Fantastic Animal Collection

The Laidly Worm of Spindleston Heugh, 1881 (oil on canvas)
FFA151968 The Laidly Worm of Spindleston Heugh, 1881 (oil on canvas) by Crane, Walter (1845-1915); 74.5x169.5 cm; Private Collection; (add.info.: Princess Margaret was the Laidly Worm; )

The Unicorn is Killed and Brought to the Castle, c. 1500 (wool warp with wool, silk
3469071 The Unicorn is Killed and Brought to the Castle, c.1500 (wool warp with wool, silk, silver, and gilt wefts) by Netherlandish School (16th century)

The Temptation of Saint Anthony (Oil on canvas)
7393515 The Temptation of Saint Anthony (Oil on canvas) by Callot, Jacques (1592-1635) (after); 47 x 72 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

The Temptation of St. Anthony, 17th century (engraving) (b / w photo)
XIR163461 The Temptation of St. Anthony, 17th century (engraving) (b/w photo) by Callot, Jacques (1592-1635); Musee Historique Lorrain, Nancy, France

Ogre cooking people for breakfast (litho)
7149264 Ogre cooking people for breakfast (litho) by Kley, Heinrich (1863-1945); Private Collection; (add.info.: Ogre cooking people for breakfast)

The Evil Spirits of the Modern Daily Press (colour litho)
3620689 The Evil Spirits of the Modern Daily Press (colour litho) by Griffin, Sydney B. (1854- c.1910); Private Collection; (add.info.: The Evil Spirits of the Modern Daily Press)

Mermaid, c. 1889 (oil on canvas)
7081798 Mermaid, c.1889 (oil on canvas) by Church, Frederick Stuart (1842-1924); 139.7x53.3 cm; North Carolina Museum of Art, Raleigh, USA; North Carolina Museum of Art; American, out of copyright

A diver attacked by an octopus (colour litho)
3097449 A diver attacked by an octopus (colour litho) by French School, (20th century); Private Collection; (add.info.: A diver attacked by an octopus. Un Scaphandrier Attaque Par Une Pieuvre)

The Phoenix, 1607 (litho)
8667756 The Phoenix, 1607 (litho) by English School, (17th century) (after); Private Collection; (add.info.: The Phoenix, 1607)

London: Guards Band returning from Buckingham Palace, after changing of Guard (colour photo)
8627131 London: Guards Band returning from Buckingham Palace, after changing of Guard (colour photo) by English Photographer

Leo Major and Leo Minor, c.1825 (card, paper, tissue )
7340886 Leo Major and Leo Minor, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 20)

Camelopadalis, Tarandus and Custos Messium, c.1825 (card, paper, tissue )
7340873 Camelopadalis, Tarandus and Custos Messium, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Urania's Mirror or a View of the Heavens (Constellation cards), c.1825 (card, paper, tissue)
7340871 Urania's Mirror or a View of the Heavens (Constellation cards), c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); National Maritime Museum, London, UK; (add.info.: Box lid)

Flag or hanging depicting Ziwei Dadi, 1849 (cotton)
7340527 Flag or hanging depicting Ziwei Dadi, 1849 (cotton) by Unknown Artist, (19th century); 221x284.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Woman with unicorn, 1491 (engraving)
8723998 Woman with unicorn, 1491 (engraving) by German School, (15th century); Private Collection; (add.info.: Woman with Unicorn (Lady with Unicorn) engraving after Hortus Sanitatis

Plate, 1710-20 (earthenware)
7340687 Plate, 1710-20 (earthenware) by Unknown artist, (18th century); National Maritime Museum, London, UK; (add.info.: Creator: unknown Earthenware plate)

Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384376 Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Acroterium corner stone representing Medusa's head, belonging to a sarcophagus, 170-190 AD, Luni marble
6384416 Acroterium corner stone representing Medusa's head, belonging to a sarcophagus, 170-190 AD, Luni marble, National Roman Museum at the Baths of Diocletian, Rome

Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384374 Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Pan and a hamadryad (mosaic)
6384228 Pan and a hamadryad (mosaic); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Pan and a hamadryad); Photo © Stefano Baldini.

Dancing faun, Farnese collection (bronze)
6384223 Dancing faun, Farnese collection (bronze); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Dancing faun, Farnese collection); Photo © Stefano Baldini.

Statuette of a satyr
7287258 Statuette of a satyr; Vatican Museums and Galleries, Vatican City; (add.info.: Statuette of a satyr. Early imperial period inspired by late classical Greek art)

Satyr playing the flute
7287222 Satyr playing the flute; Vatican Museums and Galleries, Vatican City; (add.info.: Satyr playing the flute. Roman copy, second half of the 1st century AD of an Hellenistic bronze)

Acete, held prisoner by two soldiers, narrates the deeds of Bacchus to Pentheus and his retinue of warriors
8683582 Acete, held prisoner by two soldiers, narrates the deeds of Bacchus to Pentheus and his retinue of warriors, 1650-52 (wall tempera painting) by Boulanger

Venus gives the crown to Ariadne; on the clouds Venus, surrounded by cupids
8683580 Venus gives the crown to Ariadne; on the clouds Venus, surrounded by cupids, offers the crown of Vulcan to Ariadne seated next to Bacchus, 1650-52 (wall tempera painting) by Boulanger

Medea, in front of a tripod, rejuvenates the nurses of Bacchus placed in front of the sorceress in the company of
8683579 Medea, in front of a tripod, rejuvenates the nurses of Bacchus placed in front of the sorceress in the company of the god, 1650-52 (wall tempera painting) by Boulanger

Pegasus, 19th-20th century (oil on canvas)
8859838 Pegasus, 19th-20th century (oil on canvas) by Redon, Odilon (1840-1916); 65.4 x 54.5 cm; Private Collection; (add.info.: Painting by Odilon Redon); Photo © Christie's Images.

Demon and monstrous creatures, detail by an anonymous artist, Cathedral of the Assumption of the Virgin
AIS5363807 Demon and monstrous creatures, detail by an anonymous artist, Cathedral of the Assumption of the Virgin, Monastery of St

Dante Alighieri's Divine Comedy (1265-1321): Dante facing the entrance of Hell
AIS5349558 Dante Alighieri's Divine Comedy (1265-1321): Dante facing the entrance of Hell, from a 14th century manuscript (miniature); Biblioteca Nacional, Madrid, Spain; © Iberfoto.

The Damnation of Faust, c.1900 (illustration)
8698469 The Damnation of Faust, c.1900 (illustration) by Fraipont, Gustave (1849-1923); (add.info.: Music. La damnation de Faust (The Damnation of Faust), opera by Hector Berlioz (1845)

Bootes Canes Venatici, Coma Berenices and Quadrans Muralis, c.1825 (card, paper, tissue)
7339260 Bootes Canes Venatici, Coma Berenices and Quadrans Muralis, c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); 38.5x37.3x33.4 cm; National Maritime Museum, London

Chinese pirate flag, c.1849 (cotton)
7339172 Chinese pirate flag, c.1849 (cotton) by Unknown Artist, (19th century); 220.9x284.4 cm; National Maritime Museum, London

Volvelle giving the rules for predicting solar and lunar eclipses. One of the volvelles features a dragon with multiple
7340903 Volvelle giving the rules for predicting solar and lunar eclipses. One of the volvelles features a dragon with multiple heads and a partial solar eclipse

Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue )
7340894 Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Pisces, c.1825 (card, paper, tissue )
7340892 Pisces, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 27)

Capricornus, c.1825 (card, paper, tissue )
7340890 Capricornus, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 25)

Cancer, c.1825 (card, paper, tissue )
7340885 Cancer, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 19)

Delphinus, Sagitta, Aquila and Antinous, c.1825 (card, paper, tissue)
7340881 Delphinus, Sagitta, Aquila and Antinous, c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 13)

Celestial Globe Gores, 1636-95 (paper, copper plate, engraving)
7340779 Celestial Globe Gores, 1636-95 (paper, copper plate, engraving) by Rossi, Domenico de' (1659-1730); 44x19 cm; National Maritime Museum, London

The Fairy felt a sharp nip (colour litho)
8630978 The Fairy felt a sharp nip (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: The Fairy felt a sharp nip)

Monstrum acephalon : Woodcut, Monstrum acephalon, monster without a head. From the 1642 book Monstrorum Historia by
UIG5327113 Monstrum acephalon : Woodcut, Monstrum acephalon, monster without a head. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Aries Biceps : Renaissance woodcut Ram. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna)
UIG5327069 Aries Biceps : Renaissance woodcut Ram. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Lupus Marinus Lupus Scythius : This creature looks a bit like a lion with a baboon's nose
UIG5327065 Lupus Marinus Lupus Scythius : This creature looks a bit like a lion with a baboon's nose and mane well-tamed by conditioner. "Lupus," however, suggests that it's a wolf

Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters
UIG5327064 Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Puer Cornutus : Puer cornutus: a child with horns. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi
UIG5327158 Puer Cornutus : Puer cornutus: a child with horns. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Sus Capite & Pedibus Humanis : Sus capite & pedibus humanis, pig with human head and hands
UIG5327153 Sus Capite & Pedibus Humanis : Sus capite & pedibus humanis, pig with human head and hands. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Pullus Equinus Humana Facie : Horse with human face. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi
UIG5327149 Pullus Equinus Humana Facie : Horse with human face. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

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"Unleashing the Fantastical: A Captivating Journey through Art and Imagination" Step into a world where reality intertwines with mythical creatures, as depicted in "The Temptation of Saint Anthony. " This mesmerizing oil on canvas painting transports us to an ethereal realm, where evil spirits from "The Evil Spirits of the Modern Daily Press" lurk in every corner. Intrigue deepens as we encounter "The Unicorn is Killed and Brought to the Castle, " a masterpiece crafted with wool warp and silk. Its intricate details transport us back to a time when unicorns roamed freely, captivating our imagination. Marvel at the enigmatic allure of the sea as you gaze upon "Mermaid, " an exquisite oil on canvas artwork that captures both beauty and mystery. Dive deeper into aquatic wonders with "A diver attacked by an octopus, " a color lithograph that leaves us breathless. Discover hidden treasures within ancient architecture through "Grottesche decoration at Radnor House. " This black-and-white photograph showcases intricate designs that once adorned England's Lost Houses, evoking nostalgia for what has been lost but not forgotten. Witness bravery unfold in dramatic engravings like "The abduction of Amymone by the sea monster" and "Perseus and Andromeda. " These timeless tales depict heroic figures facing formidable challenges head-on. Journey alongside Saint George as he confronts deathly dragons in both engraved form ("Saint George and the Death Dragon") and handwritten script ("Saint George and the Dragon"). These iconic depictions symbolize courage triumphing over adversity throughout history. Immerse yourself in fantastical realms once more with "The Dream of the Doctor, " an enchanting engraving that blurs boundaries between dreamscape and reality. Let your mind wander amidst its intricacies, inviting endless interpretations. Finally, witness divine celebrations come alive through frescoes like "Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche.