Edward Francis Collection

Fanny Burney, c1784-1785, (1943). Creator: Unknown
Fanny Burney, c1784-1785, (1943). Portrait of Frances Burney (1752-1840), English satirical novelist, diarist and playwright, and daughter of the musicologist Dr Charles Burney

St. Georges Church from the Docks, Liverpool, c1830. Creator: Edward Francis Finden
St. Georges Church from the Docks, Liverpool, c1830. Ships at the quayside, with warehouses and the spire of St George Derby Square

Certificate of Membership of the Society of Copper-Plate Printers, 19th century

Title Page, The Microcosm of London, 1808. 1808. Creators: Robert Ashby
Title Page, The Microcosm of London, 1808

Interior of a Cree Indian Tent, 1820, (1946). Creator: Edward Francis Finden
Interior of a Cree Indian Tent, 1820, (1946). Indigenous people round a fire in northern Canada, depicted by a member of John Franklins Coppermine Expedition of 1819-1822

The Exchange and Nelsons Monument, Liverpool, c1830s. Creator: Edward Francis
The Exchange and Nelsons Monument, Liverpool, c1830s. View of the first Cotton Exchange Building, built in 1808, at Exchange Flags, and monument to Horatio Nelson, unveiled in 1813

Thomas Stanley, Earl of Derby, (early-mid 19th century). Creator: Edward Francis Finden
Thomas Stanley, Earl of Derby, (early-mid 19th century). Portrait of English nobleman Thomas Stanley, 1st Earl of Derby (1435-1504)

Verona, 1832. Creator: Edward Francis Finden
Verona, 1832. View of the town of Verona in northern Italy: street scene in the foreground, with the bridge over the River Adige in the distance. [John Murray, London, 1832]

Theatre Royal English Opera House, Westminster, London, 1817. Artist: James Stow
Theatre Royal English Opera House, Westminster, London, 1817. Two interior views of the opera house, also known as the Lyceum Theatre

View of the Pandean Minstrels in performance at Vauxhall, London, c1800. Artist: John Lee
View of the Pandean Minstrels in performance at Vauxhall, London, c1800. Primo, Secondo, Basso, Pandean pipes and Tenore (Contra-Basso)

Satan and Beelzebub in Hell, c1799. Artist: Edward Francis Burney
Satan and Beelzebub in Hell, c1799. Scene showing Satan and Beelzebub on the Lake of Liquid Fire. They both have wings and one of them carries a shield and spear

Johnsons Court, Fleet Street, London, 1835. Artist: Edward Francis Finden
View of Dr Samuel Johnsons house, no 17 Gough Square, off Johnsons Court, Fleet Street, London, 1835. Also with figures in the court, including a boy with hoop and a girl with a dog

A Bas-Relief to Ovid, c1780-1848. Artist: Edward Francis
A Bas-Relief to Ovid, c1780-1848. Study for a medallion with the profile head of the Roman poet set in a central cartouche

Youth Crowned with Roses, c1780-1848. Artist: Edward Francis Burney
Youth Crowned with Roses, c1780-1848

Two Youths contemplating Statues of Demosthenes, Cicero and Pitt, c1780-1848

Genius Bearing the Soul Aloft, c1780-1848. Artist: Edward Francis Burney
Genius Bearing the Soul Aloft, c1780-1848

The Pass of the Great Saint Bernard - Hospice of the Great St. Bernard, 1828. Artist: Edward Francis Finden
The Pass of the Great Saint Bernard - Hospice of the Great St. Bernard, 1828. Great St. Bernard Pass is the third highest road pass in Switzerland and the most ancient pass through the Western Alps

Southampton, 1859. Artist: Edward Francis Finden
Southampton, 1859. Largest city in the ceremonial county of Hampshire, a major port on Southampton Water at the confluence of the River Test and River Itchen. After T. Nash

Norwegians, 1788. Artist: J Thornthwaite
Norwegians, 1788. After Edward Francis Burney (1760-1848). [Dr. J. Truster, London, 1788]

Entrance to Portsmouth Harbour, 1859. Artist: Edward Francis Finden
Entrance to Portsmouth Harbour, 1859. Best known as home of the Royal Navy, because of its strategic location on the south coast of England. After Edward William Cooke (1811-1880)

Sunderland: the light house on the south pier, 1836. Artist: Edward Francis Finden
Sunderland: the light house on the south pier, 1836. After George Balmer (1806-1846). From Ports, Harbours, Watering Places and Coast Scenery of Great Britain, by William Finden (1787-1852)

Gibraltar. From the lower Signal Tower at the foot of the Queen of Spains Chair, 1840. Artist: Edward Francis Finden
Gibraltar. From the lower Signal Tower at the foot of the Queen of Spains Chair, 1840. After Charles Bentley (c1805-1854). [Fisher, Son & Co. London & Paris, 1840]

View of the iron bridge over the river Severn, Coalbrookdale, Shropshire, 19th century. Artist: W & J Walker
View of the iron bridge over the river Severn, Coalbrook Dale, Shropshire, 19th century. The development of coke smelting in Coalbrookdale by Abraham Darby I

Lyons, from the Confluence of the Rhone & Saone, 1827. Creator: Edward Francis Finden
Lyons, from the Confluence of the Rhone & Saone, 1827. View of a French landscape, with vegetation and a bridge in the foreground, and the city of Lyons in the distance

Newcastle from Askews Wood, engraved by Edward Francis, 1829 (engraving)
XJF466219 Newcastle from Askews Wood, engraved by Edward Francis, 1829 (engraving) by Westall, William (1781-1850) (after); Private Collection; (add.info.: Edward Francis (fl.1828-30); ); English

Salford from the Crescent, from Great Britain Illustrated, engraved by Edward Francis
XJF466282 Salford from the Crescent, from Great Britain Illustrated, engraved by Edward Francis, 1830 (engraving) by Westall

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Edward Francis was a versatile artist and engraver who made significant contributions to the art world in the 18th and 19th centuries. Born around the time Fanny Burney published her famous novel, he would go on to leave his mark through his artistic creations. One of Edward Francis's notable works is an enchanting depiction of St. Georges Church from the Docks in Liverpool, which he crafted during the early 1830s. His attention to detail captured not only the architectural beauty but also conveyed a sense of tranquility that emanated from this sacred place. His talent as an engraver is evident in his Certificate of Membership for the Society of Copper-Plate Printers, showcasing his dedication and recognition within this esteemed community during the 19th century. In collaboration with Robert Ashby, Edward Francis contributed to "The Microcosm of London" by creating its captivating title page in 1808. This publication provided readers with a unique glimpse into various aspects of London life at that time. Edward Francis's skills extended beyond landscapes and architecture; he also ventured into capturing cultural diversity. In one such instance, he depicted an interior view of a Cree Indian Tent in 1820. Through intricate details, he transported viewers into another world while highlighting indigenous cultures. Liverpool seemed to hold a special place in Edward Francis's heart as evidenced by his portrayal of The Exchange and Nelsons Monument during the same period as St. Georges Church. These artworks showcased both historical landmarks and celebrated naval hero Admiral Nelson. Not limited to British subjects alone, Edward Francis ventured abroad too. In Verona circa 1832, he skillfully portrayed this Italian city known for its rich history and romantic charm. Edward Francis's artistic range encompassed theatrical scenes as well; one such example being Theatre Royal English Opera House located in Westminster, London during its opening year in 1817 - immortalizing this grand establishment through artistry.