Flirting Collection (page 7)

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An open-air Party, 1615 (oil on panel)
7412461 An open-air Party, 1615 (oil on panel) by Velde, Esaias I van de (1587-1630); 34.7--60.7 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Esaias van de Velde)

Two Strings to her Bow, 1887 (oil on canvas)
GLS219809 Two Strings to her Bow, 1887 (oil on canvas) by Pettie, John (1839-93); 84x120.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

The Lantern Maker's Courtship, c. 1854-60 (oil on panel)
MAN62952 The Lantern Maker's Courtship, c.1854-60 (oil on panel) by Hunt, William Holman (1827-1910); 29.4x18.8 cm; Manchester Art Gallery

The Temptation of Saint Anthony, 17th Century (Oil on wood)
7393521 The Temptation of Saint Anthony, 17th Century (Oil on wood) by Borcht, Lazarus van der (1580-1627); 18, 5 x 24, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Tannhauser, 1886 (oil on canvas)
XOS5886589 Tannhauser, 1886 (oil on canvas) by Fantin-Latour, Henri (1836-1904) ; 123.5x139.5 cm; Cleveland Museum of Art, OH

Ganymede, 1560 circa (bronze)
7146182 Ganymede, 1560 circa (bronze) by Ammannati, Bartolomeo (1511-92) (attr. to); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Ganymede, 1560 circa)

Ganymede, 1548-1550 (marble)
7146180 Ganymede, 1548-1550 (marble) by Cellini, Benvenuto (1500-71); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Ganymede, 1548-1550, Benvenuto Cellini, marble)

The choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas)
7146864 The choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Galleria degli Uffizi, Florence, Tuscany

Seduction, 1894 (oil on canvas)
7059018 Seduction, 1894 (oil on canvas) by Migliaro, Vincenzo (1858-1938); Palazzo Zevallos Stigliano, Naples, Campania, Italy; (add.info.: Seduction, 1894, Vincenzo Migliaro, oil on canvas)

Rinaldo and Armida, 1642 (oil on canvas)
7352751 Rinaldo and Armida, 1642 (oil on canvas) by Wael, Cornelis de (1592-1667); 184x238 cm; Galleria Nazionale di Palazzo Spinola, Genoa, Liguria

Joseph and the Potiphar's wife, 17th century (oil on canvas)
7062914 Joseph and the Potiphar's wife, 17th century (oil on canvas) by Biliverti, Giovanni (1576-1644); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Vertumnus and Pomona, 1725, (marble)
7130153 Vertumnus and Pomona, 1725, (marble) by Delvaux, Laurent (c.1695-1773); Victoria & Albert Museum, London, UK; (add.info.: Vertumnus and Pomona, 1725, Laurent Delvaux, marble, V&A Museum)

Apollo and Hyacinthus, 1548 circa (marble)
7146184 Apollo and Hyacinthus, 1548 circa (marble) by Cellini, Benvenuto (1500-71); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Apollo and Hyacinthus, 1548 circa)

Narcissus, 17th century (oil on canvas)
7129409 Narcissus, 17th century (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Narcissus, Caravaggio)

Venus and Adonis, 1903, (oil on cardboard)
7129318 Venus and Adonis, 1903, (oil on cardboard) by De Carolis, Adolfo (1874-1928); Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy; (add.info.: Venus and Adonis, 1903)

Rinaldo and Armida, 17th century (oil on canvas)
7352708 Rinaldo and Armida, 17th century (oil on canvas) by Wael, Cornelis de (1592-1667); Private Collection; (add.info.: Artist: Domenico Fiasella known as Sarzana (1589-1669)); Luisa Ricciarini

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Herod's banquet, 15th century (fresco)
7294110 Herod's banquet, 15th century (fresco) by Lippi, Filippo (c.1406-69); Duomo, Prato, Italy; (add.info.: Fresco depicting Herod's banquet, Filippo Lippi, main chapel)

Repentant Mary Magdalene, 1595 circa, (oil on canvas)
7129370 Repentant Mary Magdalene, 1595 circa, (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Repentant Mary Magdalene)

The three ages of woman, 1905, (oil on canvas)
7146734 The three ages of woman, 1905, (oil on canvas) by Klimt, Gustav (1862-1918); 180x180 cm; Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Venus, known as the Venus of Urbino, 1538 (oil on canvas)
7146848 Venus, known as the Venus of Urbino, 1538 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 119x165 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Venus)

Untitled, 1919 (etching & aquatint)
1067526 Untitled, 1919 (etching & aquatint) by Kolb, Alois (1875-1942); 21x59 cm; Dallas Museum of Art, Texas, USA; (add.info.: artist: Alois Kolb (1875-1942) publisher

Teasing (litho)
6001938 Teasing (litho) by Christy, Howard Chandler (1873-1952) (after); Private Collection; (add.info.: Teasing. Illustration from The Christy Album, by Howard Chandler Christy (Dean & Son, Ltd)

Illustration for Le Rire (colour litho)
2796073 Illustration for Le Rire (colour litho) by Bac, Ferdinand Sigismund (1859-1952); Private Collection; (add.info.: Illustration for Le Rire, 14 June 1902.); © Look and Learn

Flirting Lovers, c. 1673-81 (woodblock print)
5860967 Flirting Lovers, c.1673-81 (woodblock print) by Moronobu, Hishikawa (c.1618-1694); 27.1x38.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: Hishikawa Moronobu (c.1618-1694))

Madame de Joss, detail, 1906 (oil on canvas)
7331957 Madame de Joss, detail, 1906 (oil on canvas) by Boldini, Giovanni (1842-1931); Private Collection; (add.info.: Artist: Giovanni Boldini); Ghigo Roli

Madame de Joss, 1906 (oil on canvas)
7331948 Madame de Joss, 1906 (oil on canvas) by Boldini, Giovanni (1842-1931); Private Collection; (add.info.: Artist: Giovanni Boldini); Ghigo Roli

Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving)
7315145 Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Clodia, Matronne impudique (Clodia, Immodest Matron)

Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving)
7315150 Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Clodia, Matronne impudique (Clodia, Immodest Matron)

Man courting a woman in a park in the eighteenth century. ca. 1910 (illustration)
6438205 Man courting a woman in a park in the eighteenth century. ca. 1910 (illustration) by Pean, Rene (1875-1940); Private Collection; (add.info.: Company. Mours)

A rat asks a spleen to shelter it under a mushroom. "Let me shelter you under my umbrella
7309653 A rat asks a spleen to shelter it under a mushroom. "Let me shelter you under my umbrella!", 1936 (illustration) by Rabier, Benjamin (1869-1939); 7 x 10

Vertumme and Pomona, 1760 (stone)
7301161 Vertumme and Pomona, 1760 (stone) by Lemoyne, Jean Baptiste II (1704-78); Louvre, Paris, France; (add.info.: Vertumnus and Pomona, Stone)

Lovers in front of the gate to a park, sitting on a bench and looking at each other, 1880, France
7279886 Lovers in front of the gate to a park, sitting on a bench and looking at each other, 1880, France by Unknown Artist

Girls, open the door, 1909
7299023 Girls, open the door, 1909 by Kittelsen, Theodor Severin (1857-1914); 55x55 cm; Private Collection; (add.info.: Theodor Kittelsen (1857-1914)); Photo © O. Vaering

Soldier flirting with a young woman who wants to go for a walk with her dog, 1887, Historic
7279043 Soldier flirting with a young woman who wants to go for a walk with her dog, 1887, Historic by Unknown Artist, (19th century); Private Collection; (add.info)

Warship, c. 1900 (print)
7293296 Warship, c.1900 (print) by Pourriol, Charles (1873-1910); (add.info.: Transport. Marine. Woman seduced by sailors/gunmen in a warship)

Couple in love in the forest together carving a heart with their initials into a tree trunk, 1878
7279879 Couple in love in the forest together carving a heart with their initials into a tree trunk, 1878 by Unknown Artist

Eroticism: Giacomo Casanova (1725-1798) portraying his elongated mistress languorously naked on a sofa (etching)
FGL5494373 Eroticism: Giacomo Casanova (1725-1798) portraying his elongated mistress languorously naked on a sofa (etching) by Sauvage

A Merry Company in an Interior (oil on panel)
EH402374 A Merry Company in an Interior (oil on panel) by Hals, Dirck (1591-1656); 23.1x27.9 cm; Private Collection; Photo © Christies Images

Bathsheba Bathing from the Hours of Louis XII, 1498-99 (tempera and gold)
7295934 Bathsheba Bathing from the Hours of Louis XII, 1498-99 (tempera and gold) by Bourdichon, Jean (1457-1521); 24.3--17 cm; J

A soldier and a woman in a park, with the Old Russell Senate Office... Washington, D.C. ca. 1943. Creator: Unknown
A soldier and a woman in a park, with the Old [Russell] Senate Office Building behind them, Washington, D.C

Haddon Hall with elegantly dressed figures in the foreground, 1881. Creator: After Ignacio de Leon y Escosura
Haddon Hall with elegantly dressed figures in the foreground, 1881

La Desir, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035643 La Desir, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Les Conseils, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035636 Les Conseils, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

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"Flirting: A Timeless Art of Seduction" In the roaring 1920s, amidst the Kayser Bondor Nylons advertisement and the enchanting pages of "The It Girl" by George Whitelaw, flirting became an exquisite dance of charm and wit. Picture a smoky bar where a dapper gentleman from Polo - Its Social Aspect by Higgins catches the eye of a vivacious flapper in her shimmering gown. Just like Jeeves guiding Wooster through life's escapades in Wodehouse's tales, tenderly flirting was an art mastered by few but admired by all. As illustrated in Pride & Prejudice by Jane Austen, it was a delicate balance between coy glances and playful banter that set hearts ablaze. Fred and Adele Astaire were no strangers to this captivating game as they mesmerized audiences with their electrifying chemistry in Stop Flirting. Their graceful moves on stage mirrored the intricate steps taken when two souls intertwine. Even Hollywood embraced flirtation's allure as Diana Dors and Bonar Colleano sizzled on screen in Maurice Elveys' Is Your Honeymoon Really Necessary? Love bloomed under bright lights, leaving audiences yearning for more. Yet, long before these modern romances unfolded, William Holman Hunt captured the essence of courtship in his masterpiece The Hireling Shepherd. Amidst lush landscapes, lovers whispered sweet nothings while adorned in traditional Burmese attire or Princess Beatrice of Saxe-Coburg reveled with her family. Flirting transcends time; it is an age-old language spoken across generations. From London to Myanmar, its power remains undeniable. So next time you find yourself caught up in its tantalizing embrace remember: flirting is not just about words or gestures—it is about creating moments that ignite passion and leave lasting imprints on our hearts.