Episcopal Collection (page 3)

St Georges Church, Episcopal, East Sixteenth Street and Stuyvesant Square (b / w photo)
5215116 St Georges Church, Episcopal, East Sixteenth Street and Stuyvesant Square (b/w photo) by American Photographer, (19th century); Private Collection; (add.info.: St Georges Church, Episcopal)

Bishop Heber (engraving)
964445 Bishop Heber (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Reginald Heber)

Portrait of Henry Compton, Bishop of London (engraving)
820144 Portrait of Henry Compton, Bishop of London (engraving) by Riley, John (1646-91) (after); Private Collection; (add.info.: Henry Compton, Bishop of London, with long hair)

Portrait of Robert Lowth (engraving)
819984 Portrait of Robert Lowth (engraving) by English School, (18th century); Private Collection; (add.info.: Robert Lowth, Bishop of London)

Portrait of Robert Lowth, Bishop of London (engraving)
819679 Portrait of Robert Lowth, Bishop of London (engraving) by English School, (19th century); Private Collection; (add.info.: Robert Lowth, Bishop of London)

Descent into Hell, 1625-77. Creator: Wenceslaus Hollar
Descent into Hell, 1625-77

New French Protestant Episcopal Church, Bloomsbury, 1845. Creator: Unknown
New French Protestant Episcopal Church, Bloomsbury, 1845....this newly-erected edifice, in Bloomsbury-street (late Plumtree-street, (St)

Gerusalemme Liberata (Jerusalem Delivered), 1581, by Torquat
Torquato Tasso (1544-1595). Italian poet. Gerusalemme Liberata (Jerusalem Delivered), 1581. Epic poem. Chant I. Printed in Venice, 1788

17th century 1667 animal athanasius kircher barroque
17th, century, 1667, animal, athanasius, kircher, barroque, botany, china, monumentis, engraving, episcopal, library, europe, german, germany, illustration, jesuit, kirchner, literature, modern, age

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Spain, Extremadura, Caceres, Facade of the Palacio Episcopal or Bishops Palace

Filippo Archinto, Archbishop of Milan, c. 1555 (oil on canvas)
3471209 Filippo Archinto, Archbishop of Milan, c.1555 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 118.1x94 cm; Metropolitan Museum of Art, New York

Pope Clement VII, c. 1531 (oil on slate)
3077083 Pope Clement VII, c.1531 (oil on slate) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 105.4x87.6 cm; J. Paul Getty Museum, Los Angeles

Page from the book Lo Quart del Cartoixa (The Fourth of the Cartoixa), printed in Valencia in 1496, translation of Vita Christi by the Carthusian Ludolph of Saxony

Story of the Buscon called Don Pablos by Francisco de Quevedo, engraving in Book II, Chapter VII (. blasts the footman and starts to punch him) from an edition of 1895

Nativity, illuminated capital letter in the Episcopal Sacramentary of Elna manuscript on parchment made??, probably in the scriptorium of the Cathedral of Elna (Roussillon), c. 1275-1300

The Three Marys at the Tomb, illuminated capital letter in the Episcopal Sacramentary of Elna, Manuscript on parchment made, probably in the scriptorium of the Cathedral of Elna (Roussillon), c

Book of Contemplation on God by Ramon Llull, written in Majorcan and translated from Arabic into common romance c. 1272, 14th century facsimile manuscript

Sacramentary of Vic, manuscript on parchment dated August 31, 1038 and made, following a handwritten note at page 100, on the occasion of the consecration of the Romanesque cathedral of Vic

Letter I illuminated with figurations of the bust of Jesus Christ and an evangelist, corresponding to the part of the four Gospels in the Missale Parvum, manuscript on parchment, c

Table of concordance of the four gospels, biblical references are framed between columns crowned with horseshoes, capitals and bases decorated with human and animal heads

Sacramentary of the monastery of Ripoll, manuscript on parchment, c. 1050

Missale Parvum. Manuscript on parchment, c. 1075 - 1100, work attributed to the Scriptorium of the Cathedral of Girona

Elna episcopal Sacramentary, manuscript on parchment made?? probably in the scriptorium of the Cathedral of Elna (Roussillon), c. 1275 - 1300

Roman Pontifical of Vic, manuscript on parchment made probably in the scriptorium of the Cathedral of Vic, c.1090

Drop cap C illuminated with two birds and lush floral decoration, manuscript on parchment made?? probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Drop cap C illuminated with a quadruped and floral motifs in the Sacramentary of San Juan de las Abadesas manuscript on parchment made?? probably in the scriptorium of Tortosa, c 1170 - 1190

Calendar decorated with motifs of birds and humans heads in different colors, miniature in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Drop cap C illuminated with floral motives in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Cover of the second printed edition in Barcelona in 1909 of the work L Escanya Pobre, estudi d una Passio by Catalan writer Narcis Oller

San Pedro as a guard carrying the key to the Kingdom of Heaven Illuminated capital letter of volume IV Sacra Bible, New Testament

San Esteban (? - 32-37), deacon and martyr. Stoning of St. Stephen Illuminated capital letter of Bishops of Elna Sacramentary, manuscript on parchment made?

Bonifacio VIII (c. 1235-1303), Pope (1294-1303), miniature of their Decretals (Liber
Bonifacio VIII (c.1235-1303), Pope (1294-1303), miniature of their Decretals (Liber sextus decretalium cum apparatu Ionnis Andreae), copy manuscript on parchment in Italy

Andalusian gold dinar, also called Mancuso, used in Catalan counties during feudal times

Drop cap D illuminated with heads of birds and vegetables interlacing in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Sacramentary of San Juan de les Abadesas, manuscript on parchment made probably in the scriptorium of Tortosa Cathedral, c.1170-1190

Pontifical from Vic, manuscript on parchment made in the scriptorium of the Cathedral of Vic, first half of the 12th century

Decretals (Liber sextus decretalium cum Apparatu Ionnis Andreae), copy manuscript on parchment Italy, c.1340-1345 and illuminated by the Siena painter Lippo Vanni

Detail of Christ of Solsona, polychromed carving c. 1300

Lipsanoteca (reliquary as a box) of the consecration of Santa Eugenia de Berga, sealed by Bishop Oliba with the seal of his brother, Bernat Tallaferro the Earl of Besalu

Face of a lady, illuminated initial letter of Decretals (Liber sextus decretalium cum Apparatu Ionnis Andreae), manuscript on parchment made in Italy

Front of the altar in the chapel of Santa Margarita, detail Table with scenes of the martyrdom of the saint, from Sant Marti Sescorts

Detail of the altar front in the chapel of Santa Margarita, with a scene of a dragon devouring the saint, from Sant Marti Sescorts

Annunciation, sculpture group in marble representing the Archangel Gabriel and the Virgin Mary, the last third of the 14th century

Chest - Sacrarium, made in polychromed wood

Saint Augustine Episcopal Consecration. Table of the altarpiece, 1470. Supposed Self Portrait of Jaume Huguet, from the Church of St. Augustine (Barcelona)

Seminario Episcopal, (Episcopal Seminary), 1895. Artist: Paulo Kowalsky
Seminario Episcopal, (Episcopal Seminary), 1895. From Sao Paulo by Gustavo Koenigswald. [S. Paulo, 1895]

Reverend George Burden (1811-1892), 19th century

Rubbing of a medieval engraved brass, c1478 (1901). Tomb monument fixed to the wall in East Horsley Church, Surrey, of John Bowthe or Booth, Bishop of Exeter. Back view showing episcopal vestments

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"Exploring the Episcopalian Heritage: From Mystics to Economics and Art" Delve into the rich tapestry history with a captivating journey through time. Discover the spiritual depths of Saint John of the Cross, a Spanish mystic whose engraving of the Ascent to Mount Carmel transports us to another realm. His profound teachings continue to inspire seekers today. Step back even further in time as we encounter Juan Gasco's Holy Face, an exquisite masterpiece from the 16th century that invites contemplation and reverence. This sacred image serves as a window into devotion and faith. In bustling Rittenhouse Square, pause at the red door of Church of the Holy Trinity Episcopal churchs – an inviting entrance that welcomes all who seek solace or community within its walls. It stands as a symbol of inclusivity and warmth amidst city life. Marvel at a stunning triptych depicting the Virgin Mary, painted with delicate tempera on panel. Each brushstroke reveals devotion and artistic skill intertwined in perfect harmony. Venturing beyond religious realms, we encounter John Law, a Scottish economist whose ideas shaped financial systems during his lifetime. Dive into Dutch satirical artwork inspired by his economic theories - an intriguing blend where art meets finance. Travel back in time to Wall Street in 1857 when panic struck markets across America. James H captures this tumultuous moment on canvas, immortalizing it for generations to come. The painting evokes both fear and resilience amid economic uncertainty. Gaze upon Wall Street itself through an enchanting colored engraving from 1866 - Broadway stretching westward towards Trinity Church standing tall amidst bustling activity below. Witness how commerce intertwines with spirituality against New York City's iconic backdrop. Uncover Catalonia's cultural treasures through centuries-old ceramics like Catalan pharmacy pots – vessels that once held medicinal secrets within their beautifully adorned surfaces. These artifacts offer glimpses into ancient traditions blending science with artistry.