Freeman Gage Collection

12th Century. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. Richard the Second. 1400. Small. Westminster Abbey, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Albert Durers Prayer Book, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th and 15th Centuries. Two Small. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. Date about 1340, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

13th Century. Henry the Third. Westminster Abbey, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

12th Century. Bodleian Library, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

13th Century. From Latin MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. From MS. Munich, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

11th Century and Numerals, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Gothic. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Illuminated Initial and Saint, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial and Saint, 1830-62

Illuminated Initial N, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " N", 1830-62

Illuminated Leaf with Initial E (recto); Vine Border (verso), 1830-62
Illuminated Leaf with Initial " E" (recto); Vine Border (verso), 1830-62

Illuminated Initial from Hymnal, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial from Hymnal, 1830-62

Illuminated Initial O, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " O", 1830-62

Floral Border Design, 1830-62. Creator: Freeman Gage Delamotte
Floral Border Design, 1830-62

Illuminated Initial B, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " B", 1830-62

Illuminated Initial C, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " C", 1830-62

Illuminated Initial D, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " D", 1830-62

Illuminated Letter D within a Decorated Border, 1830-62
Illuminated Letter " D" within a Decorated Border, 1830-62

Title page design for The Court Journal, 1830-62
Title page design for " The Court Journal", 1830-62

Hope, 1830-62. Creator: Freeman Gage Delamotte
Hope, 1830-62

Illuminated Leaf with Initial I, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Leaf with Initial " I", 1830-62

Decorated Border, 1830-62. Creator: Freeman Gage Delamotte
Decorated Border, 1830-62

14th Century. Illuminated MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

From MS. Library of Minerva, Rome, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

8th and 9th Centuries. Anglo-Saxon, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

9th Century. From an Anglo-Saxon MS. Battel Abbey, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

8th Century. Vatican, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

8th Century. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Monograms, Crosses, &c. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. From Wood Engravings, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Numerals, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Initials, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Metal Ornamental, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

German Arabesque, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

17th Century. Church Text MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

17th Century. MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Gothic. MS, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Vatican, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Albert Durers Prayer Book. Large, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Henry the Eighth. MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

15th and 16th Centuries. Ornamental Riband, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

15th and 16th Centuries. German. Small, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

1490. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

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"Unveiling the Timeless Treasures: Freeman Gage through the Centuries" Step back in time to the 12th century as we explore the captivating world of Freeman Gage. Delve into history at the British Museum, where ancient artifacts from 1862 transport us to a bygone era. Intriguingly, our journey commences with a glimpse into Richard II's reign in the 14th century. A small yet significant relic from Westminster Abbey (1862) whispers tales of power and grandeur that once echoed within its walls. Moving forward to the 16th century, we encounter Albert Durer's Prayer Book (1862), an exquisite masterpiece that showcases both artistic brilliance and spiritual devotion. Its pages offer a window into a time when faith intertwined seamlessly with creativity. The British Museum continues to enthrall us with two small treasures from the 14th and 15th centuries (1862). These delicate artifacts hold secrets waiting to be unraveled, inviting us on an enchanting quest for knowledge and understanding. A date around 1340 beckons our attention next—a pivotal moment frozen in time, preserved meticulously at Westminster Abbey (1862). This artifact serves as a tangible link connecting us directly with those who walked these hallowed halls centuries ago. Henry III makes his appearance through a remarkable relic housed at Westminster Abbey (1862), dating back to the illustrious days of the 13th century. It stands as a testament to his legacy and reminds us of his influential role in shaping medieval England. Journeying further, we find ourselves immersed in another treasure trove—the Bodleian Library (1862). Here lies evidence of Freeman Gage's existence during the vibrant tapestry of life in the twelfth century—an era brimming with stories yet untold. From Latin manuscripts emerges another piece of this enigmatic puzzle—dating back to Henry III's reign (1862).