Edward Of Collection
"Edward of: A Complex Portrait of a Medieval Prince" Step into the world of Edward
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"Edward of: A Complex Portrait of a Medieval Prince" Step into the world of Edward, a captivating figure in history whose actions and decisions shaped the course of nations. From his refusal to offer succor to his own son at Crecy in 1346, to his encounters with royalty and battles won, Edward's life is a tapestry woven with triumphs and tragedies. In James William Edmund Doyle's poignant painting "Edward refuses succour to his son at Crecy, " we witness the inner turmoil that plagued this enigmatic prince. What drove him to make such a fateful choice? The answer lies within the depths of Edward's character, forever etched on canvas. The Imperial State Crown, crafted by Rundell, Bridge and Rundell in 1953, represents not only regal splendor but also the weight of responsibility borne by Edward as he ascended the throne. This symbol of power serves as a reminder that even kings must make difficult decisions for their kingdom's sake. As we visit Canterbury Cathedral and gaze upon the Tomb of the Black Prince from c1870, we are reminded that beneath Edward's military prowess lay a tender heart. His final resting place stands as both an homage to his legacy and a testament to love lost too soon. Through unknown hands' brushstrokes in "King John at Poitiers (1356)" or "Edward The Black Prince waiting on John King of France his Prisoner (1773), " we catch glimpses into historical moments where alliances shifted like tides. These scenes capture not only political intrigue but also showcase Edward's strategic brilliance on display. "The Gallery of Costume: In the Days of Second and Third Edwards (c1934)" transports us back in time when fashion was an art form itself. Here we see how clothing played its part in shaping perceptions about power dynamics during this era—a reflection mirrored by Edward himself who understood well how appearances could sway opinion.