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Email Collection

"Unlocking the Power of Communication: Exploring the Fascinating World of Email" In today's digital age, it has become an indispensable tool for communication

Background imageEmail Collection: Ethiopia - Order of the Seal of Solomon: emblem with the portrait of Haile Selassie 1st

Ethiopia - Order of the Seal of Solomon: emblem with the portrait of Haile Selassie 1st
LRI4632281 Ethiopia - Order of the Seal of Solomon: emblem with the portrait of Haile Selassie 1st- 1950-1975 by Anonymous; Private Collection; (add.info.: Ethiopia - Order of the Seal of Solomon)

Background imageEmail Collection: At sign on a computer keyboard, symbolic image for the internet

At sign on a computer keyboard, symbolic image for the internet

Background imageEmail Collection: United Kingdom - Order of the Garter - Three plates: Top

United Kingdom - Order of the Garter - Three plates: Top
LRI4631055 United Kingdom - Order of the Garter - Three plates: Top: plate belonging to John Churchill (1650-1722) Duke of Marlborough, beginning of the 18th century, Embroidery of silver thread

Background imageEmail Collection: Pocket watch, in polychrome enamel and gold, c.1810 (polychrome enamel and gold)

Pocket watch, in polychrome enamel and gold, c.1810 (polychrome enamel and gold)
MMM5470491 Pocket watch, in polychrome enamel and gold, c.1810 (polychrome enamel and gold); National Maritime Museum, London, UK; (add.info.: Pocket watch, in polychrome enamel and gold)

Background imageEmail Collection: The Virgin of Pain. Attributes to Leonard II Limosin (1505-around 1575), late 16th century

The Virgin of Pain. Attributes to Leonard II Limosin (1505-around 1575), late 16th century. Dim: 15x11,2cm
JEB4913400 The Virgin of Pain. Attributes to Leonard II Limosin (1505-around 1575), late 16th century. Dim: 15x11,2cm. Enamel painted on copper. Musee de l'hospice Saint-Roch, Issoudun (M.H)

Background imageEmail Collection: Solar dial and pocket magnetic compass, for latitude 48 degrees, 18th century (copper and enamel)

Solar dial and pocket magnetic compass, for latitude 48 degrees, 18th century (copper and enamel)
MMM5474538 Solar dial and pocket magnetic compass, for latitude 48 degrees, 18th century (copper and enamel); National Maritime Museum, London, UK; (add.info.: Solar dial and pocket magnetic compass)

Background imageEmail Collection: Mesopotamia: panel of enamels from the Palace of Darius I, king of Persia to Susa (Babylon)

Mesopotamia: panel of enamels from the Palace of Darius I, king of Persia to Susa (Babylon). 5th century BC
JEB4899770 Mesopotamia: panel of enamels from the Palace of Darius I, king of Persia to Susa (Babylon). 5th century BC. Musee archeologique mediterranee Marseille; Musee d'Archeologie

Background imageEmail Collection: Sun dial and magnetic compass, for latitude 48 degrees. Silver and enamel instrument

Sun dial and magnetic compass, for latitude 48 degrees. Silver and enamel instrument, c.1750-1800 (silver and enamel)
MMM5470453 Sun dial and magnetic compass, for latitude 48 degrees. Silver and enamel instrument, c.1750-1800 (silver and enamel); National Maritime Museum, London

Background imageEmail Collection: Gem flexible bracelets in pearl, diamond, enamel, sapphire and ruby

Gem flexible bracelets in pearl, diamond, enamel, sapphire and ruby. Chromolithograph from Edwin Street's Gems
FLO4709616 Gem flexible bracelets in pearl, diamond, enamel, sapphire and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London

Background imageEmail Collection: Two sundials (reverse) for latitude 48 degrees. Silver and enamel objects, from 1750-1800

Two sundials (reverse) for latitude 48 degrees. Silver and enamel objects, from 1750-1800
MMM5470055 Two sundials (reverse) for latitude 48 degrees. Silver and enamel objects, from 1750-1800, 1750-1800 (silver and enamel); National Maritime Museum, London

Background imageEmail Collection: Enamelled glass goblet decorated with figures. Ayyubid dynasty period (1138-1246)

Enamelled glass goblet decorated with figures. Ayyubid dynasty period (1138-1246) Coming from Damascus, Syria. Diam
BEN5475197 Enamelled glass goblet decorated with figures. Ayyubid dynasty period (1138-1246) Coming from Damascus, Syria. Diam. 20 cm. 13th century Louvre Museum Paris; Photo © Raffaello Bencini.

Background imageEmail Collection: St. Anne and St. Joseph. Email on copper, anonymous, beginning of the 17th century

St. Anne and St. Joseph. Email on copper, anonymous, beginning of the 17th century. Dim: 18,6x13,2cm and 18,6x13,3cm
JEB4913469 St. Anne and St. Joseph. Email on copper, anonymous, beginning of the 17th century. Dim: 18,6x13,2cm and 18,6x13,3cm. Musee de l'hospice Saint-Roch, Issoudun (M.H. class, 1921)

Background imageEmail Collection: Crosse from the crypt of the former Abbey of Notre-Dame, Issoudun, around 1200. Dim: 25x10x8cm

Crosse from the crypt of the former Abbey of Notre-Dame, Issoudun, around 1200. Dim: 25x10x8cm
JEB4913310 Crosse from the crypt of the former Abbey of Notre-Dame, Issoudun, around 1200. Dim: 25x10x8cm. Copper dore, email champleve. Musee de l'hospice Saint-Roch, Issoudun

Background imageEmail Collection: Sun dial and magnetic pocket compass, for latitude 48 degrees. Gilded copper and enamel instrument

Sun dial and magnetic pocket compass, for latitude 48 degrees. Gilded copper and enamel instrument
MMM5474517 Sun dial and magnetic pocket compass, for latitude 48 degrees. Gilded copper and enamel instrument, 18th century (copper and enamel); National Maritime Museum, London

Background imageEmail Collection: The Resurrection of Christ and Jesus in the Garden of Olives

The Resurrection of Christ and Jesus in the Garden of Olives. Email on anonymous copper, beginning of the 17th century
JEB4913435 The Resurrection of Christ and Jesus in the Garden of Olives. Email on anonymous copper, beginning of the 17th century. Dim: 18,6x13,4cm and 18,6x13,3cm

Background imageEmail Collection: The blessing Christ, Salvator Mundi. He's holding a globe over a cross

The blessing Christ, Salvator Mundi. He's holding a globe over a cross
JEB4913419 The blessing Christ, Salvator Mundi. He's holding a globe over a cross. Attributes to Leonard II Limosin (1505-around 1575), late 16th century. Dim: 15x11,2cm

Background imageEmail Collection: Jewelled Sevres porcelain tea and coffee cups, saucers and vase decorated with enamel (email)

Jewelled Sevres porcelain tea and coffee cups, saucers and vase decorated with enamel (email)
FLO4633359 Jewelled Sevres porcelain tea and coffee cups, saucers and vase decorated with enamel (email) in relief on gold plaques

Background imageEmail Collection: Email of Pierre Courteys (17th century), municipal museum of Limoges, France

Email of Pierre Courteys (17th century), municipal museum of Limoges, France
ETI4396775 Email of Pierre Courteys (17th century), municipal museum of Limoges, France.; (add.info.: Email of Pierre Courteys (17th century), municipal museum of Limoges, France.).

Background imageEmail Collection: Order of the Golden Fleece: Austrian Golden Fleece - Manufactured by Rothe and Neffe

Order of the Golden Fleece: Austrian Golden Fleece - Manufactured by Rothe and Neffe
LRI4630663 Order of the Golden Fleece: Austrian Golden Fleece - Manufactured by Rothe and Neffe (Vienna) - Reduced badge - 1850-1900 - Gold and enamals; original case in red sorrow gold with iron

Background imageEmail Collection: White mail box in front of a house next to driveway with spring trees and green evergreen trees

White mail box in front of a house next to driveway with spring trees and green evergreen trees

Background imageEmail Collection: Denmark - Order of the Elephant: pendant - 1904

Denmark - Order of the Elephant: pendant - 1904
LRI4631855 Denmark - Order of the Elephant: pendant - 1904 by Anonymous; Private Collection; (add.info.: Denmark - Order of the Elephant: pendant - 1904 - gold)

Background imageEmail Collection: Verdun Altar: the Queen of Sheba bringing gifts to King Solomon

Verdun Altar: the Queen of Sheba bringing gifts to King Solomon
LRI4596583 Verdun Altar: the Queen of Sheba bringing gifts to King Solomon, 12th century (enamel on gilded copper) by Nicholas of Verdun (fl.1181-1205); Klosterneuburg Monastery

Background imageEmail Collection: The French enamailleur Eugene Feuillatre (1870-1916) Painting by Adrien Moreau-Neret (1860-1944)

The French enamailleur Eugene Feuillatre (1870-1916) Painting by Adrien Moreau-Neret (1860-1944) 1905 Paris
JLJ4683142 The French enamailleur Eugene Feuillatre (1870-1916) Painting by Adrien Moreau-Neret (1860-1944) 1905 Paris, Musee d Orsay Attention

Background imageEmail Collection: Statue of Bernard Palissy (1510-1590), Emailleur, French Ceramist

Statue of Bernard Palissy (1510-1590), Emailleur, French Ceramist, Bronze sculpture by Louis Barrias (1841-1905)
YOU4418538 Statue of Bernard Palissy (1510-1590), Emailleur, French Ceramist, Bronze sculpture by Louis Barrias (1841-1905). Photography, KIM Youngtae, Paris

Background imageEmail Collection: Bronze torqus with red enamel decorations. 350-300 BC

Bronze torqus with red enamel decorations. 350-300 BC
LRI4685819 Bronze torqus with red enamel decorations. 350-300 BC by Celtic, (4th century BC); Musee des Antiquites Nationales, St

Background imageEmail Collection: Bronze disc covered with a gold leaf inlaid with corals and emals

Bronze disc covered with a gold leaf inlaid with corals and emals. From Auvers-sur-Oise, 4th century BC
LRI4685779 Bronze disc covered with a gold leaf inlaid with corals and emals. From Auvers-sur-Oise, 4th century BC by Celtic, (4th century BC); Bibliotheque Nationale, Paris

Background imageEmail Collection: Bernard de Palissy (1510-1589) looking for the email of pottery between 1536

Bernard de Palissy (1510-1589) looking for the email of pottery between 1536
XEE4177311 Bernard de Palissy (1510-1589) looking for the email of pottery between 1536 and 1556 to discover the secret of the enamel and the source of colors

Background imageEmail Collection: Portrait de l imperatrice Catherine I (1684-1727) avec une vue du palais de Catherinenhof

Portrait de l imperatrice Catherine I (1684-1727) avec une vue du palais de Catherinenhof
FIA5331136 Portrait de l imperatrice Catherine I (1684-1727) avec une vue du palais de Catherinenhof. (Portrait of Catherine I with a view of Catherinenhof)

Background imageEmail Collection: Helmet (morion) of King Charles IX (1550-1574) made in email on round busse d or by Pierre Rondin ()

Helmet (morion) of King Charles IX (1550-1574) made in email on round busse d or by Pierre Rondin ()
JLJ4604241 Helmet (morion) of King Charles IX (1550-1574) made in email on round busse d or by Pierre Rondin (? -1572) 16th century Paris, Louvre Museum

Background imageEmail Collection: Woman in grey taffeta dress with linen collar and cuffs, satin gilet with enamel buttons

Woman in grey taffeta dress with linen collar and cuffs, satin gilet with enamel buttons, under a willow tree
5893035 Woman in grey taffeta dress with linen collar and cuffs, satin gilet with enamel buttons, under a willow tree. Robe de taffetas gris a col et manchettes de linon

Background imageEmail Collection: Art Scythe (Civilisation scythique ou de Scythie) : plaquette en forme de cerf

Art Scythe (Civilisation scythique ou de Scythie) : plaquette en forme de cerf. (Deer (Shield emblem)) Or et email
FIA5335555 Art Scythe (Civilisation scythique ou de Scythie) : plaquette en forme de cerf. (Deer (Shield emblem)) Or et email. 600 avant JC. Dim

Background imageEmail Collection: Art Scythe (Civilisation scythique ou de Scythie) : plaquette en forme de panthere appelee

Art Scythe (Civilisation scythique ou de Scythie) : plaquette en forme de panthere appelee Panthere de Kelermes
FIA5334996 Art Scythe (Civilisation scythique ou de Scythie) : plaquette en forme de panthere appelee Panthere de Kelermes. (Panther (Shield emblem)) Or et email. 6eme siecle avant JC. L

Background imageEmail Collection: Coffre reliquaire decoree de scenes de la vie de sainte Valerie, martyre de Limoges

Coffre reliquaire decoree de scenes de la vie de sainte Valerie, martyre de Limoges
FIA5334992 Coffre reliquaire decoree de scenes de la vie de sainte Valerie, martyre de Limoges. Bois cuivre et email, grave et dore. Dim

Background imageEmail Collection: Insigne honorifique de l ordre de Sainte Catherine la grande martyre

Insigne honorifique de l ordre de Sainte Catherine la grande martyre (ou ordre de la Liberation ou delivrance)
FIA5392491 Insigne honorifique de l ordre de Sainte Catherine la grande martyre (ou ordre de la Liberation ou delivrance), petite croix - Ruban brode et decoration en or, email et pierres precieuses

Background imageEmail Collection: Enamelled crosse. Limoges, 14th century. Museo del Castello. Milan

Enamelled crosse. Limoges, 14th century. Museo del Castello. Milan
GIA4763095 Enamelled crosse. Limoges, 14th century. Museo del Castello. Milan by French School, (14th century); Museo del Castello Sforzesco, Milan, Italy; (add.info.: Enamelled crosse)

Background imageEmail Collection: The craftsmen of a cloisonne workshop in Pekin. Engraving after a photograph of M

The craftsmen of a cloisonne workshop in Pekin. Engraving after a photograph of M
LSE4330500 The craftsmen of a cloisonne workshop in Pekin. Engraving after a photograph of M.Thomson to illustrate the journey to Pekin and northern China, by T.Chutze, in 1873

Background imageEmail Collection: United Kingdom - Ordre de l Etoile des Indes: plaque de chevalier grand commander

United Kingdom - Ordre de l Etoile des Indes: plaque de chevalier grand commander
LRI4631239 United Kingdom - Ordre de l Etoile des Indes: plaque de chevalier grand commander - Made by Spink & Son (London) - 1850-1900 - Gold, silver

Background imageEmail Collection: United Kingdom - Order of the Bath: Necklace made by Thomas Haff - 3rd third of the 18th

United Kingdom - Order of the Bath: Necklace made by Thomas Haff - 3rd third of the 18th
LRI4631150 United Kingdom - Order of the Bath: Necklace made by Thomas Haff - 3rd third of the 18th century - Gold and Emaux - Necklace: L 161 cm; weight 990 g (including pendant) - Pendant

Background imageEmail Collection: Order of the Garter - Three plates (18th-19th century)

Order of the Garter - Three plates (18th-19th century)
LRI4631062 Order of the Garter - Three plates (18th-19th century) by Anonymous; Private Collection; (add.info.: United Kingdom - Order of the Garter - Three plates: Top: manufactured by Rundell)

Background imageEmail Collection: United Kingdom - Order of the Garter - Three plates: Top: Debut XIX century

United Kingdom - Order of the Garter - Three plates: Top: Debut XIX century
LRI4631025 United Kingdom - Order of the Garter - Three plates: Top: Debut XIX century, Gold and silver and crystal size and emals - D: 11, 3 cm; weight: 114 g - Left: Debut XIX century

Background imageEmail Collection: United Kingdom - Order of the Garter - Four plates (reverse): Top: Early 19th century

United Kingdom - Order of the Garter - Four plates (reverse): Top: Early 19th century
LRI4631010 United Kingdom - Order of the Garter - Four plates (reverse): Top: Early 19th century, Silver and Emaux, H 13.1 cm; W 11

Background imageEmail Collection: Order of the Garter: badge of king of arms of the Order - with the ecu of Saint George

Order of the Garter: badge of king of arms of the Order - with the ecu of Saint George
LRI4631009 Order of the Garter: badge of king of arms of the Order - with the ecu of Saint George and the royal arms (beg)

Background imageEmail Collection: United Kingdom - Order of the Garter: insignia of Chancellor of the Order - The model of

United Kingdom - Order of the Garter: insignia of Chancellor of the Order - The model of
LRI4630982 United Kingdom - Order of the Garter: insignia of Chancellor of the Order - The model of this insignia was fixed in 1645 - It has a rose on the obverse

Background imageEmail Collection: Order of the Golden Fleece: badge of the officers of the Order - 1850-1900 - Gold

Order of the Golden Fleece: badge of the officers of the Order - 1850-1900 - Gold
LRI4630823 Order of the Golden Fleece: badge of the officers of the Order - 1850-1900 - Gold and Emaux - H 5.5 cm; W 4.8 cm; Weight

Background imageEmail Collection: Brazil - Order of the Rose: Necklace and Plaque - 1850-1875

Brazil - Order of the Rose: Necklace and Plaque - 1850-1875
LRI4632305 Brazil - Order of the Rose: Necklace and Plaque - 1850-1875 by Anonymous; Private Collection; (add.info.: Brazil - Order of the Rose)

Background imageEmail Collection: Grand Duche of Baden - Order of Berthold 1st: necklace - late 19th century

Grand Duche of Baden - Order of Berthold 1st: necklace - late 19th century
LRI4632254 Grand Duche of Baden - Order of Berthold 1st: necklace - late 19th century by Anonymous; Private Collection; (add.info.: Grand Duche of Baden - Order of Berthold 1st)

Background imageEmail Collection: Brazil - Order of the Cross of the South : plaque of dignitary (2nd class)

Brazil - Order of the Cross of the South : plaque of dignitary (2nd class)
LRI4632178 Brazil - Order of the Cross of the South : plaque of dignitary (2nd class), 1850-1875 - plate of dignitary (commander), 1850-1875 - plate of dignitary (2nd class)



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"Unlocking the Power of Communication: Exploring the Fascinating World of Email" In today's digital age, it has become an indispensable tool for communication. Represented by the iconic at sign on a computer keyboard, it symbolizes our connection to the vast realm of the internet. Just like the prestigious United Kingdom's Order of the Garter with its three plates atop, email holds immense significance in connecting people across borders and cultures. It transcends boundaries and brings individuals closer together. Similar to conceptual artwork, a masterpiece that allows us to express ourselves creatively through words and images. It enables us to convey emotions, ideas, and information effortlessly. Much like the Austrian Golden Fleece manufactured by Rothe and Neffe, a treasure trove of knowledge and opportunities waiting to be explored. It opens doors for collaboration, innovation, and growth in various fields. Just as depicted in Adrien Moreau-Neret's painting "The French enamailleur Eugene Feuillatre, " email bridges gaps between distant souls. It connects hearts separated by time zones or physical distances with just a click. Email resembles an enamel plate from Rhenane school depicting Abraham's sacrifice of Isaac - ancient yet timeless. Just as this artifact survived centuries in Florence's Nazionale Museo del Bargello, so too does email persist as an enduring means of communication. Bernard Palissy sought pottery secrets through his mastery of enamel during Renaissance times; similarly, we seek answers within emails' virtual walls today. Emmanuel Blanche's engraving captures Palissy's relentless pursuit perfectly – always searching for new colors and sources behind every message received. Like Louis Barrias' bronze sculpture immortalizing Bernard Palissy himself – known as both an émailleur (enameler) and ceramist – we recognize that email is not limited to mere text but encompasses diverse forms such as attachments or multimedia content that enrich our interactions further.