Edward John Poynter Collection

The Ides of March, 1883. Creator: Edward John Poynter
The Ides of March, 1883. The persistent warnings given to Julius Caesar by the augurs as to the fatefulness of " The Ides of March" for him

Narcissus in a Blue and White Vase, 1864. Creator: Edward John Poynter
Narcissus in a Blue and White Vase, 1864

Minerva, 1886. Creator: Edward John Poynter
Minerva, 1886

Study of a Young Man's Head with Right Arm Outstretched, 1860. Creator: Edward John Poynter
Study of a Young Man's Head with Right Arm Outstretched, 1860

Study for Festival, c. 1875. Creator: Edward John Poynter
Study for Festival, c. 1875

Study for The Festival, 1871. Creator: Edward John Poynter
Study for The Festival, 1871

The Cave of the Storm Nymphs, 1903. Artist: Edward John Poynter
The Cave of the Storm Nymphs, 1903. From a private collection

The Golden Age, 1875. Creator: Edward John Poynter
The Golden Age, 1875

The Festival, 1875. Creator: Edward John Poynter
The Festival, 1875

Whistler drawing Poynter; back view of a man seated at a table near a lighted lamp, 1860

Sir E. J. Poynter, P. R. A. 1877. Creator: Alphonse Legros
Sir E.J. Poynter, P.R.A. 1877

Sir Edward John Poynter, 1877. Creator: Alphonse Legros
Sir Edward John Poynter, 1877

The Bells of Saint Mark s, Venice, 1903. Creator: Edward John Poynter
The Bells of Saint Mark s, Venice, 1903

Portrait of Sir Edward John Poynter, 1877. Creator: Alphonse Legros
Portrait of Sir Edward John Poynter, 1877

Edward John Poynter, 1860s. Creator: John & Charles Watkins
Edward John Poynter, 1860s

January, decorative wall tiles, c1860s, (1881). Creator: J M Benson
January, decorative wall tiles, c1860s, (1881). Detail of interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum

Apelles: design for a mosaic, c1864, (1881). Creator: Bernard Collier
Apelles: design for a mosaic, c1864, (1881). Design for a glass mosaic in the Kensington Valhalla at the South Kensington Museum (later renamed the Victoria & Albert Museum)

East Dining or Grill Room, c1860s, (1881). Creator: John Watkins
East Dining or Grill Room, c1860s, (1881). View showing the interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum

Psyche in the Temple of Love, 1882, (c1915). Artist: Edward John Poynter
Psyche in the Temple of Love, 1882, (c1915). Held in the Walker Art Gallery, Liverpool. From Famous Pictures of the World, c1900

The Walls of Old England (Bude), c1886, (1914). Artist: Edward John Poynter
The Walls of Old England (Bude), c1886, (1914). From King Alberts Book. [The Daily Telegraph, London, 1914]

In the Sunshine, c1890. Artist: Edward John Poynter
In the Sunshine, c1890. From The Studio Volume 72. [London Offices of the Studio, London, 1917-18]

Sir E Poynter, c1860-1910 (1924)Artist: Alphonse Legros
Sir E Poynter, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

The Catapult, c1868. A Roman siege engine attacks the city of Carthage during the siege of 146 BC. Delenda est Carthago (Carthage must be destroyed) is carved into the wood. Hand-coloured later

Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield
Edward John Poynter, President of the Royal Academy, 1880. During a visit to Rome in 1853 he made the acquaintance of Lord Leighton, who encouraged him to study art futher

Eliza Eastlake Signed and dated, green paint, center right: EJP|1864"
Eliza Eastlake Signed and dated, green paint, center right: " EJP|1864" (monogrammed), Edward John Poynter, 1836-1919, British

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Edward John Poynter, a renowned British artist of the 19th century, left an indelible mark on the art world with his exquisite creations. Born in Paris in 1836, Poynter's talent blossomed from an early age and propelled him to become one of the most celebrated painters of his time. In "The Ides of March, " painted in 1883, Poynter captures the intensity and drama surrounding this infamous day in Roman history. The meticulous attention to detail and masterful use of light showcase his exceptional skill as a painter. "The Golden Age" and "The Festival, " both created in 1875, transport viewers into idyllic scenes filled with joyous celebrations and mythical beings. Poynter's ability to evoke emotions through his brushstrokes is truly remarkable. A glimpse into Poynter's personal life can be seen in "Whistler drawing Poynter. " This intimate portrayal reveals a back view of a man engrossed in artistic pursuits under the warm glow of a lamp. It offers insight into the artist's dedication to his craft. Proudly depicted by Alphonse Legros in two portraits titled "Sir E. J. Poynter, P. R. A. " and "Sir Edward John Poynter" from 1877, these works immortalize him as not only an accomplished artist but also as a distinguished figure within society. Poynter's love for Venice shines through vividly in "The Bells of Saint Mark s. " Painted in 1903, this masterpiece transports viewers to the enchanting cityscape adorned with its iconic bells resonating throughout its streets. Captured by various photographers such as John & Charles Watkins and J M Benson during different periods of his life, we catch glimpses of Sir Edward John Poynter at work or posing for formal portraits. These images allow us to witness his evolution as an artist and a man.