubaiyat of Omar Khayyam, 1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Don Quixote. Pen Sketch from Line: An Art Study, 1923. Artist: Edmund Joseph Sullivan
Don Quixote. Pen Sketch from Line: An Art Study, 1923. A Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615

Abou Ben Adhem: - I Pray Thee Then Write Me As One Who Loves His Fellow Men, 1916, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

And When The Angel Showed Him The Names Of Those Whom Love Of God Had Blest, 1916, (1917). Lo! Ben Adhems Name Led All The Rest. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

The Tavern Door, 1916, (1917). Artist: Edmund Joseph Sullivan
The Tavern Door, 1916, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

The Happy Man Found, 1918, (1918). Artist: Edmund Joseph Sullivan
The Happy Man Found, 1918, (1918). From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

The Hermit Visits The Caliph, 1918, (1918). Artist: Edmund Joseph Sullivan
The Hermit Visits The Caliph, 1918, (1918). From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

We Come Up Through Many Slaveries Into Freedom, c1918, (1918). Artist: Edmund Joseph Sullivan
We Come Up Through Many Slaveries Into Freedom, c1918, (1918). The title is a quote from The Hive by Will Levington Comfort published in 1918. From Bibbys Annual 1918, edited by Joseph Bibby

The Cartoonist - Stage VI, c1920. Artist: Edmund Joseph Sullivan
The Cartoonist - Stage VI, c1920. From The Art of the Illustrator - E J Sullivan and his work, by Percy V Bradshaw. [The Press Art School, London, c1920]

The Cartoonist - Stage IV, c1920. Artist: Edmund Joseph Sullivan
The Cartoonist - Stage IV, c1920. From The Art of the Illustrator - E J Sullivan and his work, by Percy V Bradshaw. [The Press Art School, London, c1920]

Tobys Pride, c1930. Artist: Edmund Joseph Sullivan
Tobys Pride, c1930. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

The Symbol Shop, c1898, (1924). Artist: Edmund Joseph Sullivan
The Symbol Shop, c1898. Illustration to Sartor Resartus by Thomas Carlyle (1795?1881). From The Studio Volume 88 [London Offices of the Studio, London, 1924.]

Le Rois Amuse, 1910, (1924). Artist: Edmund Joseph Sullivan
Le Rois Amuse, 1910. Illustration to The French Revolution: A History by Thomas Carlyle (1795-1881). From The Studio Volume 88 [London Offices of the Studio, London, 1924.]

The Fall of the Card, c1889-1924, (1924). Artist: Edmund Joseph Sullivan
The Fall of the Card. From The Studio Volume 88 [London Offices of the Studio, London, 1924.]

Mephistopheles and Faust, 1923. Artist: Edmund Joseph Sullivan
Mephistopheles and Faust, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923

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Edmund J. Sullivan: A Master of Illustration Edmund Joseph Sullivan, a renowned artist and illustrator, left an indelible mark on the world of art with his exceptional talent and creativity. Born in 1869, Sullivan's artistic journey spanned several decades, during which he produced captivating illustrations that continue to captivate audiences even today. One of his notable works includes the stunning illustrations he created for "The Rubaiyat of Omar Khayyam" in 1900. Through intricate details and vibrant colors, Sullivan brought to life the verses of this timeless Persian poem, adding depth and beauty to its words. In 1927, Sullivan lent his artistic prowess to Robert Louis Stevenson's iconic novella "The Strange Case of Dr Jekyll and Mr Hyde. " His illustration depicting a pivotal scene from the story perfectly captured the duality between good and evil that lies within each individual. Sullivan's versatility as an artist is evident in his pen sketch from "Line: An Art Study" (1923), where he portrayed Don Quixote with remarkable skill. The delicate lines showcase both Quixote's determination and vulnerability as he embarks on his legendary quest. His ability to convey emotion through art shines brightly in pieces like "Abou Ben Adhem: - I Pray Thee Then Write Me As One Who Loves His Fellow Men" (1916) and "And When The Angel Showed Him The Names Of Those Whom Love Of God Had Blest" (1916). These heartfelt illustrations depict themes of love, compassion, and spirituality with profound sensitivity. Sullivan also explored various subjects beyond literature. In works such as "The Tavern Door" (1916) or "The Happy Man Found" (1918), he delved into scenes inspired by everyday life. With meticulous attention to detail, these illustrations transport viewers into bustling taverns or serene landscapes while evoking a sense of nostalgia. His talent extended to political and social commentary as well.