Eye Glass Collection

Adam Duncan, 1st Viscount Duncan of Camperdown (engraving)
XJF392692 Adam Duncan, 1st Viscount Duncan of Camperdown (engraving) by Hoppner, John (1758-1810) (after); Private Collection; (add.info.: Adam Duncan (1731-1804)

General Gallieni, General Governor of Madagascar, illustration from L assiette au Beurre: Nos Generaux
STC397155 General Gallieni, General Governor of Madagascar, illustration from L assiette au Beurre: Nos Generaux, 12th July 1902 (colour litho) by Camara

A peep at Christies; - or - tally-ho, and his Nimeny-pimmeney taking the morning lounge
3035674 A peep at Christies; - or - tally-ho, and his Nimeny-pimmeney taking the morning lounge, pub. 1796 (hand coloured engraving) by Gillray

Benjamin Stillingfleet (1733-1810) (oil on canvas)
SGS106164 Benjamin Stillingfleet (1733-1810) (oil on canvas) by Zoffany, Johann (1733-1810); 90x69 cm; The Berger Collection at the Denver Art Museum

The Alchemist, painting by Hellmer (engraving)
2798251 The Alchemist, painting by Hellmer (engraving) by Hellmer, Edmund Ritter von (1850-1935); Private Collection; (add.info.: The Alchemist, Hellmers painting)

Portrait of a Gentleman, c. 1800 (oil on canvas)
MFR313901 Portrait of a Gentleman, c.1800 (oil on canvas) by English School, (19th century); Private Collection; (add.info)

John Bull Bother d, or The Geese alarming the Capitol
NCO190470 John Bull Bother d, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint) by Gillray

The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)
NCO189703 The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching) by Gillray, James (1757-1815); 24.6x34.9 cm; Courtesy of the Warden and Scholars of New College

Reproduction of a poster advertising The New Woman by Sydney Grundy
STC138055 Reproduction of a poster advertising The New Woman by Sydney Grundy, at the Comedy Theatre, London (colour litho) by Morrow

Young lady, engraved by Le Beau, plate no. 176 from
STC427800 Young lady, engraved by Le Beau, plate no.176 from Galeries des Modes et Costumes Francais, c.1778-87 (coloured engraving) by Watteau

Beauty and the Beast, 1874 (litho) (b / w photo)
STC135028 Beauty and the Beast, 1874 (litho) (b/w photo) by Crane, Walter (1845-1915); Private Collection; The Stapleton Collection; English, out of copyright

Illustration from Beauty and the Beast, c. 1900 (colour litho)
CHT171853 Illustration from Beauty and the Beast, c.1900 (colour litho) by Crane, Walter (1845-1915); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; English, out of copyright

Mr J Honeybone, Veteran Craftsman who has been in the Jewellery trade for 62 years, 49 with Eaton and Wrighton, pictured examining a ring which he has made in his Workshop located in the Jewellery

Bucks Beauty and Rowlandsons Connoisseur, January 1, 1800. Creator: Piercy Roberts
Bucks Beauty and Rowlandsons Connoisseur, January 1, 1800

H the Haughty, 1903. Artist: John Hassall
H the Haughty, 1903. An initial letter H from a child alphabet. From An A.B.C. of Everyday People, by G. E. Farrow. [Dean & Son Limited, London, 1903]

Napoleon at the Battle of Wagram, 19th century
Napoleon at the Battle of Wagram on 6th July 1809, in Versailles Palace, 19th century

Sir James Brooke / Edwards
SIR JAMES BROOKE Rajah of Sarawak

Still Life of Flowers on a Ledge with Birds Nest, 1884 (oil on canvas)
BAL39760 Still Life of Flowers on a Ledge with Birds Nest, 1884 (oil on canvas) by Coninck, Pierre-Louis de (1828-1910); Josef Mensing Gallery, Hamm-Rhynern, Germany; French, out of copyright

Sir Charles Shipley, Governor of Grenada, engraved by H. Cook, from National Portrait Gallery
KW272933 Sir Charles Shipley, Governor of Grenada, engraved by H. Cook, from National Portrait Gallery, volume IV, published c.1835 (litho) by Eckstein

John Lonsdale (1788-1867) engraved by D. J
KW266662 John Lonsdale (1788-1867) engraved by D.J. Pound from a photograph, from The Drawing-Room of Eminent Personages, Volume 2, published in London, 1860 (engraving) by Mayall

Close-up of hydrangea and peony flower arrangement on table next to books

Examining fraudulent financial documentation - cheques and credit cards are checked for authenticity by the Metropolitan Police force

Man with Eye-Glass
A man of revolutionary Paris peers scornfully through his eyeglass : a hundred years later he will sport an equally affected monocle

A Young Clockmaker
Young Fred is the fourth in line as watch-repairer at the Fred W.Jensen shop. His Great- Grandfather proudly shows his aptitude and skill with clocks to all his customers!

Nero at the Games
Lucius Domitius Ahenobarbus, later NERO Claudius Caesar Drusus Germanicus, depicted at the games where, blind in one eye, he used an emerald as an eyeglass

Harriet Arbuthnot
HARRIET ARBUTHNOT Wife of Charles Arbuthnot; mistress of the Duke of Wellington

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"Exploring the World of Eye Glasses Through Art and History" In this captivating journey, we delve into the fascinating world of eye glasses through various artworks and historical references. First, we encounter an engraving of Adam Duncan, 1st Viscount Duncan of Camperdown, who perhaps relied on his spectacles to navigate the seas with precision. His determined gaze speaks volumes about the importance of clear vision in leadership. Next, we come across General Gallieni, General Governor of Madagascar, depicted in a vibrant illustration from L'assiette au Beurre: Nos Generaux. This portrayal highlights how eyeglasses can enhance one's appearance while exuding authority and confidence. Moving on to lighter themes, "A peep at Christies; - or - tally-ho, " presents a humorous scene where eyeglasses are playfully showcased as part of fashionable attire during morning lounges. Benjamin Stillingfleet's oil painting captures a gentleman sporting spectacles with elegance and sophistication. The enchanting lithograph "Beauty and the Beast" takes us back to 1874 when eyeglasses were not only functional but also embraced as stylish accessories. The delicate lines emphasize how these frames can accentuate facial features while adding an air of mystery. Venturing further into history, we stumble upon "La venus Hottentote, " a hand-colored engraving from around 1814 that raises questions about societal perceptions towards beauty standards and cultural diversity – reminding us that even eyeglasses have played their part in shaping our understanding of aesthetics throughout time. "The Alchemist, " an engraving based on Hellmer's painting, showcases another facet where eyeglasses symbolize intellect and wisdom. The alchemist's intense focus behind his lenses hints at hidden knowledge waiting to be unlocked. In contrast to these elaborate depictions stands "Portrait of a Gentleman.