Francis Cleyn Collection

The Presentation of Christ in the Temple, and the Baptism of Christ, 1619-1622. Creator: Francis Cleyn
The Presentation of Christ in the Temple, and the Baptism of Christ, 1619-1622

A Betrothal, 1619-1622. Creator: Francis Cleyn
A Betrothal, 1619-1622

A Boys School, 1597-1658. Creator: Francis Cleyn
A Boys School, 1597-1658

Title Plate, from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Title Plate, from Quinque Sensuum (Five Senses), ca. 1655

Touch (Tactus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Touch (Tactus), from Quinque Sensuum (Five Senses), ca. 1655

Sight (Visus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Sight (Visus), from Quinque Sensuum (Five Senses), ca. 1655

Taste (Gustus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Taste (Gustus), from Quinque Sensuum (Five Senses), ca. 1655

Hearing (Auditus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Hearing (Auditus), from Quinque Sensuum (Five Senses), ca. 1655

The Sack of Troy-Pyrrhus Killing Priam, before 1654. Creator: Pierre Lombart
The Sack of Troy-Pyrrhus Killing Priam, before 1654

Camilla slaying Aunus, 1653. Creator: Francis Cleyn
Camilla slaying Aunus, 1653. Scene from Virgils Aeneid, showing the Amazon-like maiden warrior Camilla killing Aunus, or possibly his son

Turnus before Latinus, early 17th century. Creator: Francis Cleyn
Turnus before Latinus, early 17th century. Scene from Virgils Aeneid: Turnus King of the Rutuli appears before King Latinus, seated on his throne

Aeneid 1658 Francis Cleyn German 1582-1658 Pierre Lombart
Aeneid, 1658. After Francis Cleyn (German, 1582-1658), Pierre Lombart (French, 1612-1682). Engraving; sheet: 25.7 x 19.5 cm (10 1/8 x 7 11/16 in.); image: 25.7 x 19.5 cm (10 1/8 x 7 11/16 in.)

Touch, Francis Cleyn, Anonymous, Robert Walton, c. 1655

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Francis Cleyn, a renowned artist of the 17th century, left an indelible mark on the art world with his exquisite creations. One such masterpiece is "Title Plate, from Quinque Sensuum (Five Senses), ca. 1655. " In this captivating work, Cleyn skillfully captures the essence of touch (Tactus), sight (Visus), taste (Gustus), and hearing (Auditus). Each sense comes alive through his meticulous brushstrokes and attention to detail. Cleyn's artistic prowess extends beyond the realm of sensory perception. His talent shines through in other notable works as well. "The Sack of Troy-Pyrrhus Killing Priam" depicts a dramatic scene filled with emotion and turmoil. The intensity portrayed in this piece showcases Cleyn's ability to evoke powerful emotions within viewers. In "Camilla slaying Aunus, " Cleyn demonstrates his mastery over storytelling through art. This dynamic composition tells a tale of bravery and heroism as Camilla fearlessly confronts her enemy. The energy emanating from this painting is palpable, drawing spectators into its narrative. Another remarkable creation by Cleyn is "Turnus before Latinus. " This evocative piece captures a pivotal moment in Roman mythology where Turnus seeks refuge before King Latinus. Through clever use of light and shadow, Cleyn creates depth and atmosphere that adds intrigue to the scene. Cleyn's collaboration with Pierre Lombart resulted in their joint venture on "Aeneid 1658. " These illustrations bring Virgil's epic poem to life visually, showcasing both artists' exceptional skills. With each stroke of their brushes, they transport us into Aeneas' mythical journey filled with adventure and destiny, not only an accomplished artist but also a storyteller who used his craft to captivate audiences throughout history. His contributions continue to inspire generations of artists, leaving an enduring legacy in the art world.