Elderly Male Collection

Time Vanquished by Love, Venus and Hope, c. 1645-46 (oil on canvas)
XIR192800 Time Vanquished by Love, Venus and Hope, c.1645-46 (oil on canvas) by Vouet, Simon (1590-1649); 187x142 cm; Musee du Berry, Bourges, France; (add.info.: Le Temps Vaincu par l Amour)

Elderly male in a workshop, 1885
3479517 Elderly male in a workshop, 1885; (add.info.: Woodcut of a elderly male in a workshop. A younger female is shown seated staring downwards. Dated 1885.); Universal History Archive/UIG.

The Entombment, 1490 (painted stone)
NUL245242 The Entombment, 1490 (painted stone) by French School, (15th century); Chapel of St. Jacques, Monesties, Tarn, France; (add.info.: Holy Women at the Sepulchre; ); French, out of copyright

The Entombment, 1490 (painted stone) (detail)
NUL245244 The Entombment, 1490 (painted stone) (detail) by French School, (15th century); Chapel of St. Jacques, Monesties, Tarn, France; (add.info.: Holy Women at the Sepulchre; ); French

Countess Mordvinovs Forest, 1891 (oil on canvas)
BBC210798 Countess Mordvinovs Forest, 1891 (oil on canvas) by Shishkin, Ivan Ivanovich (1832-98); Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

The Entombment, detail of Joseph of Arimathaea, 1490 (painted stone)
NUL245245 The Entombment, detail of Joseph of Arimathaea, 1490 (painted stone) by French School, (15th century); Chapel of St

The Birth of the Virgin, 1504-08 (oil on canvas) (see also 204962)
XIR352330 The Birth of the Virgin, 1504-08 (oil on canvas) (see also 204962) by Carpaccio, Vittore (c.1460/5-1523/6); 129 x 126 cm; Galleria dell Accademia Carrara, Bergamo

The Birth of the Virgin, detail of servants in the background, 1504-08 (oil on canvas)
XIR204962 The Birth of the Virgin, detail of servants in the background, 1504-08 (oil on canvas) (detail of 352330) by Carpaccio, Vittore (c.1460/5-1523/6); Galleria dell Accademia Carrara, Bergamo

Young Woman Helping an Unfortunate Family (oil on canvas)
XIR187126 Young Woman Helping an Unfortunate Family (oil on canvas) by Drolling, Martin (1752-1817); 74.2x93.5 cm; Musee des Beaux-Arts, Caen

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The elderly male sat quietly in his favorite armchair, reminiscing about the adventures of his youth. His weathered hands traced the lines on his face, each one a testament to a life well-lived. Despite the passage of time, his eyes still sparkled with wisdom and kindness. He had seen so much change in the world around him, yet he remained steadfast in his beliefs and values. As he watched the sunset through the window, he felt grateful for every moment that had brought him to this point. The laughter of grandchildren echoed in his ears, bringing a smile to his lips. He knew that he had left a lasting legacy for future generations to carry on. Though age may have slowed him down physically, it had only strengthened his spirit. The elderly male was a beacon of resilience and grace, showing others how to navigate life's challenges with dignity and courage. In a society obsessed with youth and beauty, he stood as a reminder that true worth comes from within. His presence was like a warm embrace, offering comfort and guidance to all who crossed his path. As night fell and stars twinkled overhead, the elderly male closed his eyes in contentment. He knew that no matter what tomorrow brought, he would face it with unwavering resolve and an open heart. For age was just a number – it was wisdom gained through experience that truly defined him.