Equine Collection (page 8)

Perseus and Andromeda, (oil on lapis lazuli)
990354 Perseus and Andromeda, (oil on lapis lazuli) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640); 15.5x22.5 cm; Private Collection; (add.info.: Perseus and Andromeda)

Saving a Goal, (watercolour and bodycolour on linen)
826794 Saving a Goal, (watercolour and bodycolour on linen) by Armour, George Denholm (1864-1949); 26x34.5 cm; Private Collection; (add.info.: Saving a Goal. George Denholm Armour (1864-1949)

Three-Panel Screen, c. 1916-17 (oil and gold leaf on gessoed wood)
1767395 Three-Panel Screen, c.1916-17 (oil and gold leaf on gessoed wood) by Prendergast, Charles (1863-1948); 190.5x69.2 cm; Private Collection; (add.info.: Three-Panel Screen)

La Cheval Blanc, c. 1917-1920 (pochoir)
985565 La Cheval Blanc, c.1917-1920 (pochoir) by Barbier, Georges (1882-1932); 29.5x28.5 cm; Private Collection; (add.info.: La Cheval Blanc. One of a pair of pochoirs. Georges Barbier (1882-1932)

The El, New York, 1894 (oil on canvas)
823316 The El, New York, 1894 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 45.7x35.5 cm; Private Collection; (add.info.: The El, New York. Frederick Childe Hassam (1859-1935)

Lunch by the River, (black and brown ink and watercolour)
659702 Lunch by the River, (black and brown ink and watercolour) by Grunwald, Isaac (1889-1946); 32.4x33 cm; Private Collection; (add.info.: Lunch by the River. Isaac Grunewald (1889-1946)

The Evening; La Soiree, (gouache and pencil on buff paper)
656048 The Evening; La Soiree, (gouache and pencil on buff paper) by Scheiber, Hugo (1873-1950); 49x69.5 cm; Private Collection; (add.info.: The Evening; La Soiree. Hugo Scheiber (1873-1950)

Frederick II with His Hunting Party (oil on canvas)
989563 Frederick II with His Hunting Party (oil on canvas) by Zimmerman, Julius (1824-1906); 101.5x154.3 cm; Private Collection; (add.info.: Frederick II with His Hunting Party)

Saving a Goal, (watercolour and bodycolour on linen)
657168 Saving a Goal, (watercolour and bodycolour on linen) by Armour, George Denholm (1864-1949); 26x34.5 cm; Private Collection; (add.info.: Saving a Goal. George Denholm Armour (1864-1949)

Governor Burnett Delivering the Charter of Statehood to San Jose, California, c. 1925 (oil on canvas)
1194884 Governor Burnett Delivering the Charter of Statehood to San Jose, California, c.1925 (oil on canvas) by Clark, Alson Skinner (1876-1949)

The Close of a Summers Day, 1909 (oil on canvas)
656959 The Close of a Summers Day, 1909 (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: The Close of a Summers Day. Harold Harvey (1874-1941). Oil on canvas

Illustrated titlepage from De Agricultura, 1495 (woodcut)
985851 Illustrated titlepage from De Agricultura, 1495 (woodcut) by Italian School, (15th century); 22x15 cm; Private Collection; (add.info)

The Watering Place, (oil on canvas)
657919 The Watering Place, (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: The Watering Place. Harold Harvey (1874-1941). Oil on canvas

The Farm Gate, 1908 (oil on canvas)
826826 The Farm Gate, 1908 (oil on canvas) by Harvey, Harold (1874-1941); 86.4x111.8 cm; Private Collection; (add.info.: The Farm Gate. Harold Harvey (1874-1941). Oil on canvas

Seaweed Gatherers, 1926 (oil on canvas)
657719 Seaweed Gatherers, 1926 (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: Seaweed Gatherers. Harold Harvey (1874-1941). Oil on canvas. Signed and dated 1926

Phalera (gold)
956968 Phalera (gold) by Italian School, (15th century); Museo Archeologico di Castrovillari, Italy; (add.info.: Embossed silver phalera)

A herd of feral horses running across alpine pasture in Australian high country
wild, horses, silhouette, foal, field, animals, equine, landscape, gallop, run, black, white, wildlife, free, equestrian, group, team, invasive, non-native, damage, feral, outdoor, beautiful, mane

Extreme close-up of the striped fur and mane of a plains zebra, Etosha National Park, Namibia
Extreme close-up of the striped fur and mane of a plains zebra (Equus quagga - formerly Equus burchellii) in the Etosha National Park; Otavi, Oshikoto, Namibia

RBG18-2400
Exmoor ponies, mares and foals, in dense bluebell sward in spring, on common land at Ashway Side, Tarr Steps, Barle Valley, Exmoor. Date: 15-Apr-19

RBG18-2393
Exmoor pony foal in dense bluebell sward in spring, on common land at Ashway Side, Tarr Steps, Barle Valley, Exmoor. Date: 15-Apr-19

Christmas Horse
Ulrike Leinemann

Thoroughbred horse silhouetted at sunrise, Lexington, Kentucky

Dogwood trees in full bloom, Lexington. Kentucky

Dogwood trees in full bloom, Manchester Horse Farm at first light, Lexington. Kentucky

Sioux Camp (oil on canvas)
1764720 Sioux Camp (oil on canvas) by Miller, Alfred Jacob (1810-74); 44.1x60.4 cm; Private Collection; (add.info.: Sioux Camp. Alfred Jacob Miller (1810-1874). Oil on canvas

Morning of a New Day, 1906 (oil on canvas)
1764711 Morning of a New Day, 1906 (oil on canvas) by Farny, Henry Francois (1847-1916); 47.3x72.7 cm; Private Collection; (add.info.: Morning of a New Day. Henry Francois Farny (1847-1916)

Comanche Brave, Fort Reno, Indian Territory (oil on canvas)
1764687 Comanche Brave, Fort Reno, Indian Territory (oil on canvas) by Remington, Frederic (1861-1909); 61x50.8 cm; Private Collection; (add.info.: Comanche Brave, Fort Reno, Indian Territory)

Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette)
1196483 Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette), 1912 (pen and India ink on red paper) by Marc, Franz (1880-1916)

Crossing the River, (oil on canvas)
1195541 Crossing the River, (oil on canvas) by Bogdanov-Belsky, Nikolai Petrovich (1868-1945); 69.3x78.2 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

The Fort of Gwalior, Madhya Pradesh, (oil on canvas)
1197493 The Fort of Gwalior, Madhya Pradesh, (oil on canvas) by Weeks, Edwin Lord (1849-1903); 131.2x87.6 cm; Private Collection; Photo eChristies Images; American, out of copyright

Tethered Horse; Cheval attache, c. 1881 (oil on canvas)
1768063 Tethered Horse; Cheval attache, c.1881 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 49.5x59.7 cm; Private Collection; (add.info.: Tethered Horse; Cheval attache)

The Gateway, 1918 (oil on canvas)
1767633 The Gateway, 1918 (oil on canvas) by Ufer, Walter (1876-1936); 76.2x76.2 cm; Private Collection; (add.info.: The Gateway. Walter Ufer (1876-1936). Oil on canvas. Painted in 1918

Taos Landscape with Indians (oil on canvas)
1767581 Taos Landscape with Indians (oil on canvas) by Ufer, Walter (1876-1936); 101.6x90.8 cm; Private Collection; (add.info.: Taos Landscape with Indians. Walter Ufer (1876-1936). Oil on canvas

The Outlaw (bronze with brownish-green patina)
1767462 The Outlaw (bronze with brownish-green patina) by Remington, Frederic (1861-1909); 58.4 (height) cm; Private Collection; (add.info.: The Outlaw. Frederic Remington (1861-1909)

Sir Galahad, 1867-1892 (oil on canvas)
1767297 Sir Galahad, 1867-1892 (oil on canvas) by Hughes, Arthur (1832-1915); 89x113.5 cm; Private Collection; (add.info.: Concieved in 1867, completed in 1892); Photo eChristies Images; English

Rarus (oil on canvas)
1767246 Rarus (oil on canvas) by Leighton, Nicholas Winfield Scott (1847-1898); 50.8x77.4 cm; Private Collection; (add.info.: Rarus. Scott Leighton (1849-1898). Oil on canvas

The Horse Market in the Fourth Month at Chiryu, from the Series The Fifty-Three Stations of The Tokaido, c
1766553 The Horse Market in the Fourth Month at Chiryu, from the Series The Fifty-Three Stations of The Tokaido, c.1834 (colour woodblock print) by Hiroshige

A Cavalier on a White Horse, 1890 (oil on canvas)
1769864 A Cavalier on a White Horse, 1890 (oil on canvas) by Detti, Cesare-Auguste (1847-1914); 95.3x67.3 cm; Private Collection; (add.info.: A Cavalier on a White Horse)

A Scene in Morocco; Scene prise au Maroc, 1885 (oil on canvas)
1769823 A Scene in Morocco; Scene prise au Maroc, 1885 (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 63.5x85.1 cm; Private Collection; (add.info)

Piazza San Pietro, Roma (oil on canvas)
1769785 Piazza San Pietro, Roma (oil on canvas) by Caffi, Ippolito (1809-66); 52.1x84.5 cm; Private Collection; (add.info.: Piazza San Pietro, Roma. Ippolito Caffi (1809-1866). Oil on canvas

At the Circus: Horsewoman; Au cirque: ecuyere, 1888 (oil on vellum)
1768327 At the Circus: Horsewoman; Au cirque: ecuyere, 1888 (oil on vellum) by Toulouse-Lautrec, Henri de (1864-1901); 26.7 (diam) cm; Private Collection; (add.info.: At the Circus)

Christ Church, Oxford (pencil and w / c on paper)
1199497 Christ Church, Oxford (pencil and w/c on paper) by Rayner, Louise Ingram (1832-1924); 53.3x76.2 cm; Private Collection; (add.info.: Rayner)

An Arab Encampment, (oil on canvas)
1197607 An Arab Encampment, (oil on canvas) by Pasini, Alberto (1826-99); 27.9x40.6 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from
1197060 Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from the Mastership of the South Down Foxhounds, 1881 (oil on canvas) by Earl

Hussars Setting Out, 1913 (oil on canvas)
1197023 Hussars Setting Out, 1913 (oil on canvas) by Macke, August (1887-1914); 37.5x56.1 cm; Private Collection; Photo eChristies Images; German, out of copyright

Rustem Slays the Dragon, c. 1500-1540s (gouache and gold paint on buff paper)
1196979 Rustem Slays the Dragon, c.1500-1540s (gouache and gold paint on buff paper) by Persian School, (16th century); 26.5x17; 47x31.7 cm; Private Collection; Photo eChristies Images; Persian

Third cartouche from a long panel of cuerda seca tiles, depicting hunting
1196972 Third cartouche from a long panel of cuerda seca tiles, depicting hunting and battle scenes, 19th century (ceramic) by Persian School

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Equine, the epitome of grace and power. From the intricate details etched on a horse's skull to the vibrant strokes of A Tower of Blue Horses, 1913, equines have captivated artists throughout history. Lord Walter Rothschild himself was so enamored by these majestic creatures that he even had a zebra-drawn trap. Speaking of Lords and horses, Lord Lionel Walter Rothschild left an indelible mark on equestrianism. His passion for horses knew no bounds as he marched alongside The Scots Guards during State Ceremonials. But it is not just their association with nobility that makes equines special; they possess an ethereal beauty that transcends borders. In Iceland's Akureyri, a white Icelandic horse gallops through fields adorned with lupins while its multi-colored counterpart dances in meadows further north. Art continues to pay homage to these magnificent animals. Bloomsbury showcases A Chestnut Racehorse with Sam Templeman up against a picturesque landscape - capturing both speed and serenity in one brushstroke. Meanwhile, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom transports us back to 1815 when this oil painting immortalized the bond between man and beast. Nature itself becomes their canvas as Icelandic horses run freely across lakes in South Iceland or brave the cold winters in Wyoming's Shell region. Even within old stables, equines exude timeless charm - reminding us of their enduring presence throughout history. Equine: more than just a word; it encompasses artistry, nobility, freedom, and companionship all at once. These incredible creatures continue to inspire awe wherever they roam.