Erudition Collection (page 2)

Advertisement for the Edison Mimeograph, 1900s-1910s. Artist: Anonymous
Advertisement for the Edison Mimeograph, 1900s-1910s. Private Collection

San Francisco Parlor with Kinetoscopes, 1894-1895. Artist: Anonymous
San Francisco Parlor with Kinetoscopes, 1894-1895. Private Collection

Archimedes Siege Catapult. From The Histories by Polybius, 1727. Artist: Anonymous
Archimedes Siege Catapult. From The Histories by Polybius, 1727. Private Collection

The Westinghouse Alternating Current Motor by Nikola Tesla, 1888-1889. Artist: Anonymous
The Westinghouse Alternating Current Motor by Nikola Tesla, 1888-1889. Private Collection

Optics. From: L Arte di restituire a Roma tralasciate Navigazione... 1685. Artist: Meijer (Meyer), Cornelis Jansz
Optics. From: L Arte di restituire a Roma tralasciate Navigazione... 1685. Private Collection

Margarita Philosophica. Anatomy, 1504. Artist: Reisch, Gregor (1467-1525)
Margarita Philosophica. Anatomy, 1504. Private Collection

Margarita Philosophica. Title page, 1504. Artist: Reisch, Gregor (1467-1525)
Margarita Philosophica. Title page, 1504. Private Collection

Margarita Philosophica. Geometry, 1504. Artist: Reisch, Gregor (1467-1525)
Margarita Philosophica. Geometry, 1504. Private Collection

Scientist with an electrical instrument, 1780s. Artist: Anonymous
Scientist with an electrical instrument, 1780s. Found in the collection of State Hermitage, St. Petersburg

Portrait of Mikhail V. Lomonosov (1711-1765), Second Half of the 18th century. Artist: Anonymous
Portrait of Mikhail V. Lomonosov (1711-1765), Second Half of the 18th century. Found in the collection of State Hermitage, St. Petersburg

Between science and family, ca 1775. Artist: Kraus, Georg Melchior (1737-1806)
Between science and family, ca 1775. Found in the collection of Germanisches Nationalmuseum, Nuremberg

A Scholar Seated at a Desk (Scholar at his Study). Artist: Rembrandt van Rhijn (1606-1669)
A Scholar Seated at a Desk (Scholar at his Study). Found in the collection of National Gallery, Prague

Scholar sharpening a quill pen. Artist: Dou, Gerard (Gerrit) (1613-1675)
Scholar sharpening a quill pen. Found in the collection of The Leiden Collection NY

Machine Pouring Wine. (From: The Book of Knowledge of Ingenious Mechanical Devices by Al-Jazari). Artist: Anonymous
Machine Pouring Wine. (From: The Book of Knowledge of Ingenious Mechanical Devices by Al-Jazari). Found in the collection of The David Collection

The Gregorian telescope, 1736-1748. Artist: Paris, Claude (1703-1763)
The Gregorian telescope, 1736-1748. Found in the collection of the Academie des sciences

Portrait of a Scholar, ca 1501-1502. Found in the collection of Pinacoteca dell Accademia dei Concordi, Rovigo

The Quill-cutter, 1627. Artist: Lievens, Jan (1607-1674)
The Quill-cutter, 1627. Found in the collection of Wallraf-Richartz-Museum, Cologne

Portrait of the scholar Mikhail V. Lomonosov (1711-1765), Early 19th cen Artist: Anonymous
Portrait of the scholar Mikhail V. Lomonosov (1711-1765), Early 19th cen.. Found in the collection of the Ministry of culture of Russian Federation, Moscow

Philosopher with a book, a compass and goniometer, 1630. Artist: Ribera, Jose, de (1591-1652)
Philosopher with a book, a compass and goniometer, 1630. Found in the collection of State Hermitage, St. Petersburg

An inventor of mathematical instruments. Artist: Paolini, Pietro (1603-1682)
An inventor of mathematical instruments. From a private collection

Portrait of a man with a Book, c. 1870. Artist: Aqa Bala (active Mid of 19th cen. )
Portrait of a man with a Book, c. 1870. Found in the collection of the State Hermitage, St. Petersburg

Catapults, c. 1490. Found in the Collection of Veneranda Biblioteca Ambrosiana

Of the sermon or erudicion of wysdome bothe to wyse men and folys, illustration
XJF486414 Of the sermon or erudicion of wysdome bothe to wyse men and folys, illustration from Alexander Barclays English translation of The Ship of Fools

The Dilettanti Society, engraved by William Say, 1812 (mezzotint on paper)
XYC289252 The Dilettanti Society, engraved by William Say, 1812 (mezzotint on paper) by Reynolds, Joshua (1723-92) (after); 50.2x37.1 cm; Yale Center for British Art, Paul Mellon Collection

All Professionally Made to Order for Quick Shipping

"Erudition: A Journey Through Time and Knowledge" Step into the world of erudition, where knowledge transcends time. From "The Bookworm, 1850, " a captivating painting that depicts the voracious appetite for learning, to the ancient wisdom preserved in "The Moscow Mathematical Papyrus (Golenishchev Mathematical Papyrus) Detail: 14th problem, ca 1840BC, " we witness humanity's thirst for understanding. In "Papyrus Oxyrhynchus 29, " a fragment of Euclid's Elements transports us back to between 75 and 125 AD, revealing the foundations of geometry that still shape our world today. And as we explore further, we encounter a young boy lying on the floor engrossed in reading in an enchanting lithograph from 1905. A desk and escritoire crafted with pine, mahogany, ceramic & brass from1865-67 remind us of the elegance and craftsmanship associated with scholarly pursuits. Leonardo da Vinci's masterpieces take center stage too – whether it be his architectural marvels like "The Bridge (Ponte salvatico)" or his ingenious inventions like the mortars capable of throwing explosive bombs. Art captures not only external expressions but also internal contemplation. In Samuel Dirksz Hoogstraten's self-portrait titled "Portrait of a studying youth, " we glimpse into the introspective nature required for deep intellectual exploration. Science intertwines with erudition as Jean Michel Moreau presents an experiment on natural electricity from early1760s. The sparks flying across his canvas symbolize enlightenment through scientific discovery. Even social circles embrace erudition; depicted in Charles Turner's mezzotint engraving titled "The Dilettanti Society. " Here intellectuals gather to exchange ideas and elevate their collective knowledge. Lastly, Pope Sylvester II emerges both as a historical figure celebrated by E Plutarque Francais and as a subject of lithography.