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Fabrics Collection (page 9)

Fabrics have been an integral part of human history, weaving tales of culture, artistry, and innovation

Background imageFabrics Collection: Pastrana Tapestries, 1471 c Disembarkation in Asilah

Pastrana Tapestries, 1471 c Disembarkation in Asilah
The Pastrana tapestries: Disembarkation in Asilah. ca. 1471 - 1475. Cloth number 1 of the series on the conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal. Detail of Portuguese troops

Background imageFabrics Collection: David Before Saul. Flemish tapestry 1525 c

David Before Saul. Flemish tapestry 1525 c
David before Saul. ca. 1525. Series of History of David. Cardboard by Bernard van Orley. Manufacturing in Brussels. Silk and wool. 560 x 410 cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON

Background imageFabrics Collection: Painted Fabrics - Edward, Prince of Wales visit, 1935

Painted Fabrics - Edward, Prince of Wales visit, 1935
The establishment of Painted Fabrics Limited owed much to Annie Bindon Carter (1883-1969) who, in 1915, volunteered to help at the Wharncliffe War Hospital at Middlewood, Sheffield

Background imageFabrics Collection: Painted Fabrics employees

Painted Fabrics employees
In the centre is Arthur Fisher. The establishment of Painted Fabrics Limited owed much to Annie Bindon Carter (1883-1969) who, in 1915

Background imageFabrics Collection: Design for textile with geometrical shapes

Design for textile with geometrical shapes. Pencil and charcoal on detail paper. Silver Studio. 1933

Background imageFabrics Collection: Design for textile or wallpaper in blue and cream

Design for textile or wallpaper in blue and cream. Gouache on copy paper with ruled lines. Silver Studio. circa 1900

Background imageFabrics Collection: Bayeux Tapestry. 1066-1077. Transport of weapons

Bayeux Tapestry. 1066-1077. Transport of weapons and wine on a cart. Detail. Romanesque art. Tapestry. FRANCE. Bayeux. Archaeological Museum

Background imageFabrics Collection: Merriecolour curtains advertisement, 1950s

Merriecolour curtains advertisement, 1950s
Advertisement for Grafton Merricolour fabrics featuring a woman looking out of a window as her jolly Merricolour curtains flap in the breeze. 1950s

Background imageFabrics Collection: Signs and Symbols on Native Indian Handicrafts

Signs and Symbols on Native Indian Handicrafts
The Signs and Symbols used on indigenous native American handicrafts and jewelery. The Date: circa late 1930s

Background imageFabrics Collection: 1910s USA Amory Browne and Company Magazine Advert

1910s USA Amory Browne and Company Magazine Advert

Background imageFabrics Collection: Making bogolan (mud cloth) on cotton, Segou, Mali, West Africa, Africa

Making bogolan (mud cloth) on cotton, Segou, Mali, West Africa, Africa

Background imageFabrics Collection: Traditional Kirghiz felt wall hanging, Bishkek, Kyrgyzstan, Central Asia, Asia

Traditional Kirghiz felt wall hanging, Bishkek, Kyrgyzstan, Central Asia, Asia

Background imageFabrics Collection: Silk scarves, Chatuchak weekend market, Bangkok, Thailand, Southeast Asia, Asia

Silk scarves, Chatuchak weekend market, Bangkok, Thailand, Southeast Asia, Asia

Background imageFabrics Collection: Silk fabrics being sold at the Sunday market, Kashgar (Kashi), Xinjiang Provice

Silk fabrics being sold at the Sunday market, Kashgar (Kashi), Xinjiang Provice, China, Asia

Background imageFabrics Collection: Beneath my Feet the Still Bazaar is Laid

Beneath my Feet the Still Bazaar is Laid
Study of a bazaar with colourful fabrics hanging up and rugs spread on the ground. Date: 1920

Background imageFabrics Collection: Womens fashion, 1928

Womens fashion, 1928
Women sporting summer frocks and parasols. 1928

Background imageFabrics Collection: Celanese Fashion Fabrics

Celanese Fashion Fabrics
Advertisement for Celanese fabrics. 1928

Background imageFabrics Collection: Fashionable lady hanging up dainty fabrics on her line

Fashionable lady hanging up dainty fabrics on her line
A young fashionable lady hanging up dainty fabrics on her washing line, direct from a bowl of creamy Lux washing suds. Date: 1924

Background imageFabrics Collection: Advertisement in Princess Ida programme

Advertisement in Princess Ida programme
Advertisement for Liberty Art Fabrics in Princess Ida programme, Gilbert & Sullivan, Savoy Theatre, London, with three men in armour. circa 1880s

Background imageFabrics Collection: Celanese evening coat and dress, 1937

Celanese evening coat and dress, 1937
A dramatic evening coat in heavy Celanese crepe bavalo, worn over an evening frock of lustrous celanese boucle satin. Date: 1937

Background imageFabrics Collection: Advert for Dolcis shoes 1931

Advert for Dolcis shoes 1931
A selection of fashionable evening court shoes & sandals in a variety of fabrics or kid leather with high heels & an ankle strap or bar across the instep. Date: 1931

Background imageFabrics Collection: Cartoon, Parisian woman out shopping, WW1

Cartoon, Parisian woman out shopping, WW1
Cartoon showing an elegant Parisian woman in a very tall hat, out shopping for fabrics. She asks for a large amount of material for a new hat, in spite of wartime austerity. Date: 1917

Background imageFabrics Collection: Coffee & Cakes Party

Coffee & Cakes Party
He wears a single breasted, dark 3-piece suit. Of the ladies frocks: one uses plain fabrics with contrasting collar & cuffs; the other 3 are of various printed textiles. Date: 1930

Background imageFabrics Collection: Pedlar Sells Cloth / 1880

Pedlar Sells Cloth / 1880
The women of a country village take an interest in the fabrics of a passing pedlar. Date: circa 1880

Background imageFabrics Collection: Advert for Heals hand-printed linens 1914

Advert for Heals hand-printed linens 1914
Heals hand-printed linens, chintzes and cretonnes Date: 1914

Background imageFabrics Collection: Window display, Nehesco Fabrics

Window display, Nehesco Fabrics. circa 1930s

Background imageFabrics Collection: Sefton Fabrics advertisement 1919 - Victory Year

Sefton Fabrics advertisement 1919 - Victory Year
Fashions Favourite this Victory Year. Advertisement for Sefton Fabrics designs by Annie Fish, who was the wife of Walter Sefton who owned the company. Date: 1919

Background imageFabrics Collection: Advertisement for Crimplene jacket

Advertisement for Crimplene jacket
Advertisement for a Crimplene jacket which ensures the man appears handsome and eligible in all situations. Date: 1966

Background imageFabrics Collection: Terylene advertisement, 1965

Terylene advertisement, 1965
Advertisement for Terylene polyester fibre featuring a model with bobbed hair wearing a pink and white striped blouse. Date: 1965

Background imageFabrics Collection: British Spring fashions from Isobel and Dora Ainsworth, 1927

British Spring fashions from Isobel and Dora Ainsworth, 1927
The synchronisation of sumptuosity and simplicity - precious metals and exquisite fabrics form the loveliness for this seasons models - British fashions Date: 1927

Background imageFabrics Collection: Cranach, Lucas, the Elder (1472-1553). Venus

Cranach, Lucas, the Elder (1472-1553). Venus and Cupid. 1535. Renaissance art. Oil on wood. ITALY. LAZIO. Rome. Borghese Gallery and Museum

Background imageFabrics Collection: Cotton weaver, 17th c. Early Modern Era. Painting

Cotton weaver, 17th c. Early Modern Era. Painting. ITALY. VENETO. Venice. Museo Correr

Background imageFabrics Collection: A Chinese Woman spinning, Qianlong Period (1736-96)

A Chinese Woman spinning, Qianlong Period (1736-96) (gouache on paper). Chinese art. SWITZERLAND. Bern. Bernese Historical Museum

Background imageFabrics Collection: Textile Merchants. Illustration from the book of

Textile Merchants. Illustration from the book of Statutes of the Tailors Guild, 14th c. Gothic art. Miniature Painting

Background imageFabrics Collection: Painted page from Torah, 18th century. Jewish Traditions

Painted page from Torah, 18th century. Jewish Traditions and Rituals. Textiles. ISRAEL. JERUSALEM. Jerusalem. Israel Museum

Background imageFabrics Collection: Apron of Master Mason, 19th c. Textiles. FRANCE

Apron of Master Mason, 19th c. Textiles. FRANCE. Ό E-DE-FRANCE. Paris. Mus饠 du Grand Orient de France et de la Franc-Ma篮 nerie Europ饮 ne

Background imageFabrics Collection: Worshiping of the Dragon. Apocalypse of Angers

Worshiping of the Dragon. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Worshiping of the Dragon. 1375 - 1382. Scene 14 of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageFabrics Collection: Worshiping of the Beast. Apocalypse of Angers

Worshiping of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Worshiping of the Beast. 1375 - 1382. Scene 15 of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageFabrics Collection: Virtues win to Vices. Prophet Zechariah

Virtues win to Vices. Prophet Zechariah
Crucifixion and Virtues win the battle to Vices. ca. 1510. Cloth number 7 of the series known as Redemption of Man or Vices and Virtues. Detail of the prophet Zechariah. Manufacturing in Brussels

Background imageFabrics Collection: The Sleep of the Just. Apocalypse of Angers

The Sleep of the Just. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Sleep of the Just. 1375 - 1382. Scene 11 of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageFabrics Collection: The Number of the Beast. Apocalypse of Angers

The Number of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Number of the Beast. 1375 - 1382. Fifth scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageFabrics Collection: The Two Witnesses. Apocalypse of Angers

The Two Witnesses. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Two Witnesses. 1375 - 1382. Third Scene of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageFabrics Collection: Resurrection of the Witnesses. Apocalypse of Angers

Resurrection of the Witnesses. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Resurrection of the Witnesses. 1375 - 1382. Sixth Scene of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageFabrics Collection: Pastrana Tapestries, 1471 c Siege of Asilah

Pastrana Tapestries, 1471 c Siege of Asilah
The Pastrana Tapestries: Siege of Asilah. ca. 1471 - 1475. Portuguese camp during the siege. Cloth number 2 of the series on the Conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal

Background imageFabrics Collection: Medieval Spinster. Manuscript c. 1340

Medieval Spinster. Manuscript c. 1340
Medieval Spinster. Miniature in The Smithfield Decretals. Compendium c. 1340 of the decretals of Pope Gregory IX. Manuscript Ms Royal 10 E. Gothic art. Miniature Painting. UNITED KINGDOM. ENGLAND

Background imageFabrics Collection: LE CLERC, J鲴me. Ambush

LE CLERC, J鲴me. Ambush
LE CLERC, J鲴 me (17th c.). Ambush. 1696. GERMANY. Munich. New Schleissheim Palace. Baroque art. Tapestry

Background imageFabrics Collection: God creates woman. Flemish tapestry 1630 c

God creates woman. Flemish tapestry 1630 c
God creates Woman and introduces her to Adam. ca. 1630. Series of the Genesis or The Creation of Man. Cardboard after original of Michiel Coxcie. Manufacturing in Brussels by Jan Aerst

Background imageFabrics Collection: Dragon Persecuting the Woman. Apocalypse of Angers

Dragon Persecuting the Woman. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Dragon Persecuting the Woman. 1375 - 1382. Scene 11 of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou



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Fabrics have been an integral part of human history, weaving tales of culture, artistry, and innovation. From the intricate threads that form the Bayeux Tapestry depicting scenes of the Battle of Hastings in 1066 to the vibrant colors adorning A Street Scene in Cairo by Charles Robertson, they have served as a canvas for storytelling. Intriguingly, fabrics not only showcase historical events but also reflect societal trends. Take for instance the advertisement for Gorringes fashion fabrics in 1932; it offers a glimpse into the fashion preferences of that era. Similarly, Courtaulds Rayons' advert from 1936 highlights how textiles played a role in shaping contemporary style and can not limited to tapestries alone; they extend their influence across various cultures and continents. The Nez Perce beadwork on a cradle board at Olympia State Capitol Museum showcases Native American craftsmanship and tradition. Meanwhile, Shalom in New York represents fabric's ability to bring communities together through its diverse textile offerings. From ancient times to modern-day creations like Sanderson Fabrics' advertisements or H. M Bateman's comical portrayal of "The Shop Assistant who Lost his Temper, " fabrics continue to captivate our imagination with their versatility and beauty. Traveling eastward brings us to Mandalay in Myanmar (Burma), where Kalaga tapestries mesmerize with their intricate designs and rich cultural heritage. These tapestries serve as testaments to Asia's artistic prowess throughout history. Lastly, we mustn't forget about religious depictions found within textiles such as the Tapestry of Creation from the 12th century. This central detail transports us back centuries ago when faith was intricately woven into every aspect of life. Fabrics transcend time and space; they connect us with our past while inspiring future generations. Whether it be through battles depicted on cloth or innovative fashion statements showcased through adverts - these threads of creativity continue to shape our world.