Fraud Blocker Skip to main content

Firewood Collection (page 9)

"From Ancient Times to Modern Necessity: The Story of Firewood" Step back in time to witness the burning of Cranmer in 1556, a pivotal moment captured in c1850

Background imageFirewood Collection: Red Squirrels holding a wooden stick

Red Squirrels holding a wooden stick Date: 27-07-2021

Background imageFirewood Collection: Red Squirrel holding a wooden stick

Red Squirrel holding a wooden stick Date: 27-07-2021

Background imageFirewood Collection: Red Squirrels with axe and firewood

Red Squirrels with axe and firewood Date: 26-07-2021

Background imageFirewood Collection: Portrait of Peasant Woman, October 1840. Creator: Elizabeth Murray

Portrait of Peasant Woman, October 1840. Creator: Elizabeth Murray
Portrait of Peasant Woman, October 1840

Background imageFirewood Collection: The Actors Ichimura Takenojo IV and Ogino Isaburo I as firewood peddlers in the play

The Actors Ichimura Takenojo IV and Ogino Isaburo I as firewood peddlers in the play " Niwatori Oshu Genji, " performed at the Ichimura Theater in the first month, 1726, 1726

Background imageFirewood Collection: The Storm, 1866. Creator: Charles Emile Jacque

The Storm, 1866. Creator: Charles Emile Jacque
The Storm, 1866

Background imageFirewood Collection: Edge of a Wood, n. d. Creator: Charles Emile Jacque

Edge of a Wood, n. d. Creator: Charles Emile Jacque
Edge of a Wood, n.d

Background imageFirewood Collection: Shiga, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka

Shiga, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
Shiga, from the series "Pictures of No Performances (Nogaku Zue)", 1898

Background imageFirewood Collection: A Friendly Warning, 1881 / 90. Creator: Thomas Hicks

A Friendly Warning, 1881 / 90. Creator: Thomas Hicks
A Friendly Warning, 1881/90. A group of men warming themselves at a woodstove

Background imageFirewood Collection: Residence Chief Quartermaster Third Army Corps, Brandy Station, December 1863

Residence Chief Quartermaster Third Army Corps, Brandy Station, December 1863. [Scene from the American Civil War: an African American man carries firewood as a white man reclines on the log pile]

Background imageFirewood Collection: The Woodchopper, 1858 / 66. Creator: Jean Francois Millet

The Woodchopper, 1858 / 66. Creator: Jean Francois Millet
The Woodchopper, 1858/66

Background imageFirewood Collection: Wood Box, c. 1936. Creator: Lawrence Foster

Wood Box, c. 1936. Creator: Lawrence Foster
Wood Box, c. 1936

Background imageFirewood Collection: Peasant woman gathering sticks, 1884-1908. Creator: Giovanni Fattori

Peasant woman gathering sticks, 1884-1908. Creator: Giovanni Fattori
Peasant woman gathering sticks, 1884-1908

Background imageFirewood Collection: The Cottage (La Chaumiere), 1800-50. 1800-50. Creator

The Cottage (La Chaumiere), 1800-50. 1800-50. Creator
The Cottage (La Chaumiere), 1800-50

Background imageFirewood Collection: Licorice or liquorice, Glycyrrhiza glabra, with flower, leaf, bark, woody branch and seed

Licorice or liquorice, Glycyrrhiza glabra, with flower, leaf, bark, woody branch and seed
FLO4604221 Licorice or liquorice, Glycyrrhiza glabra, with flower, leaf, bark, woody branch and seed. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre

Background imageFirewood Collection: Gathering Wood, Montclair, New Jersey, 1889 (oil on canvas)

Gathering Wood, Montclair, New Jersey, 1889 (oil on canvas)
1767351 Gathering Wood, Montclair, New Jersey, 1889 (oil on canvas) by Inness, George Snr. (1825-94); 50.8x76.2 cm; Private Collection; (add.info.: Gathering Wood, Montclair, New Jersey)

Background imageFirewood Collection: A Difficult Passage in the Talmud (oil on panel)

A Difficult Passage in the Talmud (oil on panel)
2915182 A Difficult Passage in the Talmud (oil on panel) by Kaufmann (Kaufman) Isidor (1853-1921); 33x28.4 cm; Private Collection; Photo eChristies Images; Hungarian, out of copyright

Background imageFirewood Collection: Pere Melon Sawing Wood, Pontoise, 1879 (oil on canvas)

Pere Melon Sawing Wood, Pontoise, 1879 (oil on canvas)
CH103889 Pere Melon Sawing Wood, Pontoise, 1879 (oil on canvas) by Pissarro, Camille (1830-1903); 89x116.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageFirewood Collection: Promenade at the Pincio

Promenade at the Pincio
3574021 Promenade at the Pincio by Ponse, Joris (1723-83); Museo di Roma, Palazzo Braschi, Rome, Italy; (add.info.: Artist: Joris, Ponse Date of Artwork: 1743-1783 Location: Palazzo Braschi)

Background imageFirewood Collection: Papal Benediction in the Piazza San Pietro

Papal Benediction in the Piazza San Pietro
3574019 Papal Benediction in the Piazza San Pietro by Caffi, Ippolito (1809-66); (add.info.: Artist: Caffi, Ippolito Date of Artwork: 1830-1866 Location: Palazzo Braschi, Museo di Roma)

Background imageFirewood Collection: Via Capo le Case

Via Capo le Case
3574017 Via Capo le Case by Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736); Museo di Roma, Palazzo Braschi, Rome, Italy; (add.info.: Artist)

Background imageFirewood Collection: Amorous Silence

Amorous Silence
3564846 Amorous Silence by Cremona, Tranquillo (1837-78); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; (add.info.: Artist: Cremona)

Background imageFirewood Collection: Solomon overseeing the building of the Temple of Jerusalem (colour litho)

Solomon overseeing the building of the Temple of Jerusalem (colour litho)
5226860 Solomon overseeing the building of the Temple of Jerusalem (colour litho) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Private Collection; (add.info)

Background imageFirewood Collection: Noah supervising the building of the Ark (colour litho)

Noah supervising the building of the Ark (colour litho)
5226823 Noah supervising the building of the Ark (colour litho) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Private Collection; (add.info)

Background imageFirewood Collection: Wood carving: Circular panel in higher relief (engraving)

Wood carving: Circular panel in higher relief (engraving)
5226063 Wood carving: Circular panel in higher relief (engraving) by English School, (19th century); Private Collection; (add.info.: Circular panel in higher relief)

Background imageFirewood Collection: Wood carving: Incised border, centre in low relief (engraving)

Wood carving: Incised border, centre in low relief (engraving)
5226041 Wood carving: Incised border, centre in low relief (engraving) by English School, (19th century); Private Collection; (add.info.: Incised border, centre in low relief)

Background imageFirewood Collection: Carving a piece of wood, illustration for Antikamnia Calendar, 1898 (colour litho)

Carving a piece of wood, illustration for Antikamnia Calendar, 1898 (colour litho)
3656541 Carving a piece of wood, illustration for Antikamnia Calendar, 1898 (colour litho) by Crucius or Crusuius, Louis (1862-1898); Private Collection; (add.info.: Carving a piece of wood)

Background imageFirewood Collection: The Joiner (engraving)

The Joiner (engraving)
3646672 The Joiner (engraving) by Amman, Jost (1539-91) (after); Private Collection; (add.info.: The Joiner. Illustration for Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten by Georg Hirth)

Background imageFirewood Collection: The Wheelwright (engraving)

The Wheelwright (engraving)
3646666 The Wheelwright (engraving) by Amman, Jost (1539-91) (after); Private Collection; (add.info.: The Wheelwright. Illustration for Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten by)

Background imageFirewood Collection: Fabrication du charbon par meules (engraving)

Fabrication du charbon par meules (engraving)
3644516 Fabrication du charbon par meules (engraving) by French School, (19th century); Private Collection; (add.info.: Fabrication du charbon par meules)

Background imageFirewood Collection: A Wood-chopper of Drenthe (colour litho)

A Wood-chopper of Drenthe (colour litho)
3633799 A Wood-chopper of Drenthe (colour litho) by Jungman, Nico (1872-1935); Private Collection; (add.info.: A Wood-chopper of Drenthe)

Background imageFirewood Collection: Tourneur kabyle (engraving)

Tourneur kabyle (engraving)
3635582 Tourneur kabyle (engraving) by European School, (19th century); Private Collection; (add.info.: Tourneur kabyle. Illustration for Les Races Humaines by Louis Figuier (Hachette, 1872)

Background imageFirewood Collection: L arpentage en foret (engraving)

L arpentage en foret (engraving)
3625046 L arpentage en foret (engraving) by French School, (19th century); Private Collection; (add.info.: L arpentage en foret)

Background imageFirewood Collection: W As Benson, Architect (b / w photo)

W As Benson, Architect (b / w photo)
3652309 W As Benson, Architect (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: W As Benson, Architect)

Background imageFirewood Collection: Robin Hood and Allin A Dale (engraving)

Robin Hood and Allin A Dale (engraving)
3655180 Robin Hood and Allin A Dale (engraving) by Small, William (1843-1931) (after); Private Collection; (add.info.: Robin Hood and Allin A Dale)

Background imageFirewood Collection: Wood Sawyer (engraving)

Wood Sawyer (engraving)
3648014 Wood Sawyer (engraving) by Bouchardon, Edme (1698-1762) (after); Private Collection; (add.info.: Wood Sawyer. Illustration for Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten by Georg)

Background imageFirewood Collection: Monument to Antonio Roselli (marble)

Monument to Antonio Roselli (marble)
3558066 Monument to Antonio Roselli (marble) by Lombardo, Pietro (c.1435-1515); Sant Antonio, Padua, Italy; (add.info.: Artist: Lombardo, Pietro Date of Artwork: 1464-1467 Location: Basilica of St)

Background imageFirewood Collection: Chair making (litho)

Chair making (litho)
3643727 Chair making (litho) by English School, (19th century); Private Collection; (add.info.: Chair making. Illustration for Graphic Stories of Industries (Collins, c 1900).); © Look and Learn

Background imageFirewood Collection: Wood, specimens which will aid the amateur in making a suitable choice (colour photo)

Wood, specimens which will aid the amateur in making a suitable choice (colour photo)
3623842 Wood, specimens which will aid the amateur in making a suitable choice (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Wood)

Background imageFirewood Collection: Graining and marbling, imitating oak and marble on white wood (colour photo)

Graining and marbling, imitating oak and marble on white wood (colour photo)
3623838 Graining and marbling, imitating oak and marble on white wood (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Graining and marbling)

Background imageFirewood Collection: Forest with exotic animals (textile)

Forest with exotic animals (textile)
3525992 Forest with exotic animals (textile) by Flemish School, (16th century); Galleria Nazionale delle Marche, Urbino, Marche, Italy; Alinari Archives

Background imageFirewood Collection: Plan of Solomons Temple, after Bernard Lamy (engraving)

Plan of Solomons Temple, after Bernard Lamy (engraving)
5202151 Plan of Solomons Temple, after Bernard Lamy (engraving) by English School, (19th century); Private Collection; (add.info.: Plan of Solomons Temple, after Bernard Lamy)

Background imageFirewood Collection: Wood carving: Album cover (engraving)

Wood carving: Album cover (engraving)
5226042 Wood carving: Album cover (engraving) by English School, (19th century); Private Collection; (add.info.: Album cover)

Background imageFirewood Collection: Jack Spriggins and the enchanted bean (woodcut)

Jack Spriggins and the enchanted bean (woodcut)
5237186 Jack Spriggins and the enchanted bean (woodcut) by English School, (19th century); Private Collection; (add.info.: Jack Spriggins and the enchanted bean)

Background imageFirewood Collection: Cyclops from Thorntons Virgil, c 1810 (engraving)

Cyclops from Thorntons Virgil, c 1810 (engraving)
5236598 Cyclops from Thorntons Virgil, c 1810 (engraving) by English School, (19th century); Private Collection; (add.info.: Cyclops from Thorntons Virgil, c 1810)

Background imageFirewood Collection: Right Angle Alphabet (litho)

Right Angle Alphabet (litho)
6002085 Right Angle Alphabet (litho) by English School, (19th century); Private Collection; (add.info.: Right Angle Alphabet)

Background imageFirewood Collection: 'The birds soon got quite used to it'(colour litho)

"The birds soon got quite used to it"(colour litho)
6013950 " The birds soon got quite used to it" (colour litho) by Neilson, Harry B (1861-1941); Private Collection; (add.info)

Background imageFirewood Collection: Circular Saw Grinding Shop (engraving)

Circular Saw Grinding Shop (engraving)
6011484 Circular Saw Grinding Shop (engraving) by American School, (19th century); Private Collection; (add.info.: Circular Saw Grinding Shop)



All Professionally Made to Order for Quick Shipping

"From Ancient Times to Modern Necessity: The Story of Firewood" Step back in time to witness the burning of Cranmer in 1556, a pivotal moment captured in c1850. Behold the symmetrically stacked pile of logs, meticulously prepared as firewood for warmth and sustenance. An illustration featuring an axe with a wooden handle reminds us of the laborious process behind obtaining this precious resource. Travel to the picturesque Swabian Alb in Baden Wurttemberg, Germany, where a woodpile stands amidst a vibrant flower meadow. This scene depicts the harmonious coexistence between nature's beauty and mankind's need for firewood. Dorking Church emerges from 1767-1816 through a watercolor masterpiece, showcasing how firewood played an integral role in providing warmth within sacred spaces. James William Edmund Doyle's artwork transports us to Alfred's humble abode within the neatherds cottage circa 878 (1864). Here we witness how firewood was essential for survival during harsh winters. Observe young boys navigating rivers with their boat full of tree branches - evidence that even children understood the importance of gathering firewood for their families' comfort and well-being. The conquest of fire is vividly portrayed through an illustration from L'Homme Primitif. It serves as a reminder that mastering fire-making techniques using carefully collected firewood was crucial for early human civilizations' progress. Color lithographs from Sketches of the British Army depict soldiers chopping wood, highlighting its significance not only as fuel but also as a strategic resource during military campaigns throughout history. David Bates takes us on an enchanting journey to Church Stretton's Long Mynd landscape in 1907. Amidst this breathtaking scenery lies evidence of humans collecting and utilizing firewood - proof that it has been ingrained into our daily lives since time immemorial.