Electric Shock Collection

The application of an electric shock treatment to the shoulders of a patient
5311891 The application of an electric shock treatment to the shoulders of a patient; (add.info.: Engraving depicting the application of an electric shock treatment to the shoulders of a patient)

The application of an electric shock to a patient's leg
5311886 The application of an electric shock to a patient's leg; (add.info.: Engraving depicting the application of an electric shock to a patient's leg)

A battery of twenty cells used to give therapeutic shocks
5311889 A battery of twenty cells used to give therapeutic shocks; (add.info.: Engraving depicting a battery of twenty cells used to give therapeutic shocks)

An engraving depicting Andreas Cuneus attempting to electrify water contained in a Leyden bottle (1746)
5311346 An engraving depicting Andreas Cuneus attempting to electrify water contained in a Leyden bottle (1746). Muschenbroek, Cuneus' teacher

Engraving depicting a man having a turn on the galvanic battery which would shock the person holding it, 19th century
5309440 Engraving depicting a man having a turn on the galvanic battery which would shock the person holding it, 19th century; (add.info)

An engraving depicting Paul Bert determining the biting power of a crocodile - Shamone
5311545 An engraving depicting Paul Bert determining the biting power of a crocodile - Shamone. The animals lower jaw was fixed and a rope tied the upper one to a dynamometer

A coil being used to give therapeutic shocks to a patient
5311890 A coil being used to give therapeutic shocks to a patient; (add.info.: Engraving depicting a coil being used to give therapeutic shocks to a patient in a saline bath)

M Girard Au Nouveau-Calebar (engraving)
2783052 M Girard Au Nouveau-Calebar (engraving) by French School, (19th century); Private Collection; (add.info.: M Girard Au Nouveau-Calebar)

The March of Science, Electricity at Christmas (engraving)
1099913 The March of Science, Electricity at Christmas (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: The March of Science, Electricity at Christmas)

The Electric Shock (engraving)
585487 The Electric Shock (engraving) by English School, (19th century); Private Collection; (add.info.: Penny Pastimes - the electric shock)

Figure 26: Expression of painful attention and attention, attentive gaze. 1854-56, printed 1862

Figure 53: Whimpering and false laughter, 1854-56, printed 1862

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862

Figure 15: Meditation, mental concentration, 1854-56, printed 1862

Figure 27: Expression proportionally more pained, 1854-56, printed 1862

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862

Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56, printed 1862

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. 1854-56, printed 1862

Figure 21: Painful recollection and recollection or calling something to mind, 1854-56, printed 1862

Figure 71: Same head as in Plate 70, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 71: Same head as in Plate 70, 1854-56, printed 1862

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862

Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 73: Head of Niobe, 1854-56, printed 1862

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 56: Surprise, 1854-56, printed 1862

Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862

Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862

Figure 4: The face in repose of a young man, 1854-56, printed 1862

Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862

Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862

Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862

Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862

Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 19: Suffering, 1854-56, printed 1862

Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862

Figure 25: Not an expression of pain, 1854-56, printed 1862

Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Faradisation du muscle frontal, 1854-56, printed 1862

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862

Figure 22: No painful expression, 1854-56, printed 1862

Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Figure 18: Aggression, wickedness, 1854-56, printed 1862

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862

Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 60: Fright, 1854-56, printed 1862

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"Captivating Engravings: Exploring the Electric Shock" Step into the mesmerizing world of engravings as we delve into the captivating theme of electric shock. From M Girard Au Nouveau-Calebar's intricate artwork to The March of Science, Electricity at Christmas engraving, prepare to be electrified by these stunning visual representations. In Figure 26, witness the expression of painful attention and an attentive gaze that leaves you spellbound. The intensity portrayed in Figure 53 with whimpering and false laughter showcases a unique blend of emotions captured in this printed masterpiece from 1862. Figure 39 entices your curiosity with its depiction of lasciviousness, attracting attention like a magnet. Meanwhile, Figure 9 presents a study on m. Frontalis in maximum contraction, offering an intriguing glimpse into facial expressions frozen in time. As you explore further, Figure 15 invites you to immerse yourself in meditation and mental concentration – a momentary escape from reality amidst the chaos surrounding us all. Contrastingly, Figure 27 portrays an expression proportionally more pained; it serves as a poignant reminder that even art can evoke deep emotions within us. Prepare for Lady Macbeth's moderate expression of cruelty displayed vividly in Figure 81 – an embodiment of Shakespearean tragedy brought to life through artistic interpretation. And finally, let yourself be captivated by the audacity depicted in Figure 42 where gaiety is expressed through ideas encompassing lustfulness, cynicism, and levity. These engravings not only showcase technical skill but also serve as windows into human emotion and experience throughout history. Each stroke tells a story; each detail captures fleeting moments frozen forever on paper. So take a step back from our fast-paced world and allow yourself to be transported by these evocative engravings depicting electric shock – an exploration that will leave you both enlightened and electrified.