Faaade Collection (#11)

St. Nicholas Church, Newcastle-upon-Tyne, 1845. Artist: John Jackson
St. Nicholas Church, Newcastle-upon-Tyne, 1845. The Cathedral Church of St Nicholas was founded in 1091, destroyed by fire in 1216 and rebuilt by 1350, in Perpendicular style

The Vice-Regal Lodge, Dublin, 1945. Aras an Uachtarain, formerly the known as Viceregal Lodge, is the official residence of the President of Ireland and is located in Phoenix Park

A Moonlight Night, c1900, (1905). Artist: Ludwig Dettmann
A Moonlight Night, c1900, (1905). From The Studio Volume 35. [London Offices of the Studio, London, 1905]

Maesycrugiau Manor, Carmarthenshire, c1900, (1905). Artist: Arnold Mitchell
Maesycrugiau Manor, Carmartenshire, c1900, (1905). From The Studio Volume 35. [London Offices of the Studio, London, 1905]

The Church of Vasili Blazhenni, Moscow, c1900, (1905). Artist: Georges Kossiakoff
The Church of Vasili Blazhenni, Moscow, c1900, (1905). From The Studio Volume 35. [London Offices of the Studio, London, 1905]

St Martin s-in-the-Fields, 1888, (c1915). Artist: William Logsdail
St Martin s-in-the-Fields, 1888, (c1915). Held at Tate Britain, London. From Famous Pictures of the World, c1900

Choir, from North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Choir, from North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From South-East, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From South-East, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Jedburgh Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Jedburgh Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Abbots Kitchen, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Abbots Kitchen, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the West, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
From the West, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the East, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the East, Melrose Abbey, 1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Fountains Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Fountains Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the South, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
From the South, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Mountain Chalet, Tyrol, c1913. Artist: Charles JS Makin
Mountain Chalet, Tyrol, c1913. From With Pen and Camera in Three Continents by Charles J. S. Makin, F.I.C. F.C.S. [The Tribune Publishing Company, London, 1913]

Chateau de Josselin, Seat of the Duc de Rohan, c1913. Artist: Charles JS Makin
Chateau de Josselin, Seat of the Duc de Rohan, c1913. From With Pen and Camera in Three Continents by Charles J. S. Makin, F.I.C. F.C.S. [The Tribune Publishing Company, London, 1913]

The Golden Roof. Insbruck, c1913. Artist: Charles JS Makin
The Golden Roof. Insbruck, c1913. The Goldenes Dachl (Golden Roof) is a landmark structure located in the Old Town (Altstadt) section of Innsbruck, Austria

Springtime in Brittany (Quimperle), 1911, (1913). Artist: Joseph Ratcliffe Skelton
Springtime in Brittany (Quimperle), 1911, (1913). From With Pen and Camera in Three Continents by Charles J. S. Makin, F.I.C. F.C.S. [The Tribune Publishing Company, London, 1913]

The Romanesque Church at Albenga, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
The Romanesque Church at Albenga, c1910, (1912). From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

S. Salvatore, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
S. Salvatore, c1910, (1912). From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

La Piazza, Sestri Levante, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
La Piazza, Sestri Levante, c1910, (1912). From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

At. S. Michele, Rapallo, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
At. S. Michele, Rapallo, c1910, (1912). San Michele di Pagana is a fraction of the town of Rapallo From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

S. Margherita Ligure, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
S. Margherita Ligure, c1910, (1912). Santa Margherita Ligure is a comune (municipality) in the Metropolitan City of Genoa in the Italian region Liguria

S. Fruttuoso, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
S. Fruttuoso, c1910 (1912). The Abbey of San Fruttuoso is a Catholic abbey in the bay of Camogli. From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

Creole Dance, 1926. Artist: Pedro Figari
Creole Dance, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Tomb of Ieyasu, Founder of the Tokugawa Dynasty, at Nikko, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Chekiang, 1926. Artist: Estelle Nathan
Chekiang, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Boyard Palace of the Princes Youssoupoff in Moscow, c1900, (1926). Artists: Leonid Brailovsky
The Boyard Palace of the Princes Youssoupoff in Moscow, c1900, (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Summer at The Pines, c1909, (1934). The Pines, 11 Putney Hill, Putney, the home of Theodore Watts-Dunton (1832-1914) an English critic and poet, seen in the lower window

Leeuwenhof, 1931. Artist: Arthur Elliot
Leeuwenhof, 1931. Leeuwenhof is an estate in the Gardens area of Cape Town, South Africa. It is the official residence of the Premier of the Western Cape

The Temple of the Tooth, Kandy - Exterior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Exterior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Ascent to the Palace, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ascent to the Palace, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Golden Temple, Amritzar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Tughlak Shah, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Tughlak Shah, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Agra Fort - Inside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Inside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Bathing Ghats, Benares, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bathing Ghats, Benares, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Sign-Painter s, c1887, (1901). Artist: Mortimer L Menpes
A Sign-Painter s, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

In Theatre Street, c1887, (1901). Artist: Mortimer L Menpes
In Theatre Street, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

The Red Curtain, c1887, (1901). Artist: Mortimer L Menpes
The Red Curtain, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

On the Great Canal, Osaka, c1887, (1901). Artist: Mortimer L Menpes
On the Great Canal, Osaka, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

A Sunny Temple, c1887, (1901). Artist: Mortimer L Menpes
A Sunny Temple, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

Outside Kioto, c1887, (1901). Artist: Mortimer L Menpes
Outside Kioto, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910). Artist: Alfred William Amandus Plate
The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

The Grand Hotel, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Grand Hotel, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

The Temple of the Holy Tooth and Dagoba, Kandy, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate
The Temple of the Holy Tooth and Dagoba, Kandy, Ceylon, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Negombo Canal, Showing Padda Boats, c1890, (1910). Artist: Alfred William Amandus Plate
Negombo Canal, Showing Padda Boats, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

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"Faading into the Past: A Glimpse of Timeless Artistic Beauty" Step back in time and immerse yourself in the captivating world of art with these stunning glimpses into history. From St. Albans in 1809 to Troon, Ayrshire in 1910, each artwork tells a unique story that transcends time. George Sidney Shepherd's masterpiece takes us to St. Albans in 1809, where we witness the artist's skillful brushstrokes capturing the essence of this historic town. Norman Wilkinson's advert for British Electricity transports us to a futuristic vision of power stations in 1951, showcasing the progress and innovation of that era. Traveling further back, Dartmouth - Dartmouth and Kingswear Castles by an unknown artist from 1895 evokes a sense of medieval grandeur against a backdrop of breathtaking coastal scenery. Frederick Vango Burridge's portrayal of The Mill in Wirral around 1900 invites us into a serene landscape where nature meets industry seamlessly. Cricket at Gads Hill Place captures a lively moment from Rochester circa 1868, allowing us to relish both the sport and its historical context. Henry Edridge's Rue De La Grosse Horloge transports us to Rouen in 1821 as we stroll through its charming streets adorned with architectural marvels. University College Nottingham stands tall amidst lush greenery captured beautifully by an anonymous artist from 1904 – an ode to knowledge and academia. The remains of Wolsey's Palace depicted by Esher in 1903 remind us that even great structures can fade away over time but leave behind their mark on history forever. Piazza di Venezia reveals Rome’s timeless beauty through Victor Emmanuel II Monument as envisioned by an artist from 1910 – reminding us that greatness endures throughout centuries past and present.