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Enea Collection (page 2)

"Enea: A Journey through Myth and Art" Step into the captivating world of Enea, where ancient tales come to life through the masterpieces Vico

Background imageEnea Collection: Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown

Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown
Woman on Rearing Horse, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Collection: Ram, published ca. 1599-1622. Creator: Unknown

Ram, published ca. 1599-1622. Creator: Unknown
Ram, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Collection: Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown

Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown
Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Collection: Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown

Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown
Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Collection: Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546. Creator: Enea Vico

Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546. Creator: Enea Vico
Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546

Background imageEnea Collection: Proserpine Changing Aesculapius into an Owl, 1548. Creator: Enea Vico

Proserpine Changing Aesculapius into an Owl, 1548. Creator: Enea Vico
Proserpine Changing Aesculapius into an Owl, 1548

Background imageEnea Collection: Mars and Venus, 1543. Creator: Enea Vico

Mars and Venus, 1543. Creator: Enea Vico
Mars and Venus, 1543

Background imageEnea Collection: Costume Plate: Peasant Woman from Spain, ca. 1555-58. Creator: Enea Vico

Costume Plate: Peasant Woman from Spain, ca. 1555-58. Creator: Enea Vico
Costume Plate: Peasant Woman from Spain, ca. 1555-58

Background imageEnea Collection: Costume Plate: Woman with Hooded Garment, ca. 1557-58. Creator: Enea Vico

Costume Plate: Woman with Hooded Garment, ca. 1557-58. Creator: Enea Vico
Costume Plate: Woman with Hooded Garment, ca. 1557-58

Background imageEnea Collection: Costume Plate: Hispania Rustica mul. (with label on ground), ca. 1557-58

Costume Plate: Hispania Rustica mul. (with label on ground), ca. 1557-58

Background imageEnea Collection: Costume Plate: Hispana Rustica (with label on rock), ca. 1557-58. Creator: Enea Vico

Costume Plate: Hispana Rustica (with label on rock), ca. 1557-58. Creator: Enea Vico
Costume Plate: Hispana Rustica (with label on rock), ca. 1557-58

Background imageEnea Collection: Costume Plate: Galla Serva, ca. 1557-58. Creator: Enea Vico

Costume Plate: Galla Serva, ca. 1557-58. Creator: Enea Vico
Costume Plate: Galla Serva, ca. 1557-58

Background imageEnea Collection: Costume Plate: Wife of a Warrior from Germany, ca. 1558-70. Creator: Unknown

Costume Plate: Wife of a Warrior from Germany, ca. 1558-70. Creator: Unknown
Costume Plate: Wife of a Warrior from Germany, ca. 1558-70

Background imageEnea Collection: Entrapment, ca. 1545-50. Creator: Enea Vico

Entrapment, ca. 1545-50. Creator: Enea Vico
Entrapment, ca. 1545-50

Background imageEnea Collection: Predestination, ca. 1545-50. Creator: Enea Vico

Predestination, ca. 1545-50. Creator: Enea Vico
Predestination, ca. 1545-50

Background imageEnea Collection: Vanity, 1545-50. Creator: Enea Vico

Vanity, 1545-50. Creator: Enea Vico
Vanity, 1545-50

Background imageEnea Collection: Portrait of Giovanni de Medici facing right within an elaborate cartouche flanked by

Portrait of Giovanni de Medici facing right within an elaborate cartouche flanked by Victory at the left and Mars at right, winged figures holding Medici coat of arms top center, 1550

Background imageEnea Collection: Costume Plate: Bearded Man from Spain, ca. 1557-58. Creator: Unknown

Costume Plate: Bearded Man from Spain, ca. 1557-58. Creator: Unknown
Costume Plate: Bearded Man from Spain, ca. 1557-58

Background imageEnea Collection: Costume Plate: German Messenger, ca. 1558-70. Creator: Unknown

Costume Plate: German Messenger, ca. 1558-70. Creator: Unknown
Costume Plate: German Messenger, ca. 1558-70

Background imageEnea Collection: Costume Plate: Hispania Rustica (with laundry on head), ca. 1557-58. Creator: Enea Vico

Costume Plate: Hispania Rustica (with laundry on head), ca. 1557-58. Creator: Enea Vico
Costume Plate: Hispania Rustica (with laundry on head), ca. 1557-58

Background imageEnea Collection: Costume Plate: Woman from Germany, ca. 1558-70. Creator: Unknown

Costume Plate: Woman from Germany, ca. 1558-70. Creator: Unknown
Costume Plate: Woman from Germany, ca. 1558-70

Background imageEnea Collection: Three Friezes with Ornamental Foliage, ca. 1541-43. Creator: Enea Vico

Three Friezes with Ornamental Foliage, ca. 1541-43. Creator: Enea Vico
Three Friezes with Ornamental Foliage, ca. 1541-43

Background imageEnea Collection: The Holy Family with St. Anne and St. Catherine, 1542, published 1627-50

The Holy Family with St. Anne and St. Catherine, 1542, published 1627-50

Background imageEnea Collection: Penitence (Poenitentia), ca. 1545-50. Creator: Enea Vico

Penitence (Poenitentia), ca. 1545-50. Creator: Enea Vico
Penitence (Poenitentia), ca. 1545-50

Background imageEnea Collection: Speculum Romanae Magnificentiae: Aristotle, 1553. 1553. Creator: Anon

Speculum Romanae Magnificentiae: Aristotle, 1553. 1553. Creator: Anon
Speculum Romanae Magnificentiae: Aristotle, 1553

Background imageEnea Collection: Enea Silvio Piccolomini (Pope Pius II) going to the Council of Basel

Enea Silvio Piccolomini (Pope Pius II) going to the Council of Basel

Background imageEnea Collection: A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599-1622

A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Collection: Ex Antiquis Cameorum et Gemmae Delineata / Liber Secundus / et ab Enea Vic... published ca

Ex Antiquis Cameorum et Gemmae Delineata / Liber Secundus / et ab Enea Vic... published ca
Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis. published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imageEnea Collection: Enea Vico (Italian, 1523-1567), The Loves of Mars and Venus, engraving

Enea Vico (Italian, 1523-1567), The Loves of Mars and Venus, engraving



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"Enea: A Journey through Myth and Art" Step into the captivating world of Enea, where ancient tales come to life through the masterpieces Vico. In his renowned artwork, St George Killing the Dragon and Venus and Mars Embracing as Vulcan Works at His Forge, Vico skillfully captures the essence of these mythical stories. As we explore further, we encounter Palazzina's third room adorned with frescoes depicting scenes from Virgil's epic poem, "The Aeneid. " Here, Venus appears as a huntress on the Libyan beach, urging her son Aeneas and his companion Achates to embark on their fateful journey to meet Dido. The vivid colors and intricate details transport us back in time. In another stunning fresco detail titled "Venus prays Neptune to protect Aeneas' ships, " we witness a heartfelt plea for divine intervention. The artist beautifully portrays this pivotal moment from Canto V of "The Aeneid, " evoking a sense of both vulnerability and determination. Moving away from frescoes onto canvas, Enea Vico presents us with an oil painting called "The Lake of Avernus. " Here, he depicts Aeneas alongside the Cumaean Sybil in a mystical landscape that exudes mystery and enchantment. This piece truly captivates our imagination. We then delve into battle scenes depicted in frescoes such as Turnus soldiers attacking the Trojan field or Duck hunting scene featuring Turnus and his allies. These dynamic portrayals showcase not only Vico's artistic prowess but also highlight key moments from Virgil's epic poem filled with conflict and heroism. Returning once again to Palazzina's third room frescoes, we witness yet another significant dream sequence—Aeneas dreaming of Mercury ordering him to leave. This powerful image symbolizes destiny calling upon our protagonist to fulfill his heroic purpose.