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Edo Period Collection (page 2)

The Edo Period, also known as the Tokugawa period, was a time of great artistic and cultural development in Japan

Background imageEdo Period Collection: The Actor Ichikawa Danjuro V in a 'Shibaraku' Role, Probably as Kato Hyoeisa Shigemitsu

The Actor Ichikawa Danjuro V in a "Shibaraku" Role, Probably as Kato Hyoeisa Shigemitsu
5859817 The Actor Ichikawa Danjuro V in a "Shibaraku" Role, Probably as Kato Hyoeisa Shigemitsu, in the Third Scene of the Play Masakado Kammuri no Hatsuyuki

Background imageEdo Period Collection: The Actors Nakamura Takesaburo I as Kewaizaka no Shosho and Ichikawa Danjuro II as Soga no Goro

The Actors Nakamura Takesaburo I as Kewaizaka no Shosho and Ichikawa Danjuro II as Soga no Goro dressed as a komuso in
5859739 The Actors Nakamura Takesaburo I as Kewaizaka no Shosho and Ichikawa Danjuro II as Soga no Goro dressed as a komuso in the play "Bando Ichi Kotobuki Soga

Background imageEdo Period Collection: A Test of Skill - the Headwaters of Amorousness (Jitsu kurabe iro no minakami)

A Test of Skill - the Headwaters of Amorousness (Jitsu kurabe iro no minakami)
5859738 A Test of Skill - the Headwaters of Amorousness (Jitsu kurabe iro no minakami): Osan and Mohei (colour woodblock print; oban) by Utamaro

Background imageEdo Period Collection: Kinokuniya Tosshi (The actor Sawamura Sojuro III as Kujaku Saburo Narihira)

Kinokuniya Tosshi (The actor Sawamura Sojuro III as Kujaku Saburo Narihira), 1794 (colour woodblock print; aiban)
5859700 Kinokuniya Tosshi (The actor Sawamura Sojuro III as Kujaku Saburo Narihira), 1794 (colour woodblock print; aiban) by Sharaku

Background imageEdo Period Collection: Ono no Komachi at Seki Temple, from the series The Seven Fashionable Komachi (Furyu nana Komachi)

Ono no Komachi at Seki Temple, from the series The Seven Fashionable Komachi (Furyu nana Komachi)
5859858 Ono no Komachi at Seki Temple, from the series The Seven Fashionable Komachi (Furyu nana Komachi), c.1771 (colour woodblock print; chuban) by Koryusai

Background imageEdo Period Collection: Ohan and Choemon, from the series 'Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)'

Ohan and Choemon, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)"
5859856 Ohan and Choemon, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c.1798-99 (colour woodblock print; oban) by Utamaro

Background imageEdo Period Collection: Act Two: The House of Kakogawa Honzo from the play Chushingura (Treasury of Loyal Retainers)

Act Two: The House of Kakogawa Honzo from the play Chushingura (Treasury of Loyal Retainers)
5859853 Act Two: The House of Kakogawa Honzo from the play Chushingura (Treasury of Loyal Retainers), c.1779-80 (colour woodblock print; chuban) by Shunsho

Background imageEdo Period Collection: Still-Life with Monkey Mask, 1824 (colour woodblock print with metallic pigments; surimono)

Still-Life with Monkey Mask, 1824 (colour woodblock print with metallic pigments; surimono shikishiban)
5859826 Still-Life with Monkey Mask, 1824 (colour woodblock print with metallic pigments; surimono shikishiban) by Hokkei

Background imageEdo Period Collection: Lovers Playing the Same Fute (parody of Xuanzong and Yang Guifei)

Lovers Playing the Same Fute (parody of Xuanzong and Yang Guifei), c.1767 (colour woodblock print; chuban)
5859759 Lovers Playing the Same Fute (parody of Xuanzong and Yang Guifei), c.1767 (colour woodblock print; chuban) by Harunobu, Suzuki (1725-70); 26.8 x 19.7 cm; The Art Institute of Chicago, IL

Background imageEdo Period Collection: Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi)
5859725 Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi), c.1788 (colour woodblock print; oban) by Eishi

Background imageEdo Period Collection: The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon)

The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon)
5859698 The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon) (colour woodblock print; hosoban, nishiki-e) by Sharaku

Background imageEdo Period Collection: The Poetess Ukon, from the series The Thirty-six Immortal Women Poets

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)
5859852 The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), 1801 (page from a colour woodblock-printed volume) by Eishi

Background imageEdo Period Collection: The Poetess Michitsuna no Haha, from the series 'The Thirty-six Immortal Women Poets

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets
5859848 The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)", 1801 (pages from a colour woodblock-printed volume) by Eishi

Background imageEdo Period Collection: Yamatoya Tojaku (The Actor Iwai Hanshiro IV as Otoma, Daughter of Ohina from Inamuragasaki in)

Yamatoya Tojaku (The Actor Iwai Hanshiro IV as Otoma, Daughter of Ohina from Inamuragasaki in Kamakura)
5859699 Yamatoya Tojaku (The Actor Iwai Hanshiro IV as Otoma, Daughter of Ohina from Inamuragasaki in Kamakura) (Yondai-me Iwai Hanshiro no Kamakura Inamuragasaki no Ohina musume Otoma)

Background imageEdo Period Collection: Naritaya Sansho (The actor Ichikawa Danjuro VI as Arakawa Taro Takesada)

Naritaya Sansho (The actor Ichikawa Danjuro VI as Arakawa Taro Takesada), 1794 (colour woodblock print; aiban)
5859697 Naritaya Sansho (The actor Ichikawa Danjuro VI as Arakawa Taro Takesada), 1794 (colour woodblock print; aiban) by Sharaku, Toshusai (fl.1794-95); 32.1 x 22.4 cm; The Art Institute of Chicago

Background imageEdo Period Collection: The actors Segawa Tomisaburo II (R) as Yadorigi, wife of Ogishi Kurando, and Nakamura Manyo (L)

The actors Segawa Tomisaburo II (R) as Yadorigi, wife of Ogishi Kurando, and Nakamura Manyo (L)
5859695 The actors Segawa Tomisaburo II (R) as Yadorigi, wife of Ogishi Kurando, and Nakamura Manyo (L) as the servant Wakakusa, 1794 (colour woodblock print; oban) by Sharaku

Background imageEdo Period Collection: Farewell Gift for the Horse (Uma no Senbetsu), from the series 'A Selection of Horses (Uma-zukushi)'

Farewell Gift for the Horse (Uma no Senbetsu), from the series "A Selection of Horses (Uma-zukushi)"
5859591 Farewell Gift for the Horse (Uma no Senbetsu), from the series "A Selection of Horses (Uma-zukushi)", 1822 (colour woodblock print; shikishiban, surimono) by Hokusai

Background imageEdo Period Collection: The Dancing Fox, 1766 (colour woodblock print; chuban)

The Dancing Fox, 1766 (colour woodblock print; chuban)
5859861 The Dancing Fox, 1766 (colour woodblock print; chuban) by Anonymous; 25.2 x 18.8 cm; The Art Institute of Chicago, IL, USA; (add.info.: Unknown artist)

Background imageEdo Period Collection: Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
5859846 Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), c.1814 (colour woodblock print (album sheet)) by Hokusai

Background imageEdo Period Collection: Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
5859844 Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), c.1814 (colour woodblock print (album sheet)) by Hokusai

Background imageEdo Period Collection: The actor Ichikawa Yaozo III as Tanabe Bunzo, 1794 (colour woodblock print; oban)

The actor Ichikawa Yaozo III as Tanabe Bunzo, 1794 (colour woodblock print; oban)
5859701 The actor Ichikawa Yaozo III as Tanabe Bunzo, 1794 (colour woodblock print; oban) by Sharaku, Toshusai (fl.1794-95); 37.9 x 25 cm; The Art Institute of Chicago, IL

Background imageEdo Period Collection: Urashimataro from the triptych Set of Three Sake Cups for the First Month 1800-01

Urashimataro from the triptych Set of Three Sake Cups for the First Month 1800-01 (colour woodblock print)
8618175 Urashimataro from the triptych Set of Three Sake Cups for the First Month 1800-01 (colour woodblock print) by Utamaro

Background imageEdo Period Collection: Geography. Japan. Crossing of a river in Odawara (10th station). Woodcut by Hiroshige in

Geography. Japan. Crossing of a river in Odawara (10th station). Woodcut by Hiroshige in
3434289 Geography. Japan. Crossing of a river in Odawara (10th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageEdo Period Collection: Geography. Japan. Hara, Mount Fuji in the Morning (13th station). Woodcut by Hiroshige in

Geography. Japan. Hara, Mount Fuji in the Morning (13th station). Woodcut by Hiroshige in
3434283 Geography. Japan. Hara, Mount Fuji in the Morning (13th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageEdo Period Collection: Actor Onoe Matsusuke II as the Ghost of Seigen, c.1810 (woodblock print nishiki-e)

Actor Onoe Matsusuke II as the Ghost of Seigen, c.1810 (woodblock print nishiki-e, ink & colour on paper)
7886971 Actor Onoe Matsusuke II as the Ghost of Seigen, c.1810 (woodblock print nishiki-e, ink & colour on paper) by Toyokuni

Background imageEdo Period Collection: Geography. Japan. Bridge. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Geography. Japan. Bridge. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434293 Geography. Japan. Bridge. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Background imageEdo Period Collection: Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in

Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in
3434285 Geography. Japan. The Morning glow at the Nihonbashi (1st station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageEdo Period Collection: Geography. Japan. Hakone Lake (10th station). Woodcut by Hiroshige in

Geography. Japan. Hakone Lake (10th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434284 Geography. Japan. Hakone Lake (10th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageEdo Period Collection: Geography. Japan. Kanagawa (4th station). Woodcut by Hiroshige in

Geography. Japan. Kanagawa (4th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434288 Geography. Japan. Kanagawa (4th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageEdo Period Collection: Winter Snow on the Sumida River, from the series Famous places in Edo in the Four Seasons

Winter Snow on the Sumida River, from the series Famous places in Edo in the Four Seasons (woodblock print)
8307525 Winter Snow on the Sumida River, from the series Famous places in Edo in the Four Seasons (woodblock print) by Hiroshige

Background imageEdo Period Collection: Geography. Japan. River in winter. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido

Geography. Japan. River in winter. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434297 Geography. Japan. River in winter. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Background imageEdo Period Collection: Geography. Japan. Temple. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Geography. Japan. Temple. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434291 Geography. Japan. Temple. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Background imageEdo Period Collection: Souvenirs of the Eastern Capital on the Fifty-three Stations of the Tokaido

Souvenirs of the Eastern Capital on the Fifty-three Stations of the Tokaido
8599108 Souvenirs of the Eastern Capital on the Fifty-three Stations of the Tokaido: The Actor Onoe Baiko III as the Cat Spirit of the Old Temple, 1841 (ink)

Background imageEdo Period Collection: Scene from a Ghost Story: The Okazaki Cat Demon, 7th month, 1847 (ink and colour on paper)

Scene from a Ghost Story: The Okazaki Cat Demon, 7th month, 1847 (ink and colour on paper)
8599101 Scene from a Ghost Story: The Okazaki Cat Demon, 7th month, 1847 (ink and colour on paper) by Kuniyoshi, Utagawa (1798-1861); 35.5--25.7 cm; Freer Gallery of Art, Smithsonian Institution

Background imageEdo Period Collection: Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido

Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)
3434292 Geography. Japan. Mount Fuji. Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834). Postcard, Japan, c.1900 (postcard) by Hiroshige

Background imageEdo Period Collection: Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay

Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay. (17th station)
3434290 Geography. Japan. Yui, view of Fuji, snow covered, from Satta-toge, overlooking Saruga Bay. (17th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageEdo Period Collection: Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in

Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in
3434287 Geography. The Morning glow at the Nihonbashi (55th station). Woodcut by Hiroshige in: Fifty Three Stations of the Tokaido (1833-1834)

Background imageEdo Period Collection: Re Brigade, Ninth Group (Kubangumi): (Ichimura Kakitsu IV as) Reizaburō the Little Fox (Kogitsune)

Re Brigade, Ninth Group (Kubangumi): (Ichimura Kakitsu IV as) Reizaburō the Little Fox (Kogitsune), 8th month
8599107 Re Brigade, Ninth Group (Kubangumi): (Ichimura Kakitsu IV as) Reizaburō the Little Fox (Kogitsune), 8th month, 1866 (ink and colour on paper) by Kunichika

Background imageEdo Period Collection: Kyoto, Japan at the historic Gion District during the spring season

Kyoto, Japan at the historic Gion District during the spring season

Background imageEdo Period Collection: Ukiyo-e Print of an Actor Playing a Samurai by Kunisada, 1847 (colour woodblock print)

Ukiyo-e Print of an Actor Playing a Samurai by Kunisada, 1847 (colour woodblock print)
2630233 Ukiyo-e Print of an Actor Playing a Samurai by Kunisada, 1847 (colour woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Private Collection; (add.info)

Background imageEdo Period Collection: Birds and camelia in snow, c. 1700 (ink and colours on paper)

Birds and camelia in snow, c. 1700 (ink and colours on paper)
BL12348 Birds and camelia in snow, c.1700 (ink and colours on paper) by Haritsu, Ogawa (1663-1747); 194.5x87.5 cm; British Museum, London, UK; Japanese, out of copyright

Background imageEdo Period Collection: Pheasant, bullfinch, flowers and rock, c. 1800 (ink and colours on silk)

Pheasant, bullfinch, flowers and rock, c. 1800 (ink and colours on silk)
BL12336 Pheasant, bullfinch, flowers and rock, c.1800 (ink and colours on silk) by Baikei, Ariwara (1750-1803); 96.8x34.3 cm; British Museum, London, UK; (add.info.: ); Japanese, out of copyright

Background imageEdo Period Collection: Flying Ducks, 1851 (watercolour on silk)

Flying Ducks, 1851 (watercolour on silk)
BL12322 Flying Ducks, 1851 (watercolour on silk) by Chinzan, Tsubaki (1801-54); 23.8x31.9 cm; British Museum, London, UK; (add.info.: From an album Twelve paintings of flowers, birds)

Background imageEdo Period Collection: Traditional Japanese Woodblock female musician

Traditional Japanese Woodblock female musician
Kunisada (1786-1865), was in his own time was the most popular and successful print designer in Japan. This print of 1862 shows an actor Nakamura Daikich with a Shamisen is a 3-stringed lute with a

Background imageEdo Period Collection: Two warriors smoking a pipe at a bridge entrance, c. 1825 (colour woodcut)

Two warriors smoking a pipe at a bridge entrance, c. 1825 (colour woodcut)
GLS314159 Two warriors smoking a pipe at a bridge entrance, c.1825 (colour woodcut) by Hokusai, Katsushika (1760-1849); 20.9x17.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEdo Period Collection: Artist standing on the back of a man and writing on a column, c. 1820 (colour woodcut)

Artist standing on the back of a man and writing on a column, c. 1820 (colour woodcut)
GLS314150 Artist standing on the back of a man and writing on a column, c.1820 (colour woodcut) by Hokusai, Katsushika (1760-1849); 34.9x6.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEdo Period Collection: Fisherman smoking beside a stream, c. 1835 (colour woodcut)

Fisherman smoking beside a stream, c. 1835 (colour woodcut)
GLS314149 Fisherman smoking beside a stream, c.1835 (colour woodcut) by Hokusai, Katsushika (1760-1849); 21.6x21.6 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEdo Period Collection: Under the wave of Kanagawa, or The great Wave from the series 36 Views of Mt. Fuji, c

Under the wave of Kanagawa, or The great Wave from the series 36 Views of Mt. Fuji, c. 1830-31 (woodblock print)
7413464 Under the wave of Kanagawa, or The great Wave from the series 36 Views of Mt.Fuji, c.1830-31 (woodblock print) by Hokusai



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The Edo Period, also known as the Tokugawa period, was a time of great artistic and cultural development in Japan. This era lasted from 1603 to 1868 and was characterized by peace, stability, and isolationism. One of the most iconic images from this period is "The Great Wave" by Katsushika Hokusai. This woodblock print depicts men in boats battling large waves off the shore of Kanagawa, with Mount Fuji towering in the background. It captures both the power and beauty of nature that inspired many artists during this time. Another famous artwork from the a woodblock print by Shuntei Katsukawa depicting two samurai warriors engaged in battle. The intricate details and vibrant colors showcase the skillful craftsmanship that was prevalent during this era. In addition to these warrior-themed prints, there were also delicate works like "Eleven Female Cranes Standing in Dry Reed Bed. " Created using ink and colors on paper, this piece showcases the elegance and grace associated with traditional Japanese art. Religion played an important role during the Edo Period as well. "Nichiren Calming the Storm, " a color print by Utagawa Kuniyoshi, depicts a powerful scene where Nichiren, a Buddhist monk, calms a raging storm with his spiritual presence. Not only did visual arts flourish during this time but so did literature. One example is "The Blind Men and The Elephant, " another woodblock print by Hokusai which tells an allegorical story through vivid imagery. The it also saw advancements in trade with foreign countries such as Portugal. A six-fold screen titled "Nanban Six-Fold Screen Depicting Arrival of Portuguese Ship for Trade" portrays scenes of interaction between Japanese locals and Portuguese traders. This period also witnessed everyday life being depicted through art forms like paintings or prints showcasing activities such as sword cleaning or travelers in the snow at Oi.