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Equestrian Portrait Collection (page 3)

"Capturing the Majesty: A Glimpse into Equestrian Portraits" In the world of art, equestrian portraits have long been celebrated for their ability to convey power

Background imageEquestrian Portrait Collection: The Chevalier d Eon as a Dragoon, 1779 (engraving) (b / w photo)

The Chevalier d Eon as a Dragoon, 1779 (engraving) (b / w photo)
XIR287642 The Chevalier d Eon as a Dragoon, 1779 (engraving) (b/w photo) by Robin de Montigny (fl.1785); Bibliotheque Nationale, Paris

Background imageEquestrian Portrait Collection: King William III at the Battle of the Boyne, 1690, from Gallery of Historical Portraits

King William III at the Battle of the Boyne, 1690, from Gallery of Historical Portraits
KW327880 King William III at the Battle of the Boyne, 1690, from Gallery of Historical Portraits, published c.1880 (litho) by English School

Background imageEquestrian Portrait Collection: Gustavus Adolphus landing at Stralsund in 1630 (engraving)

Gustavus Adolphus landing at Stralsund in 1630 (engraving)
XJF276020 Gustavus Adolphus landing at Stralsund in 1630 (engraving) by Koler, Georg (17th century); Private Collection; (add.info)

Background imageEquestrian Portrait Collection: Emperor Charles V (1500-58) on Horseback, 1620 (oil on canvas)

Emperor Charles V (1500-58) on Horseback, 1620 (oil on canvas)
XAL267601 Emperor Charles V (1500-58) on Horseback, 1620 (oil on canvas) by Dyck, Anthony van (1599-1641); 191x123 cm; Galleria degli Uffizi, Florence

Background imageEquestrian Portrait Collection: Equestrian Portrait of King Charles XI of Sweden, print maker: Pieter Stevens 1689

Equestrian Portrait of King Charles XI of Sweden, print maker: Pieter Stevens 1689, Nicolaes Visscher I, Nicolaes Visscher II, 1660 - 1697

Background imageEquestrian Portrait Collection: Equestrian Portrait of Imre Thokoly, Pieter Stevens (vermeld in 1689), Nicolaes Visscher

Equestrian Portrait of Imre Thokoly, Pieter Stevens (vermeld in 1689), Nicolaes Visscher (I), Nicolaes Visscher (II), 1678 - 1702

Background imageEquestrian Portrait Collection: Equestrian Portrait of King Christian V of Denmark and Norway, Pieter Stevens (vermeld

Equestrian Portrait of King Christian V of Denmark and Norway, Pieter Stevens (vermeld in 1689), Nicolaes Visscher (I), Nicolaes Visscher (II), 1670 - 1699

Background imageEquestrian Portrait Collection: Equestrian Portrait of Ernst Rudiger Starhemberg, Pieter Stevens (vermeld in 1689)

Equestrian Portrait of Ernst Rudiger Starhemberg, Pieter Stevens (vermeld in 1689), Nicolaes Visscher (II), Staten Generaal, 1683 - 1701

Background imageEquestrian Portrait Collection: Equestrian Portrait of Maximilian II Emanuel, Elector of Bavaria, Pieter Stevens

Equestrian Portrait of Maximilian II Emanuel, Elector of Bavaria, Pieter Stevens (vermeld in 1689), Nicolaes Visscher (II), Staten Generaal, 1679 - 1702

Background imageEquestrian Portrait Collection: Equestrian Portrait of Frederick William, Elector of Brandenburg, print maker: Pieter

Equestrian Portrait of Frederick William, Elector of Brandenburg, print maker: Pieter Stevens 1689, Nicolaes Visscher I, Nicolaes Visscher II, 1640 - 1688

Background imageEquestrian Portrait Collection: Equestrian Portrait of Julius Francis, Duke of Saxe-Lauenburg, Pieter Stevens (vermeld

Equestrian Portrait of Julius Francis, Duke of Saxe-Lauenburg, Pieter Stevens (vermeld in 1689), Nicolaes Visscher (I), Nicolaes Visscher (II), 1666 - 1702

Background imageEquestrian Portrait Collection: Equestrian Portrait of Philip I, Duke of Orleans, Pieter Stevens (vermeld in 1689)

Equestrian Portrait of Philip I, Duke of Orleans, Pieter Stevens (vermeld in 1689), Nicolaes Visscher (I), Nicolaes Visscher (II), 1661 - 1701

Background imageEquestrian Portrait Collection: Equestrian Portrait of Kara Mustafa, Grand Vizier in the Turkish army, Peter Stevens

Equestrian Portrait of Kara Mustafa, Grand Vizier in the Turkish army, Peter Stevens (listed in 1689), Nicolaes Visscher (I), Nicolaes Visscher (II), 1676-1702

Background imageEquestrian Portrait Collection: Juan Prim y Prats (1814-70) 8th October 1868, 1869 (oil on canvas)

Juan Prim y Prats (1814-70) 8th October 1868, 1869 (oil on canvas)
XIR256561 Juan Prim y Prats (1814-70) 8th October 1868, 1869 (oil on canvas) by Regnault, Henri Alexandre Georges (1843-71); 315x258 cm; Musee d Orsay, Paris

Background imageEquestrian Portrait Collection: 1814, from Le Petit Journal, 28th February 1891 (colour litho)

1814, from Le Petit Journal, 28th February 1891 (colour litho)
XIR236260 1814, from Le Petit Journal, 28th February 1891 (colour litho) by Meissonier, Jean-Louis Ernest (1815-91) (after); Private Collection; (add.info)

Background imageEquestrian Portrait Collection: General Antoine-Charles-Louis Lasalle (1775-1809) 1912 (oil on canvas)

General Antoine-Charles-Louis Lasalle (1775-1809) 1912 (oil on canvas)
XIR247271 General Antoine-Charles-Louis Lasalle (1775-1809) 1912 (oil on canvas) by Detaille, Jean-Baptiste Edouard (1848-1912); Musee de l Armee, Paris

Background imageEquestrian Portrait Collection: Mrs Jane Lane riding with King Charles II (1630-85) after the defeat at the Battle

Mrs Jane Lane riding with King Charles II (1630-85) after the defeat at the Battle
XJF214509 Mrs Jane Lane riding with King Charles II (1630-85) after the defeat at the Battle of Worcester in September 1651, published 1660 (engraving) (b/w photo) by English School

Background imageEquestrian Portrait Collection: Ali Ben Ahmed, the Last Caliph of Constantine, with his Entourage outside Constantine

Ali Ben Ahmed, the Last Caliph of Constantine, with his Entourage outside Constantine
XIR212507 Ali Ben Ahmed, the Last Caliph of Constantine, with his Entourage outside Constantine, 1845 (oil on canvas) by Chasseriau, Theodore (1819-56); 259x325 cm; ChAteau de Versailles

Background imageEquestrian Portrait Collection: General Louis Marie Turreau de Garambouville (1756-1816) at the Gravieres Affair

General Louis Marie Turreau de Garambouville (1756-1816) at the Gravieres Affair
XIR192172 General Louis Marie Turreau de Garambouville (1756-1816) at the Gravieres Affair, 1800 (oil on canvas) (see also 160490) by French School

Background imageEquestrian Portrait Collection: Prince Jozef Antoni Poniatowski (1763-1813) 1809-13 (oil on canvas)

Prince Jozef Antoni Poniatowski (1763-1813) 1809-13 (oil on canvas)
XIR192149 Prince Jozef Antoni Poniatowski (1763-1813) 1809-13 (oil on canvas) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832); 78x63 cm; Private Collection; (add.info)

Background imageEquestrian Portrait Collection: Equestrian Portrait of Wilhelmina of Prussia, Consort of Prince William V (Frederika

Equestrian Portrait of Wilhelmina of Prussia, Consort of Prince William V (Frederika Sophia Wilhelmina), Tethart Philip Christian Haag, 1789

Background imageEquestrian Portrait Collection: Equestrian Portrait of Emperor Augustus, print maker: Laurens Eillarts, Antonio Tempesta

Equestrian Portrait of Emperor Augustus, print maker: Laurens Eillarts, Antonio Tempesta, 1616 - 1620

Background imageEquestrian Portrait Collection: Equestrian Portrait of Emperor Galba, print maker: Laurens Eillarts, Antonio Tempesta

Equestrian Portrait of Emperor Galba, print maker: Laurens Eillarts, Antonio Tempesta, 1616 - 1620

Background imageEquestrian Portrait Collection: Colonel de La Rochetulon Presenting to the Recruits of the 6th Cavalry the Standard

Colonel de La Rochetulon Presenting to the Recruits of the 6th Cavalry the Standard
XIR173614 Colonel de La Rochetulon Presenting to the Recruits of the 6th Cavalry the Standard of the Regiment in January 1887, c.1887 (oil on canvas) by Loustaunau

Background imageEquestrian Portrait Collection: Battle of Tolbiac in AD 496, 1837 (oil on canvas)

Battle of Tolbiac in AD 496, 1837 (oil on canvas)
XIR173608 Battle of Tolbiac in AD 496, 1837 (oil on canvas) by Scheffer, Ary (1795-1858); 415x465 cm; ChAteau de Versailles, France; Dutch, out of copyright

Background imageEquestrian Portrait Collection: Sir Roger Burgoyne Riding Badger, 1740 (oil on canvas)

Sir Roger Burgoyne Riding Badger, 1740 (oil on canvas)
XYC171297 Sir Roger Burgoyne Riding Badger, 1740 (oil on canvas) by Seymour, James (1702-52); 124.1x175.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageEquestrian Portrait Collection: Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi

Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi
XAL166337 Giuliano de Medici (1453-78) as Melchior, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi

Background imageEquestrian Portrait Collection: Study of Three Steeplechase Cracks: Allen McDonough on Brunette, Tom Oliver on Discount

Study of Three Steeplechase Cracks: Allen McDonough on Brunette, Tom Oliver on Discount
XYC159893 Study of Three Steeplechase Cracks: Allen McDonough on Brunette, Tom Oliver on Discount and Jem Mason on Lottery, or Three Racehorses with Jockeys Up (oil on canvas) by Herring Snr

Background imageEquestrian Portrait Collection: Studies for the Duke of Wellington (1769-1852) (oil on board)

Studies for the Duke of Wellington (1769-1852) (oil on board)
XYC159887 Studies for the Duke of Wellington (1769-1852) (oil on board) by Hayter, George (1792-1871); 33.7x42.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageEquestrian Portrait Collection: Louis XIII (1601-43) at the Siege of La Rochelle

Louis XIII (1601-43) at the Siege of La Rochelle
XIR158127 Louis XIII (1601-43) at the Siege of La Rochelle by French School, (17th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageEquestrian Portrait Collection: Duke of Monmouth (1649-85) Advancing on Taunton (engraving) (b / w photo)

Duke of Monmouth (1649-85) Advancing on Taunton (engraving) (b / w photo)
XJF153397 Duke of Monmouth (1649-85) Advancing on Taunton (engraving) (b/w photo) by English School, (17th century); Private Collection; English, out of copyright

Background imageEquestrian Portrait Collection: Equestrian Portrait of Alexander I, Prince of The Netherlands, Charles Rochussen

Equestrian Portrait of Alexander I, Prince of The Netherlands, Charles Rochussen, 1835-1894

Background imageEquestrian Portrait Collection: Equestrian Portrait of Charles II, King of England, Jan Luyken, Anonymous, Jan Claesz

Equestrian Portrait of Charles II, King of England, Jan Luyken, Anonymous, Jan Claesz ten Hoorn, 1685

Background imageEquestrian Portrait Collection: The Duke of Marlborough Defeats the French and Bavarians at the Battle of Blenheim

The Duke of Marlborough Defeats the French and Bavarians at the Battle of Blenheim
XJF119825 The Duke of Marlborough Defeats the French and Bavarians at the Battle of Blenheim, 2 August 1704, English playing card (engraving) (b/w photo) by English School

Background imageEquestrian Portrait Collection: Equestrian Portrait of William V, Prince of Orange-Nassau, Johann Lorenz Rugendas (II)

Equestrian Portrait of William V, Prince of Orange-Nassau, Johann Lorenz Rugendas (II), 1790 - 1826

Background imageEquestrian Portrait Collection: Pieter Schout on Horseback, 1660 (oil on copper)

Pieter Schout on Horseback, 1660 (oil on copper)
XOS1121265 Pieter Schout on Horseback, 1660 (oil on copper) by Keyser, Thomas de (1596/7-1667); 86.1x69.6 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageEquestrian Portrait Collection: Cristofano Bertelli (Italian, born ca. 1525, active ca

Cristofano Bertelli (Italian, born ca. 1525, active ca. 1550a'1600). Equestrian Portrait of Ottavio Farnese, ca. 1550-1560. Engraving. Sheet: 362 mm x 258 mm (14.25 in. x 10.16 in.)

Background imageEquestrian Portrait Collection: The Duke of Devonshires Flying Childers, 1742 (oil on canvas)

The Duke of Devonshires Flying Childers, 1742 (oil on canvas)
XYC158516 The Duke of Devonshires Flying Childers, 1742 (oil on canvas) by Seymour, James (1702-52); 101.6x127 cm; Yale Center for British Art, Paul Mellon Collection

Background imageEquestrian Portrait Collection: Galloping Racehorse and mounted Jockey in Red (oil on canvas)

Galloping Racehorse and mounted Jockey in Red (oil on canvas)
XYC158511 Galloping Racehorse and mounted Jockey in Red (oil on canvas) by Seymour, James (1702-52) (attr.); 30.5x35.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; British

Background imageEquestrian Portrait Collection: Borlase Cokayne as a Boy riding Sultana, 1751 (oil on canvas)

Borlase Cokayne as a Boy riding Sultana, 1751 (oil on canvas)
XYC158505 Borlase Cokayne as a Boy riding Sultana, 1751 (oil on canvas) by Smith of Derby, Thomas (c.1720-67); 47x64.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageEquestrian Portrait Collection: Scipio, Colonel Roches Spotted Hunter, c. 1750 (oil on canvas)

Scipio, Colonel Roches Spotted Hunter, c. 1750 (oil on canvas)
XYC158504 Scipio, Colonel Roches Spotted Hunter, c.1750 (oil on canvas) by Spencer, Thomas (1700-63); 99.1x134.0 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright



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"Capturing the Majesty: A Glimpse into Equestrian Portraits" In the world of art, equestrian portraits have long been celebrated for their ability to convey power, nobility, and a deep connection between man and horse. From Old Billy, a Draught Horse aged 62 immortalized in oil on panel, to the regal Equestrian Portrait of Charles I by Cornelis van Dalen in 1612-1665; these masterpieces transport us through time. Stepping into history, we find ourselves gazing at The Chapel and Clock Tower of Eaton Hall in an enchanting black-and-white photograph from 1901. This image evokes a sense of grandeur that only English country houses can possess. Meanwhile, Onward's oil on canvas painting from 1890 captures the dynamic energy between rider and steed with every brushstroke. Turning our attention towards Tsar Nicholas II as "the Peacemaker, " depicted on the front cover of Le Petit Journal in vibrant color lithography from September 22nd, 1901. Here we witness not only his majestic presence but also his role as a diplomatic force during turbulent times. The historical narrative continues with Washington's Rebuke of Lee portrayed vividly through oil on panel—a poignant reminder of leadership tested amidst conflict. Scamp, a bay racehorse owned by the illustrious Duke of Devonshire in all its glory is another testament to equine beauty captured on canvas. Traveling back further in time brings us face-to-face with an exquisite opaque watercolor and gold depiction showcasing A thakur of Jhilai astride his mount during the late eighteenth century—an artwork that exudes opulence and cultural significance. Equally captivating is Horse and groom painted meticulously onto canvas during the mid-1700s; it transports us to an era where horses were essential companions for transportation and leisure alike.