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Facial Collection (page 4)

"Exploring the Fascinating World Anatomy

Background imageFacial Collection: Lead, Kindly Light, amid the Encircling Gloom, lead thou me on

Lead, Kindly Light, amid the Encircling Gloom, lead thou me on
659901 Lead, Kindly Light, amid the Encircling Gloom, lead thou me on!...and with the Morn those Angel Faces Smile, which I Have Loved Long Since, and Lost Awhile, 1894 (oil on board) by Paton

Background imageFacial Collection: Abstract Head; Abstrakter Kopf, 1928 (oil on board)

Abstract Head; Abstrakter Kopf, 1928 (oil on board)
656240 Abstract Head; Abstrakter Kopf, 1928 (oil on board) by Jawlensky, Alexej von (1864-1941); 45x32.5 cm; Private Collection; (add.info.: Abstract Head; Abstrakter Kopf)

Background imageFacial Collection: Faces in the City, c. 1925 (watercolour and pen and ink on paper)

Faces in the City, c. 1925 (watercolour and pen and ink on paper)
656015 Faces in the City, c.1925 (watercolour and pen and ink on paper) by Filonov, Pavel Nikolaevich (1883-1941); Private Collection; (add.info.: Faces in the City. Pavel Filonov (1883-1941)

Background imageFacial Collection: Meditation, 1936 (oil on canvas)

Meditation, 1936 (oil on canvas)
652809 Meditation, 1936 (oil on canvas) by Jawlensky, Alexej von (1864-1941); 21.6x16.8 cm; Private Collection; (add.info.: Meditation. Alexej von Jawlensky (1864-1941)

Background imageFacial Collection: The Head of Europa, (red and black chalk on grey-blue paper)

The Head of Europa, (red and black chalk on grey-blue paper)
827545 The Head of Europa, (red and black chalk on grey-blue paper) by Reni, Guido (1575-1642); 32.7x23. cm; Private Collection; (add.info.: The Head of Europa. Guido Reni (1575-1642)

Background imageFacial Collection: The Impulsive Nose Denotes Quick Temper (colour litho)

The Impulsive Nose Denotes Quick Temper (colour litho)
3658230 The Impulsive Nose Denotes Quick Temper (colour litho) by English School, (20th century); Private Collection; (add.info.: The Impulsive Nose Denotes Quick Temper)

Background imageFacial Collection: The Aggressive Nose Denotes Force of Character (colour litho)

The Aggressive Nose Denotes Force of Character (colour litho)
3658162 The Aggressive Nose Denotes Force of Character (colour litho) by English School, (20th century); Private Collection; (add.info.: The Aggressive Nose Denotes Force of Character)

Background imageFacial Collection: The Inquisitive Nose Denotes Spirit of Enquiry (colour litho)

The Inquisitive Nose Denotes Spirit of Enquiry (colour litho)
3658161 The Inquisitive Nose Denotes Spirit of Enquiry (colour litho) by English School, (20th century); Private Collection; (add.info.: The Inquisitive Nose Denotes Spirit of Enquiry)

Background imageFacial Collection: Simple Means of Depicting Expressions (engraving)

Simple Means of Depicting Expressions (engraving)
3627718 Simple Means of Depicting Expressions (engraving) by English School, (19th century); Private Collection; (add.info.: Simple Means of Depicting Expressions)

Background imageFacial Collection: The Commercial Nose Denotes Shrewdness (colour litho)

The Commercial Nose Denotes Shrewdness (colour litho)
3658241 The Commercial Nose Denotes Shrewdness (colour litho) by English School, (20th century); Private Collection; (add.info.: The Commercial Nose Denotes Shrewdness)

Background imageFacial Collection: Moustache patterns (colour litho)

Moustache patterns (colour litho)
3641797 Moustache patterns (colour litho) by English School, (20th century); Private Collection; (add.info.: Moustache patterns. Postcard, early 20th century.); © Look and Learn

Background imageFacial Collection: Scotsman raising a glass (colour litho)

Scotsman raising a glass (colour litho)
3641791 Scotsman raising a glass (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info.: Scotsman raising a glass. Postcard, early 20th century.); © Look and Learn

Background imageFacial Collection: I am coming to see you tonight (colour litho)

I am coming to see you tonight (colour litho)
3641738 I am coming to see you tonight (colour litho) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; (add.info.: I am coming to see you tonight)

Background imageFacial Collection: Mansion House underground railway station before electrification (b / w photo)

Mansion House underground railway station before electrification (b / w photo)
5228981 Mansion House underground railway station before electrification (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Background imageFacial Collection: Babies, happy and unhappy (engraving)

Babies, happy and unhappy (engraving)
6010505 Babies, happy and unhappy (engraving) by English School, (19th century); Private Collection; (add.info.: Babies, happy and unhappy)

Background imageFacial Collection: Grumpy baby crying (colour litho)

Grumpy baby crying (colour litho)
5987107 Grumpy baby crying (colour litho) by English School, (20th century); Private Collection; (add.info.: Grumpy baby crying)

Background imageFacial Collection: Unhappy and happy mans face, optical illusion card (colour litho)

Unhappy and happy mans face, optical illusion card (colour litho)
5995971 Unhappy and happy mans face, optical illusion card (colour litho) by English School, (20th century); Private Collection; (add.info.: Unhappy and happy mans face, optical illusion card)

Background imageFacial Collection: Illustration for Bilder-Atlas: Races and skulls (engraving)

Illustration for Bilder-Atlas: Races and skulls (engraving)
5999458 Illustration for Bilder-Atlas: Races and skulls (engraving) by German School, (19th century); Private Collection; (add.info.: Races and skulls)

Background imageFacial Collection: A Young Man with a Chain, c. 1630 (oil on wood)

A Young Man with a Chain, c. 1630 (oil on wood)
5672965 A Young Man with a Chain, c.1630 (oil on wood) by Rembrandt Harmensz. van Rijn (1606-69); 57.8 x 43.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: A tronie)

Background imageFacial Collection: Boasting (engraving)

Boasting (engraving)
6026969 Boasting (engraving) by American School, (19th century); Private Collection; (add.info.: Boasting. Illustration for The Universal Self-Instructor and Manual of General Reference)

Background imageFacial Collection: Portrait of George Bernard Shaw (litho)

Portrait of George Bernard Shaw (litho)
959960 Portrait of George Bernard Shaw (litho) by Simpson, Joseph (1879-1939); Private Collection; (add.info.: George Bernard Shaw, Irish playwright; from a caricature by Joseph Simpson)

Background imageFacial Collection: The Great Sforzia (engraving)

The Great Sforzia (engraving)
979857 The Great Sforzia (engraving) by English School, (18th century); Private Collection; (add.info.: The Great Sforzia, a portrait of a bearded man in profile. Engraved by John Barlow)

Background imageFacial Collection: Satan (engraving)

Satan (engraving)
979841 Satan (engraving) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); Private Collection; (add.info.: Satan. Drawn by Henry Fuseli, engraved by John Barlow)

Background imageFacial Collection: Butcher, What For You Mum (chromolitho)

Butcher, What For You Mum (chromolitho)
976359 Butcher, What For You Mum (chromolitho) by English School, (19th century); Private Collection; (add.info.: Butcher, What For You Mum. Scrap.); © Look and Learn

Background imageFacial Collection: Garcon de Cafe (chromolitho)

Garcon de Cafe (chromolitho)
975968 Garcon de Cafe (chromolitho) by Borgex, Louis (fl.1897); Private Collection; (add.info.: Garcon de Cafe. French educational card, late 19th/early 20th century.); © Look and Learn

Background imageFacial Collection: Ojibwa Facial Decoration (colour litho)

Ojibwa Facial Decoration (colour litho)
980436 Ojibwa Facial Decoration (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Ojibwa Facial Decoration)

Background imageFacial Collection: The Human Face (engraving)

The Human Face (engraving)
980418 The Human Face (engraving) by American School, (19th century) (after); Private Collection; (add.info.: The Human Face. 1 McMahan, Tenn. 2 McMahan, Tenn. 3 Brakebill, Tenn)

Background imageFacial Collection: Sir George Carew (aquatint)

Sir George Carew (aquatint)
726856 Sir George Carew (aquatint) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Sir George Carew)

Background imageFacial Collection: Monsieur De Saincte Corneille (aquatint)

Monsieur De Saincte Corneille (aquatint)
726790 Monsieur De Saincte Corneille (aquatint) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Monsieur De Saincte Corneille)

Background imageFacial Collection: Portrait of Wilkie Collins (b / w photo)

Portrait of Wilkie Collins (b / w photo)
819835 Portrait of Wilkie Collins (b/w photo) by Bassano, Alexander (1829-1913); Private Collection; (add.info.: Wilkie Collins, English novelist and playwright, Society Bijou Portraits No 96)

Background imageFacial Collection: Portrait of John Knox (engraving)

Portrait of John Knox (engraving)
819531 Portrait of John Knox (engraving) by English School, (19th century); Private Collection; (add.info.: John Knox, Scottish clergyman)

Background imageFacial Collection: R Matthias (b / w photo)

R Matthias (b / w photo)
816746 R Matthias (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: R. Matthias, Esq.); Look and Learn / Elgar Collection

Background imageFacial Collection: Arthur Evershed (b / w photo)

Arthur Evershed (b / w photo)
812720 Arthur Evershed (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Arthur Evershed)

Background imageFacial Collection: Inigo Jones (engraving)

Inigo Jones (engraving)
812456 Inigo Jones (engraving) by English School, (19th century); Private Collection; (add.info.: Inigo Jones, English architect.); Look and Learn / Elgar Collection; English, out of copyright

Background imageFacial Collection: Portrait of Pyotr Ilyich Tchaikovsky (b / w photo)

Portrait of Pyotr Ilyich Tchaikovsky (b / w photo)
815158 Portrait of Pyotr Ilyich Tchaikovsky (b/w photo) by Russian Photographer, (19th century); Private Collection; (add.info.: Portrait of Pyotr Ilyich Tchaikovsky)

Background imageFacial Collection: Portrait of Ambroise Thomas (engraving)

Portrait of Ambroise Thomas (engraving)
815150 Portrait of Ambroise Thomas (engraving) by French School, (19th century); Private Collection; (add.info.: Portrait of Ambroise Thomas)

Background imageFacial Collection: Portrait of Bedrich Smetana (colour litho)

Portrait of Bedrich Smetana (colour litho)
815118 Portrait of Bedrich Smetana (colour litho) by Czech School, (20th century); Private Collection; (add.info.: Portrait of Bedrich Smetana)

Background imageFacial Collection: Portrait of Hans Richter (b / w photo)

Portrait of Hans Richter (b / w photo)
815043 Portrait of Hans Richter (b/w photo) by Austrian Photographer, (19th century); Private Collection; (add.info.: Portrait of Hans Richter)

Background imageFacial Collection: Portrait of Louis-Aime Maillart (b / w photo)

Portrait of Louis-Aime Maillart (b / w photo)
814924 Portrait of Louis-Aime Maillart (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Portrait of Louis-Aime Maillart)

Background imageFacial Collection: Sir Charles Tennant (b / w photo)

Sir Charles Tennant (b / w photo)
810873 Sir Charles Tennant (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Sir Charles Tennant)

Background imageFacial Collection: Portrait of Camille Saint-Saens (b / w photo)

Portrait of Camille Saint-Saens (b / w photo)
815072 Portrait of Camille Saint-Saens (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Portrait of Camille Saint-Saens, French composer, organist)

Background imageFacial Collection: Portrait of Pablo de Sarasate (b / w photo)

Portrait of Pablo de Sarasate (b / w photo)
815068 Portrait of Pablo de Sarasate (b/w photo) by Spanish Photographer, (19th century); Private Collection; (add.info.: Portrait of Pablo de Sarasate)

Background imageFacial Collection: Portrait of Jockay Maurice (b / w photo)

Portrait of Jockay Maurice (b / w photo)
814939 Portrait of Jockay Maurice (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Portrait of Jockay Maurice, writer.); Look and Learn / Elgar Collection

Background imageFacial Collection: Head, displaying manly vigour and heroic resolution (engraving)

Head, displaying manly vigour and heroic resolution (engraving)
666922 Head, displaying manly vigour and heroic resolution (engraving) by English School, (19th century); Private Collection; (add.info.: Head, displaying manly vigour and heroic resolution)

Background imageFacial Collection: That you Flossie, Darling! (chromolitho)

That you Flossie, Darling! (chromolitho)
2805180 That you Flossie, Darling! (chromolitho) by Browne, Tom (1872-1910); Private Collection; (add.info.: That you Flossie, Darling! Postcard, early 20th century.); © Look and Learn

Background imageFacial Collection: R G Knowles in a music hall sketch

R G Knowles in a music hall sketch
R G Knowles, Canadian-American singer and comedian, in a music hall sketch Date: 1890s

Background imageFacial Collection: Assist the Remedies of Nature 1933

Assist the Remedies of Nature 1933
Removal superfluous hair: A warm mixture paraffin and shellac applied to the ladies eyebrows and peeled off a few minutes later. Date: 1933

Background imageFacial Collection: Apparatus that Assist the Remedies of Nature 1933

Apparatus that Assist the Remedies of Nature 1933
A cure for facial blemishes: The Siemens-Reinger apparatus, treatment by the means of X-rays anything from tiny warl to a widespread skin disease. Date: 1933



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"Exploring the Fascinating World Anatomy: From Leonardo da Vinci to Everyday Life" Step into the intricate world anatomy as we unravel the mysteries behind this captivating feature. Leonardo da Vinci's renowned "Skull anatomy" serves as a timeless reminder of our underlying structure, while a detailed diagram showcasing front view facial muscles sheds light on their complexity. Moving beyond scientific depictions, we encounter everyday scenarios that involve our faces. Witness the delicate artistry in "Woman Shaving Man, " where precision and trust intertwine. In contrast, an intriguing game of chess depicted in Cruikshank's work reminds us how expressions can convey strategic moves and hidden intentions. The vulnerability and innocence captured in a sleeping baby remind us of the purity found within each face. Meanwhile, Winston Churchill's iconic countenance reflects determination and resilience during challenging times. Delving deeper into historical engravings, we stumble upon thought-provoking scenes such as "Two Men Dramatise an Inequity of the Day. " These images serve as reminders that our faces are not only vessels for emotions but also powerful tools for social commentary. Intriguingly juxtaposed with these serious themes are satirical engravings like "Two Wigged Men Burlesque the Magna Carta. " Such works highlight how humor can be expressed through exaggerated facial expressions and gestures. Furthermore, exploring human interactions reveals both mundane moments and unexpected encounters. An engraving depicting one man dribbling wine onto another showcases playful mischief between friends or perhaps rivals. On a lighter note, observe a man with a rake alongside a woman selling spoons and stirrers – reminding us that even daily chores can shape our facial expressions differently. As you immerse yourself in this diverse collection spanning centuries, let your curiosity guide you through every line etched on paper or canvas – for within each stroke lies endless stories waiting to be discovered about humanity's most expressive feature: the face.