Fashions Collection (page 8)

New Paris dresses from the stage, 1925. Top left Mme Bretty taken in the foyer of the Comedie Francaise. Top right and right Mlle Chournoff one of the dancers in Nice

Hat styles sketched by Soulie, Paris, 1925 Date: 1925

Five fashion sketches by Hemjic on the Riviera, 1925 at the Croisette Cannes. Models from Drecoll, Callot and Alice Bernard Date: 1925

Fashion sketches by Hemjic enroute to the Riviera, 1925 - travelling suits and coats from O Rossen, Alice Bernard, Jean Patou and Rodier Date: 1925

Advert for the Parisian couturier Lenief, Paris, 1925 Date: 1925

Three Spring Parisian frocks for the Riviera, 1925. On left is a dress of blue and white foulard from Lucien Lelong, centre is a dress of blue and white crepe de Chine

Two frocks from Lucile, Paris, 1925
Two fashionable frocks from Lucile, Paris, 1925 Date: 1925

A spring dress from Lucien Lelong, Paris, 1925. An important feature is the tunic skirt made of black crepe de chine Date: 1925

Two stage gowns from Paris, 1925. On the left Marcelle Lender at the Vaudeville theatre wears an evening frock of mauve charmeuse and liver lace

An evening gown from Chantal, Paris, 1925. Made of almond green crepe and soft tulle draperies on the skirt and steel and silver bead embroidery Date: 1925

Three smart representations of current Parisian fashions, 1925. On the left Jane Regnys simple country frock of Rodiers new striped Zibli Kasha in blues and grays

Two outfits from Lucien Lelong, Paris, 1925 - one a coat trimmed with fox, the other a dance frock of crepe de chine trimmed with bands of silver, gold and ruby Date: 1925

Two gowns worn by actresses at the Poiniere Theatre, Paris, 1925 - the left worn by Mlle Marken is an emerald green crepe edged with silver rose voile

Two frocks from Lanvin, Paris, 1925 - left for Suzy Prim in Tilly and a black and white jumper frock and the other for Regina Camier and made of beige light voile Date: 1925

Black and white fashion details from Lanvin, Paris, 1925 Date: 1925

Feature Fashions of Today and Tomorrow by Florence Roberts with sketches by Gordon Conway, 1925. Describing Margaret Bannermans gowns in Camilla States Her Case at the Globe Theatre

Two outfits designed by Soulie for the Riviera, 1925
Two outfits designed by Soulie suitable for the dansants on the Riviera, 1925 Date: 1925

Some new hat styles from Marthe Regnier and Jane Blanchot, Paris, 1925 Date: 1925

Fashion sketches by Gordon Conway in black and white and suitable for Sports and Evening wear, 1925 Date: 1925

A range of current French fashions, 1925 Date: 1925

Advert for the Parisian couturier Marthe Regnier, 1925 showing a portrait of Jeanne Provost Date: 1925

Three frocks and furs for the French Riviera, 1925 - top right from Chantal, bottom left from Phillipe and Gaston and right from Fourrures Max Date: 1925

Three dramatic London fashions sketched by Porter Woodruff, 1925 Date: 1925

Marguerite Namara of the Opera Comique, Paris wearing a creation of her own design (a banana coloured dress and coat), 1925

Three suits designed by Souile for the South of France, 1925 Date: 1925

Advert for Ninette Couture, London, 1925 Date: 1925

A sketch by Hemjie of Paris in August, 1926 set in the Place Du Tertre, Montmartre in the shadow of the Sacre Coeur Church with models from Amy Linker and Alice Bernard Date: 1926

Feature about The Fashion of These Days, Paris, 1926 - exploring the question of materials, colour, line and detail, their relation to each other

Three Between Seasons models, Paris, 1926 Date: 1926

A sketch of a lady with an umbrella in the summer sun on a beach in a bathing suit, 1926 Date: 1926

Two bathing suits shown on the Lido, Venice, 1926 - top from Jane Rigny and bottom from Phillipe et Gaston Date: 1926

Three gowns from the Parisian couturiers Anna (top) Bernard et Cie (bottom left) and Brandt (bottom right), 1926 Date: 1926

A gown from Yteb entitled Hirondelle, Paris, 1926 Date: 1926

Two gowns from Lucile and Jacquet, Paris, 1926 Date: 1926

Three short and sweet Parisian summer frocks, 1926 Date: 1926

Two gowns from Lucien Lelong and Drecoll, Paris, 1926 Date: 1926

The latest arrivals at Deauville illustrating three motoring outfits, 1926 Date: 1926

Three new Parisian outfits, 1926 from Yteb, Charlotte and Lucile Date: 1926

Sketch by Soulie of three sumptuous fur coats, Paris, 1926 Date: 1926

A trio of original tennis frocks, Paris, 1926 - designed for the Reunions d ete at the Racing Club in the Bois de Boulogne Date: 1926

Three new dress designs illustrating new fabrics, Paris, 1926. Top left from Drecoll and top right and bottom from Alice Bernard Date: 1926

Three examples of the modern jumper dress or suit, 1926 - two from Vladimir and one from Larue in Haover Square, London Date: 1926

A boudoir suit by Jean Patou, Paris, 1926 of black velvet and ruffles of cream georgette for Mlle Cartier Date: 1926

A range of Parisian fashions, 1926 from Elspeth Champcommunal, Bechoff, Suzanne Francois, Lucien Leong, Louise Boulenger, and Bernard et Cie Date: 1926

A smoking dress by Brandt, Paris, 1926 of lame and morocain Date: 1926

Three travelling oufits, Paris, 1926 from Beer, Amy Linker and Martial et Armand Date: 1926

A trio of summer dresses sketched by Soulie ideal for any fashionable plage, Paris, 1926 Date: 1926

A summer scene showing Paris fashions at a piano recital, Paris, 1920s. Sketch by Hemjic. Fashions from Alice Bernard, Max, Blanche Lebouvier and Bernard et Cie Date: 1926

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"Fashions through the Ages: From Tango to Swinging Styles" Step back in time and explore the ever-evolving world of fashions. In 1912, Argentina gifted us with the passionate Tango dance, igniting a fiery revolution on the dance floor. Meanwhile, fashionistas eagerly awaited Fashions for 1954, anticipating new trends that would set hearts ablaze. Les Laines Bisanne wool company poster showcased luxurious fabrics that enveloped individuals in warmth and elegance. Louis Vuitton's advert enticed travelers with their exquisite accessories and trunks, promising style even on far-flung adventures. Marcel Vertes' watercolor painting captured the essence of Tango's allure, bringing its vibrant energy to life on canvas. Social/Cup Day at Ascot became an annual spectacle where fashion enthusiasts paraded their finest attire while sipping champagne and placing bets. Amidst this fashionable frenzy, a woman found solace in her book - a reminder that fashion is not just about appearances but also personal expression. Fashions for a Coronation Summer in 1953 celebrated regal elegance as monarchs ascended to power. Elspeth Phelps' advertisement from the 1920s transported us to an era of flappers and jazz age glamour. Ladies by Sea in France embraced seaside chic with breezy dresses and wide-brimmed hats under sunny skies. A lady wearing a Spencer jacket exuded sophistication during times when modesty was highly valued. Swinging Fashions circa 1810 brought forth daring silhouettes adorned with ruffles and feathers - proof that fashion has always pushed boundaries throughout history. From tango rhythms to royal coronations, these glimpses into past fashions remind us of our timeless desire for self-expression through clothing choices. As we continue our journey through time, let us embrace each era's unique styles while creating our own fashionable legacy.