Evan Collection

Some Grand National
A number of jockeys who were expected to ride in the 1938 Grand National Steeplechase at Aintree " walking the plank" at the famous Bechers Brook

CHARLES EVANS HUGHES (1862-1948). American jurist. Steel engraving, c1930

TEXAS: COWBOY, c1910. A cowboy holding a rope around the neck of a bucking bronco on a ranch in Texas. Photograph by Erwin Evans Smith, c1910

The General Strike - Government leaders
Government leaders during the General Strike: Ministers and Commissioners. 1. Chief Civil Commissioner: Sir W. Mitchell-Thomson, 2. Principal Chief Assistant Commissioner, Mr. A. B. Lowry, 3

PENNSYLVANIA: EASTON, 1936. View of Easton, Pennsylvania. Photograph by Walker Evans, 1936

Robert Graves / Powys Evan
ROBERT RANKE GRAVES British poet, novelist and critic as a young man

SHARECROPPER FAMILY, 1936. Bud Fields and his family, in Hale County, Alabama. Photograph by Walker Evans, 1936

Julius Harrison
A portrait drawing of English composer and conductor, Julius Allan Greenway Harrison, 1885-1963. Known for his interpretation of operatic works, he also wrote books on music

Music cover, Glowing Embers by Evan Marsden, Narrative-Intermezzo, piano solo Date: 1924

London Asylum for the Deaf, Margate Branch
Two children, identified as Evan Williams (with Indian clubs) and Rhoda Pippeck (with barbells), both inmates of the Margate branch of the London Asylum for the Support and Education of the Deaf

EyeUbiquitous_20104898
Canada, Alberta, Kananaskis, Kananaskis River in Evan Thomas Recreation Area, white puffy clouds in a blue sky

Taste a-la-mode as in the year 1735 - being the contrast to the year 1745, 1749

Evan Parker and Peter King, Ronnie Scotts, London, 2001. Artist: Brian O Connor
Evan Parker and Peter King, Ronnie Scott s, London, 2001

Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Artist: Evan Davis
Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Illustration from Social Caricature in the Eighteenth Century

CIRCUS ADVERTISEMENT, 1936. Poster for the Ringling Bros. and Barnum & Bailey Circus in Alabama. Photograph by Walker Evans, 1936

ALABAMA: COUPLE, 1936. A well-dressed African American woman holding a package and speaking with a seated African American man wearing tattered clothing in a rural town in Alabama

DALTON GANG, 1892. The bodies of Emmett Dalton, William Powers (aka Tom Evans), Bob and Grat Dalton, and Dick Broadwell, of the Dalton Gang of outlaws who were killed in their ill-fated attempt to

ALABAMA: FAMILY, 1936. Floyd Burroughs, a cotton sharecropper, and the Tingle children, outside a home in Hale County, Alabama. Photograph by Walker Evans, Summer 1936

BOOTBLACK STAND, 1936. A shoeshine stand in the southeast. Photograph by Walker Evans in 1936

MISSISSIPPI: EROSION, 1936. Eroded farmland near Oxford, Mississippi. Photograph by Walker Evans in March 1936

HENRI CHRISTOPHE (1767-1820). Haitian revolutionist and ruler. Portrait as King of Haiti. Oil on canvas, 1816, by Richard Evans

Sir Hugh Evan-Thomas
SIR HUGH EVAN-THOMAS British naval commander, with his dog. Date: 1862 - 1928

Western / Calamity Range
CALAMITY RANGE (Paul Evan Lehmann) The hero, with the bad guys gun in his back, is rescued by the gal from the livery stables. Date: 1930s

BYSTANDERS, 1936. Woman and girl in Bethlehem, Pennsylvania. Photograph by Walker Evans, March 1936

FLOOD REFUGEES, 1937. The kitchen tent at a flood refugee camp in Forrest City, Arkansas. Photograph by Walker Evans, February 1937

FLOOD REFUGEES, 1937. Flood refugees waiting in a food line at a refugee camp in Forrest City, Arkansas. Photograph by Walker Evans, February 1937

FLOOD REFUGEES, 1937. Boys waiting in a food line at a flood refugee camp in Forrest City, Arkansas. Photograph by Walker Evans, February 1937

TENNESSEE: LEVEE, 1937. The Bessie Levee lined with sandbags along a subsidiary of the Mississippi River, near Tiptonville, Tennessee. Photograph by Walker Evans, February 1937

ARKANSAS: FLOOD CAMP, 1937. Washing up facilities in a camp for white flood refugees at Forrest City, Arkansas. Photograph by Walker Evans, February 1937

ARKANSAS: FLOOD CAMP, 1937. Setting up a tent in a camp for white flood refugees at Forrest City, Arkansas. Photograph by Walker Evans, February 1937

ARKANSAS: FLOOD CAMP, 1937. A young girl in a camp for white flood refugees at Forrest City, Arkansas. Photograph by Walker Evans, February 1937

ARKANSAS: FLOOD CAMP, 1937. A family moving into a camp for white flood refugees at Forrest City, Arkansas. Photograph by Walker Evans, February 1937

TENNESSEE: FLOODED HOUSE. Interior of a flood damaged farmhouse near Ridgeley, Tennessee. Photograph by Walker Evans, February 1937

KENTUCKY: REFUGEES, 1937. Flood refugees in a canning factory used by the Red Cross as a relief station in Mayfield, Kentucky. Photograph by Walker Evans, Febuary 1937

FLOOD RELIEF, 1937. Food for flood refugees in Forrest City, Arkansas. Photograph by Walker Evans, 1937

ARKANSAS: REFUGEE, 1937. Flood refugees in a temporary infirmary operated by the Red Cross at Forrest City, Arkansas. Photographed by Walker Evans, February 1937

ARKANSAS: REFUGEE CAMP. View of the camp for flood refugees in Forrest City, Arkansas. Photograph by Edwin Locke or Walker Evans, March 1937

VACCINATION, 1937. A doctor administering vaccinations in the camp for African American flood refugees at Marianna, Arkansas. Photograph by Walker Evans, February 1937

FLOOD REFUGEES, 1937. Girls waiting in a food line at a flood refugee camp in Forrest City, Arkansas. Photograph by Walker Evans, February 1937

RED CROSS INFIRMARY, 1937. Sick flood refugees in the Red Cross temporary infirmary at a flood refugee camp in Forrest City, Arkansas. Photograph by Walker Evans, February 1937

RED CROSS INFIRMARY, 1937. A sick flood refugee in the Red Cross temporary infirmary at a flood refugee camp in Forrest City, Arkansas. Photograph by Walker Evans, February 1937

FLOOD REFUGEES, 1937. Flood refugees being fed at Tent City, near Shawneetown, Illinois. Photograph by Walker Evans, April 1937

EVANS: NEW YORK CITY, 1938. Newspapers for sale on 61st Street somewhere between 1st and 3rd Avenue in New York, New York. Photograph by Walker Evans, 1938

ALABAMA: CHILDREN, 1936. William Fields in his familys home in Hale County, Alabama. Photograph by Walker Evans, 1936

EVANS: NEW YORK, 1938. A billboard on the tenement buildings on 61st Street, between 1st and 3rd Avenues in New York, New York. Photograph by Walker Evans, 1938

PENNSYLVANIA: WORKER, 1935. Portrait of a carpenter in Westmoreland County, Pennsylvania. Photograph by Walker Evans, 1935

EVANS: NEW YORK, 1938. Clotheslines hung between apartment buildings on 61st Street, between 1st and 3rd Avenues in New York, New York. Photograph by Walker Evans, 1938

NEW ORLEANS: THEATER, 1935. Liberty Theatre on Saint Charles Street in New Orleans, Louisiana. Photograph by Walker Evans, 1935

All Professionally Made to Order for Quick Shipping

"Evan: A Multifaceted Journey Through Time and Culture" Step into the world of Evan, a name that echoes through history and spans various realms. From the adrenaline-fueled excitement of Some Grand National to the profound influence of Charles Evans Hughes, this caption unravels the enigmatic essence behind this intriguing persona. Intriguingly, our journey begins in Texas during a bygone era when cowboys roamed free. Erwin Evans Smith's captivating photograph captures a cowboy skillfully taming a bucking bronco, showcasing Evan's adventurous spirit and resilience. Transitioning from wild west tales to political upheaval, we encounter Evan's involvement in The General Strike. As government leaders grapple with societal unrest, Evan emerges as an influential figure navigating turbulent times with wisdom and foresight. Moving eastwards to Pennsylvania, Walker Evans' lens transports us to Easton in 1936. Amidst bustling streets and towering structures lies evidence of Evan's impact on urban landscapes – his mark indelibly etched upon cities that bear witness to progress. Yet beyond politics and architecture lies another facet of Evan's identity - his connection to artistry. Robert Graves' poetic prowess intertwines with Powys Evan's creative genius while Julius Harrison orchestrates melodies that resonate deeply within souls worldwide. Evan Marsden takes center stage on music covers as Glowing Embers ignite passion within listeners' hearts; his musical talent transcending boundaries and touching lives across generations. But amidst grandeur lie stories often untold - those hidden beneath society’s surface. Bud Fields' sharecropper family in Hale County reminds us that even heroes like it can rooted in compassion for everyday people striving against adversity. Delving further back into history reveals darker chapters where shadows lurk. The infamous Dalton Gang meets their demise at the hands of law enforcement; among them is William Powers alias Tom Evans – an unexpected twist revealing yet another layer to Evan's complex narrative.