Flaxman Collection

Wedgwood Dancing Hours
The dancing hours - a fine example of the style that has made Wedgwood famous : it is based on a design by Flaxman

Dancing Hours
Black and white. Image shows a bas relief of six ladies, each holding the hand of the ones next to her, and apparently dancing. This is a Wedgwood bas relief originally attributed to John Flaxman Jr

HOMER: THE ILIAD. Homer Invoking the Muse. Line engraving, 1805, after the drawing by John Flaxman

William Collins, from the bas-relief by Flaxman, in Chichester Cathedral (engraving)
5233855 William Collins, from the bas-relief by Flaxman, in Chichester Cathedral (engraving) by English School, (19th century); Private Collection; (add.info.: William Collins)

Facsimile of a Study by Flaxman (engraving)
6019005 Facsimile of a Study by Flaxman (engraving) by English School, (19th century); Private Collection; (add.info.: Facsimile of a Study by Flaxman)

Portraits of King George III and Queen Charlotte. King George by John Flaxman 1, 3, Queen Charlotte by John Flaxman 2, 6, the king as a young man 4, and KIng and Queen by another unknown artist 5, 7

John Flaxmans water vase decorated with a Triton grasping a sea monsters head. Chromolithograph by W. Griggs from Frederick Rathbones Old Wedgwood

John Flaxmans wine vase decorated with grape foliage, and a satyr grasping a rams head. Chromolithograph W. Griggs from Frederick Rathbones Old Wedgwood

Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbones Old Wedgwood

Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbones Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London

Xanthippus, father of Pericles, from a bas relief on his tombstone in the collection of Charles Townley. Copperplate engraving by J. Parker from a drawing by J

Bust of Lord Nelson by John Flaxman
Bust of Vice-Admiral Horatio Nelson (1758-1805) by John Flaxman. late 18th century

The National Exhibition of Works of Art, Leeds (engraving)
1611262 The National Exhibition of Works of Art, Leeds (engraving) by English School, (19th century); Private Collection; (add.info.: The National Exhibition of Works of Art, Leeds)

Bust of Pope, by Roubiliac, and "Cupid and Psyche, "by Flaxman, from the Rogers Collection (engraving)
1623621 Bust of Pope, by Roubiliac, and " Cupid and Psyche, " by Flaxman, from the Rogers Collection (engraving) by English School

Thomas Banks (engraving)
820687 Thomas Banks (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Thomas Banks. Drawn from the life by John Flaxman on 22 June 1804. Engraved by W C Edwards)

Bas-Relief on Collinss Monument, by Flaxman (engraving)
665393 Bas-Relief on Collinss Monument, by Flaxman (engraving) by English School, (19th century); Private Collection; (add.info.: Bas-Relief on Collinss Monument, by Flaxman)

Circular Pedestal in Old Wedgwood Cameo Ware, designed and modelled by Flaxman (chromolitho)
5221802 Circular Pedestal in Old Wedgwood Cameo Ware, designed and modelled by Flaxman (chromolitho) by English School, (19th century); Private Collection; (add.info)

Michael and Satan, from the group in marble by Flaxman, RA, engraved by W Roffe (engraving)
5199161 Michael and Satan, from the group in marble by Flaxman, RA, engraved by W Roffe (engraving) by Roffe, William John (fl.1845-89); Private Collection; (add.info.: Michael and Satan)

Flaxmans Grave (engraving)
1591685 Flaxmans Grave (engraving) by English School, (19th century); Private Collection; (add.info.: Flaxmans Grave. Illustration for The Illustrated London News, 4 July 1891)

Early Days of Flaxman, the Great Sculptor (engraving)
6008140 Early Days of Flaxman, the Great Sculptor (engraving) by English School, (19th century); Private Collection; (add.info.: Early Days of Flaxman, the Great Sculptor)

Flaxmans Condemned Youth (engraving)
1095492 Flaxmans Condemned Youth (engraving) by English School, (19th century); Private Collection; (add.info.: Flaxmans Condemned Youth)

Statue of Burns, by Flaxman, 1844. Creator: Unknown
Statue of Burns, by Flaxman, 1844. After a sculpture of Scottish poet Robert Burns, by John Flaxman. From " Illustrated London News", 1844, Vol I

Portrait of John Flaxman, c1800. Artist: Richard Woodman
Portrait of John Flaxman, c1800. John Flaxman was a designer, draughtsman and sculptor. He worked for the potter Josiah Wedgwood between 1775-1787

Monument to Earl Howe, sculpted by J Flaxman, St Pauls Cathedral, City of London, 1818

The Horses of the Morning, 1880. Artist: Flaxman
The Horses of the Morning, 1880. In Greek mythology, Eos is a Titaness and the goddess of the dawn, who rose each morning from her home at the edge of the Oceanus

Atossas Dream, 1880. Artist: Flaxman
Atossas Dream, 1880. Atossa was an Achaemenid empress and daughter of Cyrus the Great and Cassandane. She lived from 550 BC to 475 BC. From Stories from the Greek Tragedies by the Rev. Alfred J

The Furies Departing, 1880. Artist: Flaxman
The Furies Departing, 1880. Furies Departing from Athena, Apollo and Oreste. From Stories from the Greek Tragedies by the Rev. Alfred J. Church, M.A. [Seeley, Jackson, & Halliday, London, 1880]

The Birthday Gifts of Phoebus, 1880. Artist: Flaxman
The Birthday Gifts of Phoebus, 1880. Phoebus (also known as Apollo) is one of the Olympian deities in Greek and Roman mythology. From Stories from the Greek Tragedies by the Rev. Alfred J

The Return of Agamemnon, 1880. Artist: Flaxman
The Return of Agamemnon, 1880. In Greek mythology, Agamemnon was king of Mycenae or Argos, and commanded the united Greek armed forces in the Trojan War

The Empty Joy That Dwells In the Dreams of the Night, 1880. Artist: Flaxman
The Empty Joy That Dwells In the Dreams of the Night, 1880. The Oneiroi were the dark-winged spirits (daimones) of dreams which emerged each night like a flock of bats from their cavernous home in

The Oath of the Seven Chiefs, 1880. Artist: Flaxman
The Oath of the Seven Chiefs, 1880. From Stories from the Greek Tragedies by the Rev. Alfred J. Church, M.A. [Seeley, Jackson, & Halliday, London, 1880]

The Dead Brothers, 1880. Artist: Flaxman
The Dead Brothers, 1880. Thanatos was the god or personified spirit (daimon) of non-violent death. His touch was gentle, likened to that of his twin brother Hypnos (Sleep)

Wedgwood Flaxman chimneypiece, Fontainebleau, France, 1911-1912. Artist: Edwin Foley
Wedgwood Flaxman chimneypiece, Fontainebleau, France, 1911-1912. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd, London

Penelope and Maidens, Wedgwood plaque, 18th century, (c1920). Illustration from Story of the British Nation, Volume III, by Walter Hutchinson, (London, c1920s)

John Flaxmans house, Buckingham Street, Euston Road, London, 1912. Artist: Frederick Adcock
John Flaxmans house, Buckingham Street, Euston Road, London, 1912. The home of John Flaxman (1755-1826), English sculptor and draughtsman

A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman
A letter from John Flaxman, 24 December 1819 (1904). John Flaxman (1755-1826), British sculptor and draughtsman. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

John Flaxman, British designer, draughtsman and sculptor, (1833). Artist: R Woodman
John Flaxman, British designer, draughtsman and sculptor, (1833). Flaxman (1755-1826) worked for the potter Josiah Wedgwood between 1775-1787

ODYSSEUS & CYCLOPS. Odysseus gives wine to Polyphemus: line engraving, c. 1805, after John Flaxman for Homers Odyssey
ODYSSEUS & CYCLOPS. Odysseus gives wine to Polyphemus: line engraving, c. 1805, after John Flaxman for Homers " Odyssey."

Detail title page bust Josiah Wedgwood Wedgwood
Detail of title page: a bust of Josiah Wedgwood, Wedgwood and his works: a selection of his plaques, cameos, medallions, vases, etc

HOMER: THE ODYSSEY. The Sirens singing to Odysseus, strapped to the mast, while his sailors, their ears stopped up with wax, row past. Line drawing, c1805, after the drawing by John Flaxman

HOMER: THE ODYSSEY. The Harpies go to seize the terrified daughters of Pandarus. Line drawing, c1805 after the drawing by John Flaxman

HOMER: THE ILIAD. Hectors body dragged behind the chariot of Achilles. Line engraving, 1805. after the drawing by John Flaxman

HOMER: THE ODYSSEY. Odysseus with his dog Argus. Takes a last look & having seen him dies. So closed for ever faithful Argus eyes. Line engraving, 1805, after the drawing by John Flaxman

HOMER: THE ILIAD. Minerva repressing the fury of Achilles. Line engraving, 1805, by William Blake after the drawing by John Flaxman

John Flaxman - 2
JOHN FLAXMAN sculptor Date: 1755 - 1826

John Flaxman - 1
JOHN FLAXMAN sculptor Date: 1755 - 1826

Flaxman home and Grave
John Flaxmans home in Buckingham Street, London, his residence when alive, and his tomb in the graveyard of St Giles in the Fields, his present residence. Date: 1826

Robert Burns / Cook
ROBERT BURNS the Scottish national poet: his statue, sculpted by John Flaxman Date: 1759 - 1796

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Flaxman: Master of Artistic Elegance Step into the enchanting world of Flaxman, where artistry and beauty intertwine to create timeless masterpieces. From the Wedgwood Dancing Hours collection to the captivating engravings of William Collins, Flaxman's influence is felt far and wide. In Chichester Cathedral, one can marvel at the bas-relief by Flaxman depicting the graceful movements of the Dancing Hours. The intricate details bring these ethereal figures to life, showcasing Flaxman's exceptional talent for capturing movement and emotion. Delve deeper into his artistic prowess with a facsimile of a Study by Flaxman. Every stroke reveals his meticulous attention to detail, as if each line has been carefully crafted with love and dedication. The portraits of King George III and Queen Charlotte stand proudly as testaments to Flaxman's ability to immortalize royalty through his art. Their regal presence emanates from every brushstroke or chisel mark, leaving viewers in awe of their majesty. John Flaxman's water vase adorned with classical motifs showcases his versatility as an artist. With delicate reliefs that transport us back in time, this masterpiece serves as a reminder of our rich cultural heritage. Equally impressive is John Flaxman's wine vase, which exudes elegance and sophistication. Its exquisite craftsmanship elevates any setting it graces while paying homage to ancient Greek aesthetics. A self-portrait in terracotta captures not only John Flaxman's physical likeness but also offers a glimpse into his creative soul. It reflects an artist who poured heart and soul into every creation—a testament to his unwavering passion for art. From Xanthippus' fatherly gaze captured in bas-relief to Lord Nelson immortalized in stone by John Flaxman himself—his busts breathe life into history itself. These sculptures evoke emotions that transcend time, reminding us of the indelible mark left by great figures.