Emperor Maximilian Collection (#2)

Conrad Celtes Presenting His Book Quatuor Libri Amorum to Maximilian I, 1502 (1906). Artist: Albrecht Durer
Conrad Celtes Presenting His Book Quatuor Libri Amorum to Maximilian I, 1502 (1906). Celtes (1459-1508) was a German Renaissance humanist scholar and poet

Maximilian I, Holy Roman Emperor, (1816). Artist: Charles Turner
Maximilian I, Holy Roman Emperor, (1816). A print from Fifteen Splendid Portraits of Royal Personages, engraved in mezzotinto by Richard Earlom, Charles Turner and R Dunkarton, printed by J McCreery

The Emperor Maximilian and Albrecht Durer, early 16th century, (19th century). Artist: Thomas Brown
The Emperor Maximilian and Albrecht Durer, early 16th century, (19th century). German artist Albrecht Durer (1471-1528) is visited by the Emperor Maximilian I while painting a fresco on the palace

Rhinoceros, print given to Maximilian I by the King of Lisbon, 1515, (1936). Artist: Albrecht Durer
Rhinoceros, print given to Maximilian I by the King of Lisbon, 1515, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The Triumphal Arch of Emperor Maximilian I, 1515, (1936). Artist: Albrecht Durer
The Triumphal Arch of Emperor Maximilian I, 1515, (1936). Detail of central arch (the Gate of Honor and Power) showing a foliate

Kaiser Maximilian I, 1518, (1936). Artist: Albrecht Durer
Kaiser Maximilian I, 1518, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Dance by Torchlight, Augsburg, 1516, (1936). Artist: Albrecht Durer
Dance by Torchlight, Augsburg, 1516, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Triumphal Return of Maximilian I, 1512-1522, (1936). Artist: Albrecht Durer
Triumphal Return of Maximilian I, 1512-1522, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Triumphal Return of Maximilian I, 1515, (1936). Artist: Albrecht Durer
Triumphal Return of Maximilian I, 1515, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Emperor Maximilian I, 1519, (1936). Artist: Albrecht Durer
Emperor Maximilian I, 1519, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The Imperial Seal of Maximilian. Seal fixed to the letter of Maximilian. To the Czar Basile Ivanorvitz. This may be the seal of Maximilian I (1459-1519), Holy Roman Emperor and King of Germany

Theodoric, King of the Ostrogoths, 16th century, (1903). Bronze statue made in teh 16th century, of Theodoric (454 AD-526 AD)

The archdukes and high barons of Germany at the coronation of the Emperor Maximilian, 16th century, (1870). A fragment taken from the Triumph of Maximilian, by J Burgkmair

Convex armour said to be that of Maximilian, 15th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Kaiser Maximilian I, 1519. Artist: Albrecht Durer
Kaiser Maximilian I, 1519. Maximilian I (1459-1519), seen here wearing a fur cape and holding a pomegranate, was king of Germany (1486-1519) and Holy Roman Emperor (1508-1519)

Portrait of Emperor Maximilian I, 1519. Artist: Albrecht Durer
Portrait of Emperor Maximilian I, 1519. Maximilian (1459-1519) was Holy Roman Emperor from 1493-1519. He established the Habsburg dynasty as a European power. From a private collection

Maximillian I, Holy Roman Emperor. Artist: J Chapman
Maximillian I, Holy Roman Emperor. Maximilian I (1459-1519) was Holy Roman Emperor from 1493-1519. He established the Habsburg dynasty as an international European power

Interview between Henry VIII and the Emperor Maximilian, 16th century, (1896). Artist: Boussod, Valadon & Co
Interview between Henry VIII and the Emperor Maximilian, 16th century, (1896). Illustration after a picture painted c1545 in the Royal Collection at Hampton Court, from a work published by Boussod

Deer Hunt Frederick Wise Emperor Maximilian I
Deer Hunt Frederick the Wise with Emperor Maximilian I, c. 1600, oil on oak, 86.5 x 123 cm, marked in yellow at the bottom center of the left tree trunk with the serpent sign and dated 1529

Great Triumphal Car Emperor Maximilian 1523 Albrecht Dürer
The Great Triumphal Car of Emperor Maximilian, 1523. Albrecht Durer (German, 1471-1528). Woodcut

Saints Connected House Hapsburg General Account
Saints Connected with the House of Hapsburg: A General Account of the Ancestry of Emperor Maximilian I. Leonhard Beck (German, c. 1480-1542). Woodcut

Blue King Council Attack White Surprise Der Weisskunig
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New Treaty King Philip Henry VII Der Weisskunig
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King Feuereisen Daughter Der Weisskunig 16th century
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White King Skill Conducting Masquerades Der Weisskunig
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Portrait Emperor Maximilian I Architectural Frame
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Young Prince Standing Secretaries Der Weisskunig
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Goetz Aided Gypsies 1845 Wood engraving stereotype
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Battle Hulst Der Weisskunig printed 18th century
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White King Learning Conduct Kitchen Der Weisskunig
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Recto Sheet Maximilian Genealogy Emperor Maximilian I
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Portrait Emperor Maximilian I 1519 Woodcut sheet
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Wartime Triumphs Triumphal Procession Emperor Maximilian
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Goetz Friar Martin 1845 Wood engraving proof
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Conquest Gradisca Der Weisskunig printed 18th century
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Entrance White King Utrecht Der Weisskunig printed 18th century
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King Feuereisen Daughter Der Weisskunig printed 18th century
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Procession Married Emperor Wife Pope Saint Peter
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White King Learning Enclose Camp Wagons Der Weisskunig
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Battle Spurs Der Weisskunig printed 18th century
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Weislingen attacked Goetz Men 1836-43 Lithograph
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Goetz von Berlichingen Writing Memoirs 1836-43
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Cart Horn Musicians Triumphal Procession Emperor Maximilian I
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Storming Moran Shore Der Weisskunig printed 18th century
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Battle Naples Der Weisskunig printed 18th century
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White King Child Playing Children Der Weisskunig
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Goetz Friar Martin 1845 Wood engraving stereotype
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White King Receiving Daughter Margaret Children
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Emperor Maximilian, a figure of historical significance and intrigue, is depicted in various forms throughout these captivating hints. The first hint transports us to the enchanting city of Innsbruck, where Das Goldene Dachl (Golden Roof) stands tall as a symbol of this emperor's reign. Its shimmering beauty reflects the grandeur and power he possessed. Moving forward in time, we encounter Ulrich Von Hutten's portrayal in 1516. This depiction captures his commanding presence and regal attire, leaving us mesmerized by his authority. The Execution takes us back to a somber moment in history. Through delicate pencil strokes and watercolors, this artwork immortalizes the tragic end that befell this once mighty ruler. It serves as a reminder that even the most powerful can fall from grace. In contrast to his European endeavors, we catch glimpses of Emperor Maximilian's foray into Mexico as its leader. A mysterious portrait from ca. 1864 showcases him donning an imperial coat of arms while exuding an air of mystery and adventure. As if embodying both strength and cunningness simultaneously, we discover a unique Combination Hunting Dagger and Double-Barrel Percussion Pistol associated with Emperor Maximilian himself. This weapon speaks volumes about his multifaceted nature - one who was not only skilled in politics but also well-versed in hunting arts. Another engraving portrays The Artists Costume Ball at Princes Hall, Piccadilly – an event where individuals could step into different personas for one night. Here we find Emperor Maximilian amidst fellow artists celebrating their creativity while showcasing his own artistic side. Maximilian's life journey concludes with Funeral at Trieste - an engraving capturing the solemn farewell given to him after his untimely demise. It reminds us that even emperors are subject to mortality; their lives marked by both triumphs and tragedies.