Eisen Collection (page 2)

Charles Emmanuel Patas after Charles Eisen (French, 1744 - 1802), Le jour, etching and engraving

Rena Gaillard after Charles Eisen (French, c. 1719 - 1790), Le bouquet, engraving
Rena© Gaillard after Charles Eisen (French, c. 1719 - 1790), Le bouquet, engraving

Joseph de Longueil after Charles Eisen (French, 1730 - 1792), Le midi, etching and engraving

Charles Eisen (French, 1720 - 1778), The Holy Family in the Carpenters Shop, c. 1755, pen and gray ink with gray wash, watercolor, white gouache, and touches of brown ink on laid paper

Attributed to Charles Eisen (French, 1720 - 1778), Three Putti with a Fishing Net, black chalk on laid paper

Sanpoukazari to otafuku no men, Decoration of three treasures and a mask of Otafuku. Ikeda, Eisen, 1790-1848, artist, [between 1820 and 1823], 1 print : woodcut, color; 19.7 x 17.7 cm

Heike monogatari to biwa to tsuitate, Tale of the heike and a lute next to a standing screen. Ikeda, Eisen, 1790-1848, artist, [between 1820 and 1823], 1 print : woodcut, color; 19.6 x 17.4 cm

RyAcgokubashi no sekisho, Evening glow at Ryogoku Bridge. Ikeda, Eisen, 1790-1848, artist, [between 1844 and 1848], 1 print : woodcut, color; 25 x 36.8 cm

UryAc tAcgen, Peach orchard at Wuling. Ikeda, Eisen, 1790-1848, artist, [between 1830 and 1844], 1 print : woodcut, color; 16.5 x 24.7 cm

Batta[inago(?), between 1830 and 1844, Ikeda, Eisen, 1790-1848

Kaga no Chiyojo, The maiden Chiyo from Kaga. Ikeda, Eisen, 1790-1848, artist, [between 1844 and 1848], 1 print : woodcut, color; 33.1 x 21.2 cm (top panel), 32.9 x 21.4 cm (bottom panel)

Mimeguri no hanami, Cherry blossoms at Mimeguri. Ikeda, Eisen, 1790-1848, artist, [between 1818 and 1821], 1 print : woodcut, color; 36.8 x 25.8 cm

ChAcchi o motsu onna, Woman carrying a paper lantern. Ikeda, Eisen, 1790-1848, artist, [between 1818 and 1822], 1 print : woodcut, color; 35.4 x 23.8 cm

Nihonzutsumi no rakugan tamaya uchi Tamagushi, Descending geese on the Nihon embankment - the courtesan Tamagushi of Tama-ya

NakanochAc no hana, Blossom of Nakanocho. Ikeda, Eisen, 1790-1848, artist, [between 1818 and 1825], 1 print : woodcut, color; 36.2 x 25.4 cm

AgebAcshi o naosu musume, Young woman adjusting her hat. Ikeda, Eisen, 1790-1848, artist, [between 1825 and 1830], 1 print (2 sheets) : woodcut, color; 36 x 25.3 (top), 35.6 x 25 (bottom) cm

Fuji no hachiue, Potted wisteria. Ikeda, Eisen, 1790-1848, artist, [between 1818 and 1844], 1 print : woodcut, color; 22 x 17 cm

Hanashobu ni nadeshiko, Potted irises and pinks. Ikeda, Eisen, 1790-1848, artist, [between 1818 and 1844], 1 print : woodcut, color; 21.9 x 16.2 cm

Baika saru hiku musume, Young women walking a monkey under a plum tree. Ikeda, Eisen, 1790-1848, artist, 1824. 1 print : woodcut, color; 20.9 x 26.5 cm

Kiichi hAcgen to oumaya kisanta, Kiichi HAcgen and Oumaya Kisanda. Ikeda, Eisen, 1790-1848, artist, 1829. 1 print : woodcut, color; 20 x 17.4 cm. Print shows two poets

JAPAN: GEISHA, c1825. A Japanese geisha. Color woodcut by Eisen Ikeda, c1825

Gold gab ich zur Wehr, Eisen nahm ich zur Ehr

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"Eisen: Capturing the Essence of Life through Art" Step into the world of Eisen, a renowned artist whose engravings and woodblock prints depicted various aspects of life in vivid detail. From compelling scenes like "Negro Traffic (Compelling the Slaves to Work)" to thought-provoking images such as "Negro Traffic (the Sale of a Slave), " Eisen's work shed light on the harsh realities faced by many. But it wasn't all somber subjects for Eisen. He also explored lighter themes, as seen in his enchanting piece titled "Pictorial Signboard of an Instrument Maker. " This artwork showcased his ability to capture everyday moments with precision and charm. Eisen's talent extended beyond engravings; he ventured into color woodblock prints like "Rokugo Ferry, " which transported viewers to bustling river crossings filled with vibrant hues and lively characters. Meanwhile, his depiction of "Kintai Bridge at Iwokuni in Suo Province" showcased his mastery over landscapes, immersing us in serene beauty. Not limited to capturing reality, Eisen delved into imagination too. His engraving titled "The Game of Trictrac" invited us into a world where strategy met entertainment while "The Comet (Drawing-Room Game)" revealed a playful side that transcended time. Eisen's versatility didn't end there; he even lent his artistic touch to commercial endeavors like creating designs for products such as the exquisite face powder called Bien Senjoko. His collaboration with authors was also notable, evident in works like Lady Kesa from kuchie - an illustration that brought literary characters to life visually. From historical narratives like "A Scolding (Ochiyo)" set within Bugei Kurabu Literary Club to contemporary pieces depicting societal issues such as "Young Woman Looks at Silhouette of a Male Prisoner being Led Away, " Eisen continued pushing boundaries throughout different eras.