Finden Collection (page 3)

GREECE: NEGROPONT, 1833. View of Negropont, the bridge over the Euripus Strait connecting the city of Chalcis, on the Aegean island of Euboea, with mainland Greece

SCOTLAND: LOCHNAGAR. View of Lochnagar in Aberdeenshire, Scotland. Steel engraving, English, 1832

ATHENS: OLYMPIAN ZEUS. View of the Temple of Olympian Zeus in Athens, Greece. Steel engraving, English, 1832, by William Finden

GREECE: GULF OF SALAMIS. View of the Gulf of Salamis in Greece, on the Aegean Sea. Steel engraving, English, 1833, by Edward Finden after William Purser

GREECE: YANINA, 1833. View of the city of Yanina, in Epirus in northwestern Greece. Steel engraving, English, 1833, by Edward Finden after James Duffield Harding

GREECE: CORFU, 1832. View of the Greek island of Corfu, in the Ionian Sea. Steel engraving, English, 1832, by Edward Finden after Clarkson Stanfield

GREECE: YANINA, 1832. View of the city of Yanina, on Lake Pamvotis in Epirus in northwestern Greece. Steel engraving, English, 1832, by Edward Finden after Clarkson Stanfield

GREECE: CAPE LEFKADA, 1832. View of Lovers Leap at Cape Lefkada, on the Greek island of Levkas (Leucas) in the Ionian Sea, where the ancient poet Sappho reputedly leapt to her death, c580 B.C

PISA: CAMPOSANTO, 1832. View of the Campasanto in Pisa, Italy, on the edge of the Campo dei Miracoli. Steel engraving, English, 1832, by Edward Finden

GREECE: ITHACA, 1832. View of the Greek island of Ithaca, in the Ionian Sea. Steel engraving, English, 1832, by Edward Finden after Clarkson Stanfield

ITALY: SARDINIA, 1832. View of Cagliari, on the coast of the Italian island of Sardinia. Steel engraving, English, 1832, by Edward Finden

GREECE: MOUNT OLYMPUS. Steel engraving, English, 1833

ROME: THE VATICAN, 1834. The Vatican, Rome, Italy, with a view of St. Peters Basilica. Steel engraving, English, 1834, by Edward Finden after James Duffield Harding

GREECE: CAPE SOUNION, 1832. View of the ruins of the Temple of Poseidon at Cape Sounion (or Cape Colonna), Greece. Steel engraving, English, 1832, by Edward Finden after Joseph Mallord William Turner

SWITZERLAND: GRINDENWALD. Steel engraving, English, 1833, by Edward Finden after a drawing by J. S. Cooper
SWITZERLAND: GRINDENWALD. Steel engraving, English, 1833, by Edward Finden after a drawing by J.S. Cooper

ST. PETERs BASILICA. The Vatican, Rome, Italy. Steel engraving, English, 1834, by Edward Finden after James Duffield Harding

CONSTANTINOPLE, 1833. View of the city from Pera. Steel engraving, English, 1833

LORD BYRON at the age of 19. Steel engraving, English, 1830, after a painting by George Sanders

SAMUEL JOHNSON (1709-1784). English man of letters. Line engraving, 1835, by Edward Finden

PORTSMOUTH, Hampshire
A steamship and sailing vessels large and small in the harbour at Portsmouth, Hampshire Date: 1840

Portrait of Viscount Horatio Nelson
This is a fine engraving by W. Finden from the original by Hoppner

Samuel Johnson / Finden
DR SAMUEL JOHNSON English writer, lexicographer, critic and conversationalist

John Pym / Finden / Cooper
JOHN PYM English Member of Parliament, an important figure in the opposition to King Charles I

William Penn / Finden
WILLIAM PENN English religious reformer and colonialist as a young man

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"Discovering the Artistic Legacy of Finden: From Percy Shelley to Historical Landscapes" Step into the world of Finden, a name synonymous with artistic excellence and historical documentation. This caption takes you on a journey through time, exploring various works by renowned artists such as William Westall, Edward Francis Finden, and Clarkson Stanfield. In Liverpool's Town Hall and Mansion House during the 19th century, artist William Westall captured the grandeur of this architectural marvel. The intricate details in his artwork transport us back to an era filled with opulence and elegance. Moving across continents to Greece, we find ourselves immersed in Corinth's breathtaking landscape. Edward Finden's steel engraving after Clarkson Stanfield showcases the beauty of this ancient city. Every stroke tells a story of its rich history and cultural significance. The connection between prominent figures like W Wilberforce and Finden becomes apparent as their collaborations unfold. Their shared passion for art brings forth masterpieces that stand the test of time. Edward Francis Finden's depiction of St. George's Church from Liverpool docks offers a glimpse into daily life during the early 19th century. The bustling activity around the church serves as a reminder of how communities thrived amidst industrial progress. Venturing further north, we encounter Great Slave Lake in Canada through engravings from 1833. These images capture Franklin's expedition preparing an encampment on Barren Grounds while gathering lichen—a testament to human resilience in harsh environments. Delving deeper into indigenous cultures, Edward Francis Finden presents us with an intimate view inside a Cree Indian Tent from 1820 (1946). This rare insight allows us to appreciate their way of life and honor their traditions. Ali Pacha comes alive through William Finden's artistry in 1832—an intriguing portrayal that invites contemplation about power dynamics within society at that time.