Fama Buona Collection

Allegory Fame middle female personification sits
Allegory of Fame, Allegory of Fame. In the middle the female personification sits on a throne with a sphere on her lap. Upstairs the Faam blows on her trumpet

Allegory history Great Britain portrait Isaac de Larrey
Allegory on the history of Great Britain with the portrait of Isaac de Larrey, The personification history, sitting on the floor

Allegorical Urania Vader Tijd Title page C. G
Allegorical show with Urania and Vader Tijd Title page for: C.G. Care carrier, Bloeyende rise of the ancient and contemporary Greenland fish gallery, 1720, Urania, the muse of Astronomy

Title page L van den Bos Spicilegium -play frosty mourning cases
Title page for: L. van den Bos, Spicilegium or by -play of frosty mourning cases, part 2 of: The scene of accidents, 1683, Fame, with a laurel wreath and a trumpet, above ships on the water

Allegorical representation portrait Willem V
Allegorical representation with portrait of Willem V, In a boat surrounded by two sea gods, an acclaimed man with a sheet of paper in his hand sits

Fame personification Poe see bust Homer Title page
Fame and personification of Poe see at the bust of Homer Title page for: Mengel-Poezy, Amsterdam 1714 Mengel-Poezy (title on object)

Minerva portrait unknown man Minervas leg oval portrait
Minerva with portrait of unknown man, On Minervas leg is an oval portrait of an unknown man. Her spear is crowned with the freedom hat

Fame winged fame standing globe blowing trumpet
Fame, The winged fame standing on a globe, blowing on a trumpet, Fama, Fama buona, Fama chiara (Ripa) (clothed with wings), Lorenzo Loli (mentioned on object), Italy, 1622 - 1691, paper, etching

Mercury chased Mars Fame Title page European Mercury
Mercury chased by Mars and Fame Title page for: European Mercury, Seventh Piece, First Part: Embracing the First Maiden of the Jaer 1696, Mercury chased by Mars and Fame

Allegorical performance portrait Philips Verheyen
Allegorical performance with portrait of Philips Verheyen, Allegorical performance with portrait of Philips Verheyen. Philip Verheyen bust standing on base

Amsterdam City Virgin coat arms crowned Amsterdam City Virgin
Amsterdam City Virgin with a coat of arms, The crowned Amsterdam City Virgin with the arms of Amsterdam in her hand holds the caduceus for a coat of arms with the image of a double-headed eagle

Portrait Johanna Koerten Fame Fama Fama buona
Portrait of Johanna Koerten, Fame, Fama, Fama buona, Fama chiara (Ripa) (abstract concept represented by female figure), Johanna Koerten, Jacob Houbraken (mentioned on object), Amsterdam, 1753

Minerva leaning pedestal Septem Artes liberales
Minerva leaning on a pedestal Septem Artes liberales (series title on object), Minerva leaning on a pedestal on which the series title is stated

Portrait Johanna Koerten Around performance print
Portrait of Johanna Koerten, Portrait of Johanna Koerten. Around the performance a print of a second plate with an ornamental border, Fame, Fama, Fama buona

Allegorical composition Felix Meritis right winged Fame blowing
Allegorical composition on Felix Meritis, Allegorical composition on Felix Meritis with on the right the winged Fame blowing on the praise trumpet

Woman writes table presence Minerva Faam praise trumpet Title page
Woman writes at the table in the presence of Minerva and Faam with praise trumpet Title page for: T Lof der vrouw, Amsterdam 1643 T Lof van Vrouwen (title on object) globe state

Cameo with the triumph of Germanicus and Agrippina, Jan Dam Steuerwald, 1815 - 1869

Allegory of the majority of William V, 1766, print maker: Cornelis van Noorde, 1766

Fame, Eternity and Writing Arts, Pieter van Gunst, 1731

Allegory of the Peace of Rijswijk, 1697, Cornelis van Dalen (I), Govert Flinck, 1649

Allegory of the birth of Princess Maria Amalia of Nassau-Dietz, daughter of Hendrik Casimir, January 29, 1689, around the crib with the child kneel Minerva, Juno and Cupid and Flora

Allegory of Fame and History, Anonymous, Hendrick Goltzius, Franco Estius, 1645 - 1706

Allegory of the tragedy and continue, Pieter Serwouters, Cornelis Lodewijcksz. van der Plasse, 1622

Portrait of King George I of Great Britain, Arnoud van Halen, 1714 - 1732

Impact of wealth, Philips Galle, Hadrianus Junius, 1563

Fame and Minerva point to the tomb of Philippe Quinault, Caspar Luyken, Antoine Schelte, 1697

Portrait of King Christian IV of Denmark and Norway, Jan Harmensz. Muller, Remmert Petersen, 1604 - 1608

Allegory Frederick Henry after the conquest of Den Bosch, Wesel and Grol, 1629-1630, Crispijn van den Queborn, Adriaen Pietersz. van de Venne, Staten-Generaal, 1630

Death fights against humanity, Boetius Adamsz. Bolswert, David Vinckboons, Abraham Allard, 1610

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"Fama Buona: The Personification of Fame and Glory" In the realm of allegory, Fame takes center stage as a middle-aged female personification. She sits proudly, embodying the essence of recognition and renown. As we delve into history, Great Britain's portrait by Isaac de Larrey reveals an allegorical representation of fame's influence on nations. Urania Vader Tijd graces the title page created by C. G. , symbolizing the timeless nature of fame. L van den Bos Spicilegium presents us with a play called "Frosty Mourning Cases, " where fame is portrayed in all its glory. Willem V's portrait captures this concept beautifully. Poe sees bust Homer on another title page, reminding us that even ancient legends are not immune to fame's allure. Minerva, depicted alongside an unknown man in her oval portrait, showcases her legendarily wise persona. Winged Fame stands tall upon a globe while blowing her trumpet - a powerful image representing the far-reaching impact of recognition. Mercury chases Mars in yet another title page dedicated to European Mercury; here we witness how fame can transcend even war itself. Philips Verheyen's performance portrait further illustrates how individuals strive for their own taste of immortality through their achievements. Amsterdam City Virgin proudly wears her coat arms crowned with symbols representing Amsterdam City Virgin herself - a testament to local pride and acclaim. Johanna Koerten immortalizes Fama Buona in her captivating portrait; here we see that good reputation transcends time and place. Fama Buona represents our collective desire for lasting recognition and admiration.